Podcast thumbnail for Bside

by Bside

182 episodes
Updated Inactive
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Podcast Overview

Bside podcasts DJ's showcase and speak a little about their favourite tracks from the B-side of their records. We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between. Music is for sharing. 'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.

Language

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Publishing Since

10/28/2018

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Recent Episodes

Episode thumbnail for Bside Incoming: Alinka

February 25, 2024

Bside Incoming: Alinka

Bside Incoming: Alinka For our 186th show we take a trip over the Atlantic ocean to Chicago and warmly invite Alinka to showcase some of her favoruite club equipt house and tech records. "There are at least a few people in this thing determined to keep House Music weird. Chicago’s Alinka is one of them." – Terry Matthew, 5 Magazine. Alinka is the kind of DJ other DJs will tell you about. She has a unique power on the decks that comes from lifelong passion and time served, with a focused devotion to her first love – house music. Raised on Chicago’s vibrant house sound with toes dipped into Detroit techno, Europe’s more robust approaches to bass music and the myriad of genres coming from cities like Berlin, London, and Paris. Born in Kiev, Ukraine, Moving to Chicago in the late 80's, she fell head over heels for the chart sounds of Madonna and Janet Jackson. Then came house music from local radio shows where you could frequently hear tracks by Chicago legends like Cajmere and DJ Funk, and shows like Sonic Boom helped expose underground music to the masses. By the late ‘90s, music had taken over her life. Teenage Alinka immersed herself in the dance music scene, spending her summers pulling double shifts at a local pool and moonlighting for rave promoters to build up enough cash to buy decks. After a year of skipping class to relentlessly practice her mixing skills, she began her full-time musical pursuit. Working for various club promoters, doing odd jobs passing out flyers and helping with party logistics - anything just to get into clubs underage to see her favorite DJs - all while spending hours digging for tracks at Chicago’s legendary record shop Gramaphone. In 2001, Justin Long recruited her to be the opening resident for his Dotbleep party at Smartbar where she honed her skills for the best part of a decade. In 2012, an impromptu meeting with former Hercules and Love Affair vocalist, Shaun J. Wright, changed her life forever. Their evolving friendship resulted in what would be the first of many musical collaborations. The pair launched their Twirl parties and label, continually striving to inspire each other both musically and spiritually; the result has been an impressive catalog of material for both of them collaboratively and individually on the likes of The Classic Music Company, Jackathon Jams, Crosstown Rebels, Leftroom, and of course Twirl, where as well as their own material the duo have welcomed renowned artists like Spencer Parker, Virginia, LA-4A, Kim Ann Foxman, and Jason Kendig onto the label. Recent years have seen Alinka really hit her stride as a producer with successful releases on world-renowned labels like Rekids, Crosstown Rebels, Need Want, Permanent Vacation, Harry Romero’s Bambossa Records, He.She.They, and Peggy Gou’s Gudu Records, which is forthcoming in 2024. She also turned out a standout collection of remixes for labels Me Me Me, Live At Robert Johnson, Lone Romantic, Keinemusik, Get Physical, and Pets Recordings. Now living in Berlin, Alinka has well and truly found her feet and inspiration. Alinka has used this base to throw down at parties across Europe from Berghain/Panorama Bar to Circoloco, with regular visits back to the US and Kyiv to play at stand out bars. Her evolution continues with the recent relaunch of her Twirl imprint, highlighted by the ‘Day Dreamer’, ‘Sorry For Not Trending’ and ‘Edgewater’ EPs that finely balance Alinka’s future-focused ethos, with an unmistakable, proud passion for her Chicago heritage. Check out just released Edgewater EP here! - https://alinka.lnk.to/TWIRL032 Enjoy the ride. Alinka's instagram-https://www.instagram.com/alinkatwirl/ Her soundcloud - https://soundcloud.com/aalinkaa Linktree - https://linktr.ee/alinkatwirl Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Episode thumbnail for Bside Incoming: DC Salas

February 12, 2024

Bside Incoming: DC Salas

Bside Incoming: DC Salas For show #185 we we blessed with the selections of DC Salas, a renowned Belgian DJ and producer originating from Brussels with Peruvian roots. Through his captivating sets spanning house, techno, trance, disco, and New Beat, DC Salas guides listeners on an exhilarating journey where energy always takes center stage. Holding residencies at the esteemed Fuse club in Brussels and Kiosk Radio, he has graced stages worldwide including Robert Johnson in Frankfurt, Opium in Vilnius, Renate in Berlin, Rex Club in Paris, Nitsa in Barcelona, and Sunday Sunday in Mexico, among others. Beyond his DJ prowess, DC Salas shines as a prolific producer, delivering EPs and remixes on acclaimed labels like Live at Robert Johnson, Correspondant, Relish, and B-Pitch Control, along with Biologic Records, the imprint he co-manages since 2012. Notable milestones include the release of his debut LP "The Unspoken LP" in 2017 and his 20th EP "Voces" on Live at Robert Johnson in 2022. Garnering widespread acclaim, his works have earned support from industry heavyweights including DJ Mag, Avalon Emerson, and Ivan Smagghe. Check his release 'Moving Shaddows' just dropped yesterday! https://correspondant.bandcamp.com/album/v-a-num-ro-04 Looking ahead to 2024, DC Salas is poised to make waves with upcoming new EP's with top-teir artists, exciting remixes and original productions set to captivate audiences worldwide. Keep an ear out for his upcoming album slated for release on October 24, promising a fresh sonic journey that showcases his ever-evolving musical prowess. Enjoy the ride. DC Salas' instagram - https://www.instagram.com/dcsalas/ His soundcloud - https://soundcloud.com/dc-salas Higher Hopes Records - https://www.instagram.com/higherhopesrecords/ Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

Episode thumbnail for Bside Incoming: Machine Woman

January 28, 2024

Bside Incoming: Machine Woman

Bside Incoming: Machine Woman Oh boy are we excited to share with you show #184! This week we are blessed with a show both errierie and calm, fierce and peaceful, downtempo and energetic; enjoy the B-sides of electronic records selected by https://soundcloud.com/machinewoman. Meet Anastasia Vtorova AKA Machine Woman, a top-tier producer, selector, DJ. We have been a long time fan of her, falling in love with her complex and unique productions that distinguishes herself as one of the best DJs and producers out there. From iconic venues like DC10 to the legendary Berghain, Machine Woman has the ability to mix unique and wonderful records seamlessly. Her sounds possess an innate ability to settle comfortably, resonating effortlessly with the atmospheres of the crowd. Her live and DJ performances, spanning a wide range, have graced festivals worldwide. Machine Woman has released original works on labels such as Technicolour, WTN?, Peder Mannerfelt, K7!, and has contributed remixes to renowned imprints like Houndstooth, Domino, Ninja Tune, DFA, Phantasy, 2DIY4, and more. A personal favorite: 'last days of the Montreal's summer you spoke softly 183' from the 2020 EP: Pleasant Stay But I Wont Come Back https://takeawayjazzrecords.bandcamp.com/track/last-days-of-the-montreals-summer-you-spoke-softly-183 She's also the visionary force steering the experimental electronic music label, Take Away Jazz Records. Well worth a dive into! https://takeawayjazzrecords.bandcamp.com/ Adding to her impressive repertoire, she hosts a regular show on Rinse FM, where she not only spotlights emerging talents in the electronic music realm but also maintains her unique approach rooted in a fervent curiosity for intricate sound design. https://rinse.fm/shows/machine-woman/ Her latest endeavor, Machine Sound Electronics Club, showcases her creative spirit. This free monthly music producer meetup offers captivating lectures and listening sessions for submitted demos, set against the backdrop of the club's sound system for an immersive and unparalleled experience. Enjoy the show Machine Woman's instagram - https://www.instagram.com/mmachinewwoman/ Her soundcloud - https://soundcloud.com/machinewoman Linktree - https://linktr.ee/machinewoman Thanks to Molly Hickey for the beautiful artwork as always. www.instagram.com/mollyth.art/ Follow the Bside Instagram for updates/news/vinyl and general music chat: www.instagram.com/bsidepodcasts/

182 total episodes available

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Frequently asked questions

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What is Bside?

Bside podcasts

DJ's showcase and speak a little about their favourite tracks from the B-side of their records.

We endeavour to broadcast the best of the B-side: a bi-weekly invitation into the impressive record collections of some of our favourite selectors. An exploration into the the back-catalogues, the deepest depths, the darkest crevices of their collections. Returning with the spoils of this venture: their most cherished records and hidden gems, from the go-to club weapons to the rarely heard home-listening records, and everything in between.

Music is for sharing.

'By the early sixties, the song on the A-side was the 'hit' song that the record company wanted radio stations to play. The B-side would contain less radio friendly and less popular tracks. In our eyes the B-side is a true reflection of the producers taste in music, there is more personality on that side of the record'.

How often does this podcast release new episodes?

This podcast updates inactive.

Where can I listen to this podcast?

This podcast is available on 7 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.

Does this podcast accept guests?

Information about guest appearances is not available.

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