关于电影——人类对黑暗有种本能的恐惧和逃避，而看电影是人类主动进入黑暗的行为。
Podcast Overview
关于电影——人类对黑暗有种本能的恐惧和逃避，而看电影是人类主动进入黑暗的行为。
Language
🇨🇳
Publishing Since
5/29/2024
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Recent Episodes
May 31, 2024
《年少日记》下篇：没有人从中得到了真正的利益
<p>《年少日记》刚刚在大陆上线的时候，便在朋友圈读到了翟老师无处安放的心情书写。他说：“我曾希冀自己可以是一个残酷青春乐园里的守望者，可最终发现自己也只能在他们痛哭的时候倾听和安慰，那些来自家庭、社会的挤压，我自己都深陷其中，更无法给谁开启窗口。”</p><p>于是，便邀请了他，来一起探讨这部电影为无能为力的世界打开的一扇小小窗口。</p><p>还想说，前天在朋友圈看到了另一位朋友分享的两张照片，是一个没有鞋子穿、没有家的小女孩。文案的话题标注的是#不要停止谈论巴勒斯坦🇵🇸</p><p>对此印象深刻是因为，在本期播客中，也提到了巴勒斯坦申请入联合国失败的事情。面对不讨论、不关注、不表态，我发出了一个呐喊：还有比当一个犬儒主义更糟糕的角色吗？</p><p>对待巴勒斯坦的态度和对待《年少日记》中所涉及的敏感议题的态度有一个共通点，那就是：保持讨论是对抗犬儒主义的可行方式。</p><p>请不要停止讨论。</p><p>「您将听到」</p><p>00:40电影在内陆票房不高，原因在哪？最深层在于，人们始终缺少一种自我剖析的勇气。</p><p>03:56还有比当一个犬儒主义者更糟糕的角色吗？！</p><p>07:39如此健康积极的一个男孩，为什么会选择自杀呢？</p><p>14:56刻板和奇观是电影，“温水煮青蛙”才是现实。不知道哪里出了问题，才是东亚家庭的真正写照。</p><p>17:52自私偏执的“爱”，和“不爱”，并没有什么区别。</p><p>21:04“进入黑暗”是电影的主体性。这决定了我为什么去电影院看一部电影，而不是在手机上看。</p><p>24:34翟老师：初中时代是我的乌托邦，所以我放弃了金融行业，成为了一名老师。但却是，时移势易，现实骨感。</p><p>30:33翟老师：我几乎没有遇到过任何学生的反抗。他们被规训得太早了……</p><p>34:12翟老师：我始终想不明白，我的学生为什么会自残。</p><p>36:17翟老师：我不喜欢“问题少年”这个词，因为有问题的不是他们。</p><p>38:27翟老师：我很纠结。成绩至上的环境下，自由快乐又该如何守护？</p><p>感谢大家的收听。音质还是有许多瑕疵，后续会持续优化，也会继续给听众提供更高质量的内容和更有趣的话题，欢迎大家的建议！</p><p>其他节目请关注：</p><p>「我与我的本质之间」：自我成长和职业经验类对谈；</p><p>「夜间独白🚲」：休闲随心聊，放肆大胆聊。</p><p>全网寻找播客搭子，合作或加入意象请联系：</p><p>📮lvxiaomeng1211@163.com</p><p>🌍HighWindows_</p>
May 29, 2024
《年少日记》上篇：个人化表达和公共性议题真的无法平衡吗？
<p>本期分享的影片是香港新晋导演卓亦谦的首部长片作品，《年少日记》。</p><p>「您会听到」</p><p>01:06“香港电影已死”下的生命力；</p><p>04:12《年少日记》是导演卓亦谦自己的大学日记；</p><p>11:16电影中的社会议题该被摆在什么样的位置？</p><p>13:44博主席瑞：很难把一个人的终结与死亡作为另一个人成长和反思的动因，死亡应该作为本体存在而不应该作为背景存在；</p><p>15:35张老师：这部电影根本不存在“反转”；</p><p>19:40侧重表现弟弟的成长本就是导演的主观选择；</p><p>感谢收听，下一期内容是与翟老师的对谈。</p>
2 total episodes available
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This podcast updates weekly.
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