MAIA, G; ASEVEDO, E. Música, afeto e política dos corpos no New Queer Cinema de Karim Aïnouz. RUMORES (USP), v. 14, p. 98-123, 2020.
Música, afeto e política dos corpos no New Queer Cinema de Karim Aïnouz
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MAIA, G; ASEVEDO, E. Música, afeto e política dos corpos no New Queer Cinema de Karim Aïnouz. RUMORES (USP), v. 14, p. 98-123, 2020.
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10/9/2020
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October 9, 2020
Música, afeto e política dos corpos no New Queer Cinema de Karim Aïnouz
Música, afeto e política dos corpos no New Queer Cinema de Karim Aïnouz Resumo Utilizando o conceito de valor acrescentado, tal como proposto por Michel Chion, e estudos recentes sobre o uso de música nos filmes como mediadores teórico-metodológicos, este artigo analisa os projetos musicais de dois longas-metragens protagonizados por personagens gays dirigidos por Karim Aïnouz: Madame Satã (2002) e Praia do Futuro (2014). O processo analítico nos conduziu à conclusão de que nas duas obras a música, especialmente a canção popular, opera aderida aos encontros e desencontros amorosos dos protagonistas, e presta reverência aos ideais de representação de personagens homossexuais defendidos pelo New Queer Cinema. REFERÊNCIA MAIA, G; ASEVEDO, E. Música, afeto e política dos corpos no New Queer Cinema de Karim Aïnouz. RUMORES (USP), v. 14, p. 98-123, 2020.
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