Podcast thumbnail for Whirrings

by Mark David Hadley

16 episodes
Updated Weekly
Accepts GuestsHas SponsorsLocation šŸ‡¬šŸ‡§

Podcast Overview

The studio journal of Mark David Hadley, a musician based in the UK. Ambient, electronic, field recording... šŸ™ <br/><br/><a href="https://whirrings.substack.com?utm_medium=podcast">whirrings.substack.com</a>

Language

šŸ‡ŗšŸ‡²

Publishing Since

1/31/2024

1 verified contact email on file for Whirrings

Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.

Recent Episodes

Episode thumbnail for Silverstone Bridge

July 7, 2024

Silverstone Bridge

<p>Today is the <a target="_blank" href="https://en.wikipedia.org/wiki/2024_British_Grand_Prix">75th Formula 1 British Grand Prix</a> at Silverstone. Over the last twenty five years I’ve been to see the race six times. The last time I went was 2022 and it was the first time I had taken field recording gear with me.</p><p>I had high expectations that I would be able to get a great collection of recordings while I was there that would capture the atmosphere and history of the site but it didn’t really work out that way! The tannoy system is pervasive, so there is almost nowhere where you can’t hear some form of commentary going on. I think when I go again I’ll take a wider range of mics to capture contact and vibrational sounds too which could be quite interesting.</p><p>I did manage to get a couple of recordings that worked quite well. My <a target="_blank" href="https://whirrings.substack.com/p/formula-3-phasing">Formula 3 Phasing</a> post and this recording of the metallic bridge that takes traffic into the centre of the circuit.</p><p><a target="_blank" href="https://www.reddit.com/r/formula1/comments/78qa8n/graphic_showing_every_single_layout_change/">Silverstone has undergone a lot of changes</a> over the years, some quite dramatic and this bridge that seems to be made out of metal sections which has a very temporary construction feel to it used to go over the track at ā€œBridgeā€ corner. This was part of the track layout from 1991-2010. Now the track goes elsewhere and you can walk under the bridge.</p><p>It creates a very unique sound as traffic slowly crosses it.</p><p>Today is also historic in that we have three British drivers qualifying in the top three! Hopefully that will convert into a British win so good luck George, Lewis and Lando!</p><p>Until the next time! šŸŽļøšŸ</p> <br/><br/>Get full access to Whirrings at <a href="https://whirrings.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">whirrings.substack.com/subscribe</a>

Episode thumbnail for Washing Up

June 24, 2024

Washing Up

<p>We have gas and electric ā€œsmartā€ meters that send our energy usage directly to the suppliers. It also means that we have a little gadget which allows you to see a visualisation of your current energy use. </p><p>During the recent <a target="_blank" href="https://en.wikipedia.org/wiki/Global_energy_crisis_(2021&#8211;2023)">energy crisis</a> we started looking more closely at this and noticed just how much energy the dishwasher was using every day—rather a lot! </p><p>I’m not sure of the exact difference in energy use between an electric dishwasher on for 1 to 2 hours vs a gas combo boiler on for around 5 minutes but it’s significant.</p><p>So we decided to switch back to doing the washing up by hand for a while and then just kept doing it!</p><p>A busy family produces <em>a lot</em> of washing up. I try to see it as a daily opportunity to be mindful if I can and to continue to use less energy! šŸ™</p><p>Of course I started to listen closer to the range of sounds that were being produced, and recorded them!</p><p>There is often an understandable tendency with field recording to go for the more ā€œglamorousā€ city cacophonies or natural soundscapes. But I love to listen to and record everyday household sounds as well.</p><p>The washing up is a varied sonic performance that must be different for everybody. An overall structure and length related to the day’s activities — the amount and types of objects you are washing up, the sound of your boiler or water heater, the materials and sizes of your sink and taps, how busy or relaxed you are!</p><p>This is a fairly standard <em>business like</em> version of our washing up. The last 30 seconds of ā€œdrainingā€ is my favourite part!</p><p>I wonder what a library of ā€œwashing upā€ recordings would be like? How different would those recordings be from each other?</p><p>Does this sound like your washing up?</p><p>Zoom F3 Field Recorder with stereo omni <a target="_blank" href="https://micbooster.com/clippy-and-pluggy-microphones/98-2323-clippy-stereo-em272-microphone.html#/84-plug_type-right_angle/202-microphone-em272m">Clippy</a> microphones.</p> <br/><br/>Get full access to Whirrings at <a href="https://whirrings.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">whirrings.substack.com/subscribe</a>

Episode thumbnail for Foil Tray

May 1, 2024

Foil Tray

<p>I’ve always liked to use ā€œfoundā€ objects and sounds in my work. Whether it’s from beach combing (who doesn’t enjoy a good beach comb!), objects salvaged from recycling and skips, or field recordings and BBC Sound Effects records!</p><p>There’s a long tradition in art and music of such re-imaginings → <a target="_blank" href="https://en.wikipedia.org/wiki/Musique_concr&#232;te">which</a> <strong>I’m</strong> <a target="_blank" href="https://en.wikipedia.org/wiki/Found_object_(music)">sure</a> <strong>you</strong> <a target="_blank" href="https://en.wikipedia.org/wiki/Readymades_of_Marcel_Duchamp">all</a> <strong>know!</strong></p><p>I have quite a large collection of items destined for recycling that I have intercepted to use as musical instruments and sound sources—glass jars, foil trays, cardboard boxes, crinkly plastic wrappers.</p><p>Over the last few years I’ve made a lot of <a target="_blank" href="https://whirrings.substack.com/p/envelope-windows">recordings with these objects</a> but never really found the right direction. I made sample banks for the Model:Samples and Digitakt and I tried to use longer textural recordings in my music, but nothing quite worked.</p><p>I’ve always persevered though because I like the <em>idea</em> of using packaging and ā€œjunkā€ in my work. So little thought is given to these wondrous materials…</p><p>There was a time when the amount of iron in a baked bean can would have taken a huge amount of time and effort to collect and only been available to a very wealthy person. Colour printing, stainless steel, plastic—these are all forms of magic! Human ingenuity developed over millennia combined with Earth’s precious materials are all here to see in the recycling.</p><p>But we do not see them and that is now part of <a target="_blank" href="https://unfccc.int">a big global problem.</a></p><p>I’ve always wanted to <em>consider</em> these objects and materials, treat them with more respect and time and not just throw them away without a thought.</p><p>And, of course, see what cool sounds they can make!</p><p>Recently on <em>Whirrings</em> I’ve been talking about <a target="_blank" href="https://whirrings.substack.com/p/fire-door">performing with field recording</a> and the last collection of recordings I did with the recycling objects were performance based, I played them with my hands, bows, brushes and sticks.</p><p>It’s only when I listened to them again and switched on multiple recordings together I realised they became more interesting as multitrack arrangements—doh!</p><p>So here is the first result of that multitracking.</p><p>* <strong>Track 1:</strong> foil tray played like a drum with my hand.</p><p>* <strong>Track 2 and 3:</strong> foil tray played with a violin bow.</p><p>The sounds are possibly familiar and definitely remarkable considering this is just an aluminium foil tray, from a lasagne ready meal I believe!</p><p>Just a beginning, more to come.</p><p>🌱 <a target="_blank" href="https://www.greenpeace.org.uk">Greenpeace</a> | <a target="_blank" href="https://friendsoftheearth.uk">Friends of the Earth</a> ā™»ļø</p> <br/><br/>Get full access to Whirrings at <a href="https://whirrings.substack.com/subscribe?utm_medium=podcast&#38;utm_campaign=CTA_4">whirrings.substack.com/subscribe</a>

16 total episodes available

Deep-dive analytics for Whirrings

Frequently asked questions

Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.

What is Whirrings?

The studio journal of Mark David Hadley, a musician based in the UK. Ambient, electronic, field recording... šŸ™ <br/><br/><a href="https://whirrings.substack.com?utm_medium=podcast">whirrings.substack.com</a>

How often does this podcast release new episodes?

This podcast updates weekly.

Where can I listen to this podcast?

This podcast is available on 6 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.

Does this podcast accept guests?

Information about guest appearances is not available.

Legal Disclaimer

Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.

All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.

We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.

While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.

By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.