生活狂风中的天马行空， 艺术地图里的怪里怪气， 夏河银行不定期兑换琐细事物与微小印记......
Podcast Overview
生活狂风中的天马行空， 艺术地图里的怪里怪气， 夏河银行不定期兑换琐细事物与微小印记......
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Publishing Since
3/6/2021
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Recent Episodes
June 29, 2021
逝者如斯, 不舍昼夜 — 随便聊聊《爱因斯坦的梦》
<p><u><strong>Show notes</strong></u><strong>📒</strong></p> <p><a href="https://blog.emojipedia.org/emoji-kitchen-beta-magics-back-the-blobs/"><strong>🪄</strong></a><strong>《爱因斯坦的梦》Alan Lightman</strong></p> <p><a href="https://book.douban.com/subject/1030789/"><u>https://book.douban.com/subject/1030789/</u></a></p> <p>🪄 <strong>《太古和其他的时间》Olga Tokarczuk</strong></p> <p><a href="https://book.douban.com/subject/27132345/"><u>https://book.douban.com/subject/27132345/</u></a></p> <p><strong>🐙《我的章鱼老师》Pippa Ehrlich／James Reed</strong></p> <p><a href="https://movie.douban.com/subject/35185752/"><u>https://movie.douban.com/subject/35185752/</u></a></p> <p><strong>💽 片尾音乐: <A Thousand Years></strong></p>
March 6, 2021
夏河银行丨第一期·吹水
<p><strong>📒引用+注释</strong></p> <p><br></p> <p><strong>🈚️ 吹水</strong></p> <p>吹水是粤语俗语之一，是指闲聊，聊天的意思，可以理解为侃侃而谈之意，形象地表现了口水花四喷的情景。 和吹牛不同，吹水基本不含感情色彩，可以说是联络感情、交流思想的渠道，比聊天一词又更市井、更亲切一点。 [引自百度]</p> <p><br></p> <p>📦 <strong>《魔方大厦》</strong></p> <p>《魔方大厦》<a href="https://zh.wikipedia.org/wiki/%E4%B8%8A%E6%B5%B7%E7%BE%8E%E6%9C%AF%E7%94%B5%E5%BD%B1%E5%88%B6%E7%89%87%E5%8E%82">上海美术电影制片厂</a>于1990年至1994年期间制作的一部动画连续剧，改编自被称为“童话大王”的著名作家<a href="https://zh.wikipedia.org/wiki/%E9%83%91%E6%B8%8A%E6%B4%81">郑渊洁</a>的童话故事《<a href="https://zh.wikipedia.org/wiki/%E7%9A%AE%E7%9A%AE%E9%B2%81">皮皮鲁</a>和魔方大厦》。第七集: 夏河银行。[引自维基百科]</p> <p><br></p> <p><strong>🎮《Sky光·遇》(</strong><strong>Sky: Children of the Light</strong><strong>, 2019)</strong></p> <p>陈星汉所在thatgamecompany游戏工作室在《风之旅人》(Journey, 2012)之后于2019年发布的最新作品。在虚拟世界中的云海、神殿、岛屿、雨林、遗迹、宇宙间，玩家可以自行飞翔游走，也可以与其他玩家相遇、探索、冒险。</p> <p><br></p> <p><strong>📒伊塔洛·卡尔维诺(1923-1985)、西西(b.1937-)、董启章(b.1967-)</strong></p> <p>三位作家都对城市空间和身份进行了具有幻想性的虚构描述。卡尔维诺主张“轻盈”的写作哲学，在西西和董启章以香港的城市身份为题的文学创作中，在不同程度上延续了卡尔维诺的理念。</p> <p><br></p> <p>🏙<a href="https://zh.wikipedia.org/zh-hans/九龍寨城">九龙城寨</a></p> <p><br></p> <p>📒<strong>莫里茲·柯尼利斯·埃舍尔（1898-1972）</strong></p> <p>埃舍尔不断挑战平面与立体的界限，创造出许多不可能实现的建筑，再加上循环画面的技术，使观者无法确认画面的开始与结束。</p> <p><br></p> <p>📚<strong>豪尔赫·路易斯·博尔赫斯（1899-1986）</strong></p> <p>💡“世界本来就是迷宫，没有必要再建一座”。[引自《阿莱夫]</p> <p><br></p> <p><strong>📚《不安之书》, 费尔南多·佩索阿（1888-1935)</strong></p> <p>佩索阿描述的城市是他的里斯本, 是他办公市所在的街道, 也是他生活与写作本身之间无休止的不安。</p> <p>《不安之书》如同日记般自省, 不断拷问生活, 将自己的全部思想与感知赋予写作。</p> <p>💡”孤独与独处中创造心中的远方, 无必要远行。城市空间只是一座暂时的客栈, 逆旅。小职员的身份是一种落差, 也是灵魂未被规训的所处。“</p> <p>💡“我们享受流逝的日子, 做各式各样的梦。把它们转化成我们的本质, 我们也会描写和分析, 完成之后就会成为外在之物, 可以供我们阅读欣赏。仿佛它们是某一天偶然出现的东西。”</p> <p><br></p> <p>**瓦尔特·本雅明在《拱廊街计划》中的flanuer(游荡者)所处的是18世纪末至19世纪初的巴黎都市空间。</p> <p><br></p> <p>📻 片头&片尾配乐《瞬间的静止与长久的变动》制作鸣谢: 愣愣</p> <p>🎨logo陶艺作品：申昕彤danno</p>
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