As much of the world went into lockdown in spring 2020, we wanted to provide a platform for research and creativity, championing the brilliant arts and knowledge-making going on in the world right now across different sectors, time periods and disciplines in an informal, fun fashion. A Bit Lit is the result.Our website www.abitlit.co hosts conversations, talks, Q&As, readings and creative work from cool, groovy and interesting people. At a time when it can be easy to be caught between the two options of panicking or trying to switch our brains off, we hope this will be a fun and silly and good place to put your brain for a few minutes.Explore our library of conversation between researchers, performers, creatives, and makers of all sorts, where we discuss what it means to think about history, culture, and creativity. We also make videos driven by the passion of research and creative practice that are directed at all learners interested in exploring these questions at home.www.abitlit.co and follow us on twitter at @a_bit_lit
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The Tower of London is hosting an immersive experience that combines live performance and digital technology to explore the 1605 Gunpowder Plot to kill the King and Parliament. Audiences get to decide whose side they are on as they encounter the world the plotters inhabited.
In this film, historian Tracy Borman, joint Chief Curator of Historic Royal Palaces, tells us about the Gunpowder Plot experience, its place at the Tower of London and the research and creative work behind the show. Tracy offers us a history of the Tower itself, from its early purpose to 'subdue the evil inhabitants of London' for William the Conquerer, to its emergence as a tourist attraction and its later Victorian revamps. Finally, we hear about Tracy's own extensive publishing career, her 15 books ranging across fiction and non-fiction, with a focus on the cultural impact of the British monarchy.
For more information on The Gunpowder Plot, and to book, go to: https://gunpowderimmersive.com
For more information on Tracy Borman, go to: http://www.tracyborman.co.uk
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6 Feb 2022
Engendering the Stage
Engendering the Stage are re-investigating the evidence base for early modern theatre, and using these findings to make space for an inclusive performance history that involves female-identified and gender-non-conforming performers as well as performers of colour. We discuss failed performance, the porousness of theatre, the politics of domestic performance, rope-dancing, tumblers, sword-dancing, performing masculinity, dynamic femininity, androgynous clothing, the famous ‘Jumping Judy’, cocoanut shies, forbidden students, The Roaring Girl, the Fortune playhouse, female shareholders, archival research in an age of Covid, practice-as-research, and more...
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6 Feb 2022
Sacha Coward on queer history, museums and mermaids
Sacha Coward tells us about life as a queer tour guide, graveyard explorer, folklore expert, escape room designer and mermaid enthusiast - what a CV! All of these things, he tells us, are rooted in storytelling, in a conversation that ranges across 'the strange tension between life and death', Zelda and the Muppets.
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