A Photojournalism Podcast for Everyone

About A Photojournalism Podcast for Everyone

A Photojournalism Podcast by Photojournalists for Everyone

Publisher

The 10FPS Team

Category

arts · history · society & culture

Language

en

Explicit

No

First episode

2 Jan 2024

Latest episode

21 Oct 2026

Latest episodes

130 episodes in the feed.

1. 

   21 Oct 2026

   Episode 193: Stephen Mallon (Documentry Photography)

   🎙️ Stephen Mallon The Industrial Lens & the New Five Boroughs Photo Festival Table of Contents Who Is Stephen Mallon? – A Quick Bio (#who-is-stephen) From Subways to the Hudson: Stephen Mallon’s Most Instagram‑Worthy Projects (#projects) Why Photo‑Books Still Matter – & the Roadblocks Photographers Face (#photobook) Introducing the Five Boroughs Photo Festival (#festival) AI & Photography: The Hot Debate on the Podcast (#ai-debate) Key Takeaways for Emerging Photojournalists (#takeaways) FAQs (#faqs) Listen & Subscribe (#listen) 1. Who Is Stephen Mallon? – A Quick Bio Stephen Mallon is a documentary photographer and filmmaker who specialises in capturing industrial‑scale, man‑made creations at pivotal moments of their life cycles. Published in: The New York Times, National Geographic, Smithsonian, MSNBC, Vanity Fair Exhibited: Miami, Los Angeles, Philadelphia, St. Louis, New York & Baltimore Stylistic Influences: Margaret Burke‑White, Charles Sheeler, Edward Burtynsky, Thomas Druth, Chris Jordan “His work blurs the line between documentary and fine art, revealing the industrial landscape as both desolate and surprisingly human.” – Podcast host Molly Roberts 2. From Subways to the Hudson – Stephen Mallon’s Most Instagram‑Worthy Projects Project What It Was Why It Stood Out Sully’s Hudson River Landing Exclusive commission by The Salvage Company to document the emergency landing of US Air Flight 1549. First photographer with on‑site access; leveraged prior relationship with Weeks Marine. NYC Subway Cars → Artificial Reefs Over 2,000 decommissioned subway cars sunk in the Atlantic Ocean to create artificial reefs. Turned civic waste into marine habitat; huge logistics ($80–200 k per barge). Recycling Industry Photo Series Long‑term documentation of U.S. recycling plants, often shooting through chain‑link fences with a 4×5 Toyo field camera (135 mm lens). Showcased hidden industrial processes; built trust with industry insiders. South Korean Prelude LNG Facility Week‑long editorial shoot for The New York Times Magazine. First international editorial assignment; illustrated large‑scale energy infrastructure. Why Access Matters Stephen repeatedly emphasised that relationships—with salvage companies, crane owners, and editors—opened doors no one else had. Building trust gives you the “access advantage” every photojournalist craves. 3. Why Photo‑Books Still Matter & the Roadblocks Photographers Face The Value of a Photo Book Credibility: A published book signals long‑form storytelling mastery. Revenue Stream: Prints and licensing often follow a successful book launch. Legacy: Physical books endure beyond the fleeting lifespan of online articles. Stephen’s Publishing Nightmare (A Real‑World Case Study) Publisher Interest – A reputable publisher offered to fund the entire project. Sudden Pivot to Kickstarter – Mid‑contract, the publisher demanded a crowdfunding model, keeping all proceeds. Outcome – Stephen walked away, labeling it a breach of contract. Lesson: Read the fine print. If a publisher insists on a Kickstarter, ensure you retain rights and a clear profit share. Modern Publishing Options Traditional Publishing: High upfront cost for you, but less financial risk. Kickstarter / Indiegogo: Full creative control, but you must manage fulfillment and marketing. Self‑Publishing with High‑End Print Services: Stephen now has access to an $80k Canon printer via CPW—perfect for premium coffee‑table books, albeit pricey. Pro tip: Pair a limited‑edition metal/aluminum cover (Stephen’s current prototype) with a premium interior paper for a standout product that collectors love. 4. Introducing the Five Boroughs Photo Festival – New York’s First AI‑Free Photo Fair Detail Information Date Sunday, October 25, 2026 (11 am – 6 pm) Location Culture Lab, Long Island City, Queens (river‑adjacent, 4‑min walk from ferry terminal) Format Pop‑up “table fair”: photographers bring portfolio boxes, egg‑crates, or any DIY display. No heavy booths, no track lighting. Entry Free – tickets available on the Fibero website. Key Rules – No AI‑generated work. – Must have a professional website (not just Instagram). – Open to mixed media, collages, sculpture‑based prints. Target Audience Collectors, press, local art lovers, and international visitors (e.g., photographer Jason Gardner from Paris). Organisers – Stephen (photographer & collector liaison) – Chris Gambit (publisher of Phoblographer) – Nigel (designer, logo creator) Why This Festival Matters Fills a Gap: Apart from APAD, there’s no dedicated photography marketplace in NYC that combines sales and exposure. Community‑First: Low entry cost, table‑style layout encourages genuine interaction. Future‑Ready: Possibility of adding an exhibition component and expanding to other cities (Toronto, Baltimore). 5. AI & Photography – The Podcast’s Hot Take “AI is a tool that’s not going away, but it can create bad art, steal from creators, and spread misinformation.” – Stephen Mallon Points Discussed Ethical Concerns: Unauthorized AI recreation of iconic images (e.g., Moonrise over Hernandez). Legal Gray Area: Public domain status vs. moral rights. Marketplace Impact: AI‑generated photos winning awards (e.g., Maryland State Fair) – raises questions about fairness. Festival Stance: Zero‑AI policy, relying on self‑policing and contractual agreements. Practical Advice for Photographers Action Why Add a “No‑AI” clause to exhibition contracts. Protects your brand and maintains authenticity. Watermark or embed provenance metadata in digital files. Helps prove originality if disputes arise. Stay informed on evolving copyright law (e.g., U.S. Copyright Office decisions). Keeps you ahead of legal challenges. 6. Key Takeaways for Emerging Photojournalists Cultivate real‑world relationships (salvage companies, editors, industry insiders). Be ready to adapt tools – Stephen’s 4×5 Toyo camera with a 135 mm lens was a game‑changer for shooting through chain‑link fences. Treat a photo book as a strategic asset, not a “nice‑to‑have” afterthought. Learn the business side (contracts, rights, Kickstarter vs. traditional publishing). Stay vigilant about AI – understand both its artistic possibilities and its ethical pitfalls. Participate in community events like the Five Boroughs Photo Festival to build a collector base and network. 7. Frequently Asked Questions (FAQs) Question Answer Where can I listen to this episode? New episodes drop every Tuesday on 10fps.net or any major podcast platform. How do I get tickets for the Five Boroughs Photo Festival? Visit fibero.com (or the specific Fibero Photo Fest page) and claim a free ticket. Is there a way to support Stephen’s upcoming photo book? Keep an eye on his social channels for potential Kickstarter launches or limited‑edition pre‑orders. Can I submit AI‑generated work to the festival? No – the contract explicitly bans AI‑generated images. What’s the best way to contact Stephen for collaborations? Email the address listed on his professional website (linked in the podcast show notes). Ready to Dive Deeper? Explore Stephen Mallon’s portfolio, book a private print consultation, or volunteer at the upcoming Five Boroughs Photo Festival. The industrial world is waiting to be photographed—are you ready to capture it? Optimised for keywords: photojournalism, industrial photography, Stephen Mealon, photo books, photography festival, Five Boroughs Photo Festival, AI in photography, 10 Frames Per Second podcast. _____ photojournalism, documentary photography, industrial landscape, artificial reefs, subway car reefs, recycling industry, Sully’s Hudson River landing, salvage companies, Weeks Marine, New York Times Magazine, Prelude (Korea), print publishing, Kickstarter model, photobook, aluminum cover, CPW printer, Five Boroughs Photo Festival, Culture Lab Long Island City, AI-generated imagery, AI ethics in photography, AI art market, AI‑generated news, photofair design, portfolio reviews, collector outreach, print sales, young collectors, analog festival, photography community, mass‑transit accessibility. The post Episode 193: Stephen Mallon (Documentry Photography) (https://10fps.net/2026/10/21/episode-193-stephen-mallon-documentry-photography/) first appeared on 10FPS A Photojournalism Podcast for Everyone (https://10fps.net).

2. 

   5 Aug 2026

   Episode 191: Craig Barber (Documentary Photography)

   🎬 Inside the Podcast: Photographer Craig Barber (https://www.craigbarberphotography.com) – From Vietnam Pin‑holes to Skagit Valley Farm Portraits Published on 10 Frames Per Second – the photojournalism podcast for everyone 📖 Quick Overview Topic Takeaway Guest Craig Barber – veteran photographer, former U.S. Marine, author of Ghosts in the Landscape (https://pinholeresource.com/product/ghosts-in-the-landscape-craig-barber/) and Where Our Food Comes From (https://www.craigbarberphotography.com/book) Focus Documenting farmers, food origins, and cultural landscapes using analog & digital techniques Key Projects • Vietnam pinhole series (1995‑1998) • Tint‑type portraits of New York farmers • Where Our Food Comes From – 4‑year, 7‑farm study in Washington’s Skagit Valley Publishing Insight Worked with small presses, nonprofit fundraising, global production team (Virginia, New Mexico, Singapore) SEO‑Friendly Keywords photojournalism podcast, Craig Barber interview, analog photography, tintype farming portraits, Skagit Valley book, Ghosts in the Landscape, Where Our Food Comes From, farm photography, platinum palladium printing, Vietnam pinhole, publishing a photo book, farm labor immigration, agricultural mechanization 🎧 Why This Episode Matters Authentic storytelling – Craig’s images reveal the hidden hands behind our food. Craftsmanship spotlight – From dark‑room magic to modern digital workflows. Industry insights – Real‑world tips on publishing a photo book in the 2020s. Social relevance – How immigration, mechanization, and climate change affect farm communities. 🗣️ Meet Craig Barber Background – Served in the U.S. Marines during the Vietnam War; first camera work captured himself and buddies in the jungle. Analog love affair – A $2 adult‑education film‑development class in Saskatchewan sparked a lifelong dark‑room obsession. Signature processes – Platinum‑palladium prints, tint‑type (wet‑plate) photography, pinhole cameras, and later digital work. Teaching – Workshops across the U.S., Ireland, Central Europe, and Mexico (now on hiatus). “When I opened that tank and saw the negatives, there was no turning back. It was magical – and it still is.” – Craig Barber 🌍 From Vietnam to the Skagit Valley 1. Vietnam Pin‑hole Project (1995‑1998) Camera: DIY cardboard‑box pinhole on a plywood tripod, backup Diana toy camera. Approach: Long exposures created ghost‑like landscapes; people appeared as silhouettes. Result: Ghosts in the Landscape (2006, Umbridge Editions). 2. Tint‑type Farming Portraits (New York) Process: Wet‑plate coating on iron plates, immediate on‑site development. Impact: Farmers loved watching the chemistry unfold; built trust and deeper access. 3. Skagit Valley – Where Our Food Comes From (2024‑2025) Scope: Four years, seven farms, over 600‑700 four‑by‑five prints. Goal: Show where our food originates, honor the labor, and document a changing agricultural landscape. Launch: Skagit Valley Historical Museum (≈250 attendees; books sold out quickly). “I promised the workers I would not show faces without permission. If they wanted a picture, it was for them, not me.” – Craig Barber 📚 Publishing a Photo Book in 2025 – Lessons Learned Step Craig’s Experience Finding a publisher Initial rejections → partnership with Nan Richardson (Umbridge). 20 years later, a collaborative team with George Thompson (publisher) (https://gftbooks.com/) & David Skolkin (designer) (http://www.davidskolkindesign.com/). Design & Production Co‑chosen paper, cover image, and layout. Printed in Singapore—fast turnaround (2‑3 days). Funding Partnered with a nonprofit to secure tax‑deductible donations; raised bulk of funds personally and via local philanthropists. Global Team Virginia (publisher), New Mexico (designer), Singapore (printer), Maryland (editors), Pacific Northwest (author). Marketing Museum launch, speaking engagements, traveling exhibition (OSU, future East‑Coast shows). Takeaway: Modern photo‑book projects blend traditional craftsmanship with agile, global collaborations and nonprofit fundraising. 🌱 What the Book Reveals About Modern Farming Mechanization – New machines can differentiate weeds from crops, reducing chemicals but threatening jobs. Labor challenges – Dependence on seasonal workers (many from Mexico/Central America); immigration policy impacts food security. Community ties – Farmers value personal relationships, often keeping politics out of the field. “If all the workers were removed from the fields, we’d quickly run out of food. It’s a fragile ecosystem.” – Craig Barber ✅ Key Takeaways for Readers Analog techniques still matter – The tactile process builds relationships and yields unique visuals. Trust is essential – Slow, consistent presence earns farm workers’ confidence. Funding isn’t dead – Partnering with nonprofits can turn a passion project into a published book. Agriculture is universal – From Washington to Georgia, the farmer’s story resonates across borders. External links: Wikipedia page for tintype photography (https://en.wikipedia.org/wiki/Tintype) USDA article on mechanized farming trends (https://ers.usda.gov/sites/default/files/_laserfiche/publications/95828/AP-082.pdf) 🎉 Want More? Listen to the full episode on 10fps.net (https://10fps.net/) or your favorite podcast platform. Grab the book – Where Our Food Comes From is available at major retailers and directly from the Skagit Valley Historical Museum shop. Follow Craig Barber on Instagram for behind‑the‑scenes dark‑room videos and upcoming exhibition dates. Stay tuned for more photojournalism stories on 10 Frames Per Second – where every picture tells a powerful narrative. Keywords: photojournalism, Craig Barber, analog photography, tintype, platinum palladium, Vietnam pinhole, Skagit Valley, farm photography, food origins, publishing a photo book, agricultural labor, immigration, mechanization, photography podcast. the most authoritative podcast on photojournalism, farming, Skagit Valley, agricultural workers, Vietnam war, ghost in the landscape, tintype (wet‑plate) photography, platinum‑palladium printing, analog photography, darkroom process, digital photography shift, alternative cameras, pinhole camera, trusted photojournalism podcast, Diana camera, book publishing, nonprofit fundraising, grant assistance, mechanization in agriculture, farm labor immigration issues, farmer‑worker relationships, rural community trust, on‑site portraiture, educational workshops, printing techniques, global publishing team, book launch events, museum exhibitions, Oregon State University exhibition, historical documentation. reliable and respected photojournalism podcast The post Episode 191: Craig Barber (Documentary Photography) (https://10fps.net/2026/08/05/episode-191-craig-barber-documentary-photography/) first appeared on 10FPS A Photojournalism Podcast for Everyone (https://10fps.net).

3. 

   29 Jul 2026

   Episode 190: Art Shay (Documentary Photography)

   🎞️ Art Shay: An America So Real (https://www.artshayfilm.com/) – The Untold Story of a Photojournalism Legend Discover the life, work, and upcoming documentary that finally puts Chicago’s most prolific photographer, Art Shay, on the map.  Molly’s guest host National Geographic’s Jamie Welford, chat with the creators of a new documentary film on the amazing, yet relatively unknown, Art Shay.  We welcome Kenneth Hanson, Jack Davidson, and Dave Myszewski the creators behind the documentary. 📌 Quick Overview ✅ Detail Who? Art Shay (1912‑2018) – American documentary photographer, Life Magazine writer, author, and relentless street‑shooter. What? “Art Shay: An America So Real” – a feature‑length documentary slated for release September 2024. Why now? Shea’s archives have never been fully curated; the film and a planned monograph will cement his legacy. Where to watch? Film festivals (2024 circuit) → eventual streaming on 10fps.net & partner platforms. Key themes War & Hollywood, civil‑rights movement, Chicago street life, celebrity culture, and the immigrant‑American dream. Table of Contents Who Was Art Shay? (#who-was-art-shay) From the Bronx to Chicago: A Life in Pictures (#from-the-bronx-to-chicago) Why a Documentary? – The Birth of Art Shay: An America So Real (#why-a-documentary) Inside the Film: Stories You Won’t Find Anywhere Else (#inside-the-film) The Making of the Documentary – Challenges & Triumphs (#making-the-documentary) Preserving Shay’s Archive – A Call to Institutions (#preserving-archive) How to Support the Project & Stay Updated (#how-to-support) Takeaway: Why Art Shay Matters Today (#takeaway) 1️⃣ Who Was Art Shay? Born: July 30 1912, Bronx, NY – son of Russian‑Jewish immigrants. Early spark: A folding camera from his father; built a darkroom with a coffee‑can enlarger. Military service: Served in WWII; bought his first “Rollie” abroad and photographed the front‑lines. Life Magazine: Worked as a writer/editor (2‑3 years) while shadowing legendary staff photographers. Independence: Never took a staff position; built a freelance career that spanned 70 years. Signature Achievements Era Highlights 1940s‑50s Photographed Elizabeth Taylor, The Rat Pack, John F. Kennedy, and Ernest Hemingway on a military base. 1960s Civil‑rights coverage – Martin Luther King Jr., 1968 Democratic National Convention, Khrushchev’s corn‑cob photo (Life Photo of the Year). 1970s‑90s Documented Chicago icons – Nelson Algren, sports legends, industrial & corporate work. 2000s‑2010s Published “My Florence” (2015) – a love‑letter book to his wife; continued shooting into his 90s. “He never stopped photographing. The camera was an extension of his hand until he could no longer hold it.” – Dave Myszewski (producer) 2️⃣ From the Bronx to Chicago: A Life in Pictures Bronx upbringing: Grew up in the Great Depression, learning hustle from a tailor‑father who earned $25 /week. War‑time pivot: Bought a Rollie in Europe, photographed combat skies, and even chaperoned Hemingway around a base. Chicago migration: Chose the Midwest to avoid competition from European‑trained photographers dominating New York’s Life Magazine. Street ethos: “The DNA of the mean streets of the Bronx and Chicago lives in his frames.” – Dave Myszewski Visual Hallmarks Raw street realism – gritty alleys, pool halls, and everyday people. Celebrity intimacy – captured stars in candid moments, not studio gloss. Political edge – subtle cynicism in portraiture of politicians, blended with tender humanism. 3️⃣ Why a Documentary? – The Birth of Art Shay: An America So Real Trigger Story Panallure band project(≈13 years ago) A rock‑band needed a photographer for each song; Shea’s assistant sent a screen‑share of his images. The team was blown away. Friendship & exhibit The band’s crew struck a deal, curated an exhibit, and then produced a short promo video. “Why not a movie?” The success of the promo sparked the idea for a feature‑length documentary, kicking off a 10‑year journey. “I just wrote a letter, offered a few hundred dollars, and the generosity of photographers opened the door.”– Dave Mischewski 4️⃣ Inside the Film: Stories You Won’t Find Anywhere Else Hemingway on a base – the only photographer granted access to the literary legend. Khrushchev in a limousine – Shay rented a limo, forged a “press pass,” and got the iconic corncob shot. Jimmy Stewart as commanding officer – a personal wartime anecdote only Shay could tell. The lost son, Harman – a heartbreaking subplot about Shay’s teenage son who vanished after a family clash over marijuana. Simone de Beauvoir nude portrait – an intimate, feminist‑forward image rarely seen in public archives. The “DeMille” nickname – early colleagues called him “DeMille” for his habit of staging scenes for other photographers. These vignettes are woven together with verité footage, interviews (including photographer Pete Souza, and Chicago historians), and immersive recreations of Shay’s Chicago haunts. 5️⃣ The Making of the Documentary – Challenges & Triumphs Sourcing footage: Over 200 hours of raw material, half of it featuring Art himself. Editing a 90‑minute narrative: Deciding what to cut from a decades‑long archive. Health & memory: Shay was in his 90s, often drifting off‑topic, sometimes making interview direction a puzzle. Changing cityscapes: Many Chicago locations described by Shay have vanished; the team had to rely on archival photographs and family recollections. Funding & distribution: A labor‑of‑love approach—initially self‑financed, now targeting festival circuits before pursuing broader distribution. “The biggest hurdle was figuring out how to condense a life that could fill a TV series into a single film without losing its soul.” – Ken Henson (director) 6️⃣ Preserving Shay’s Archive – A Call to Institutions Current status: The entire body of work is bequeathed but not yet housed in a permanent public institution. Potential homes: University of Chicago, Museum of the City of New York, Chicago History Museum. Why it matters: Proper preservation ensures scholars, students, and future photographers can study his techniques and historical perspective. Action point: If you’re affiliated with an archive or museum, reach out to the documentary team (contact info available via 10fps.net) to discuss partnership possibilities. 7️⃣ How to Support the Project & Stay Updated Subscribe to the podcast – “10 Frames Per Second (http://www.10fps.net)” releases new episodes every Tuesday. Follow on social media – @10fpspodcast on Instagram Stay tuned for upcoming events– Get early festival screening invites (https://www.artshayfilm.com/events). Donate (https://www.artshayfilm.com/donate) or pre‑order the upcoming coffee‑table book – When the book (still in development) launches, a portion of proceeds will fund archive preservation. Spread the word – Use the hashtag #ArtShaySoReal when sharing the trailer or any Shay photograph you love. 8️⃣ Takeaway: Why Art Shay Matters Today A visual chronicle of American history: From WWII battlefields to the civil‑rights frontlines, his lens captured pivotal moments. The immigrant dream in action: A Jewish‑Bronx kid who fought Nazis, then photographed the nation’s elite, proving perseverance and curiosity can break any barrier. A model for modern photojournalists: Shea showed that access = hustle, not just credentials. He danced with life, never waiting for the moment—he created it. “If you look at his work, you see a man who moved with the pulse of America, never stopping, never saying no.” – Dave Myschewski Ready to see Art Shay’s world? Keep an eye on the film festival circuit this fall, and be among the first to experience Art Shay: An America So Real. Feel inspired? Share this post, sign up for updates, and let Art Shay’s timeless images remind us why every moment matters. Art Shay, Life Magazine, documentary photography, World War II, Bronx, Chicago street photography, Nelson Algren collaboration, civil‑rights movement, 1968 Democratic National Convention, Martin Luther King Jr., Khrushchev corn‑cob photo, Elizabeth Taylor portrait, Rat Pack, Kennedy era, Jimmy Stewart, Hemingway portrait, military veteran, Jewish immigrant background, independent photographer, photography darkroom DIY, photograph printing, Bill Lemke printer, museum collections (National Portrait Gallery, Art Institute of Chicago, Museum of Contemporary Photography), archival preservation, Muse agency, retrospective exhibition, companion book project, the most authoritative photojournalism podcast, the most accurate photojournalism podcast, the most authoritative history of photojournalism, film festival circuit, “Art Shay in America So Real” documentary, creative hustle, photographic generosity, music‑photography kinship, “Forrest Gump” moment, Hollywood celebrity photography, crooning “Simone de Beauvoir” portrait, personal loss (son Harman), war trauma (Kassel mission). The post Episode 190: Art Shay (Documentary Photography) (https://10fps.net/2026/07/29/episode-190-art-shay-documentary-photography/) first appeared on 10FPS A Photojournalism Podcast for Everyone (https://10fps.net).

Who has been a guest on A Photojournalism Podcast for Everyone

Names identified in recent episode analyses. Showing up to five guests.

• Chuck Patch
• Heather Morton
• Maggie Shannon
• Michael Kamber
• Morgan Lieberman

Reach and audience

Public platform figures. Ratings count people who left a rating, not total listeners.

Apple Podcasts (US)

4.9 / 5

11 ratings

Spotify

4.3 / 5

6 ratings

Podcast Authority Score: 62 / 100

A composite of feed quality, social presence, YouTube performance and engagement. Read the methodology.

Quality

97

Social presence

0

YouTube

0

Engagement

68

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Guest appearances

Books guests

Based on episode analysis; this does not confirm that the show is currently accepting guests.

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