

- 19
- Episodes
- 22
- Ratings
- Bi-weekly
- Cadence
- 2025
- First episode
About Always Bring a Book
Always Bring a Book is a podcast for readers who love hearing from the people behind the stories. Hosted by Craig Silva, each episode features candid conversations with authors, booksellers, librarians, and other book-world voices.
- Publisher
- Craig Silva
- Category
- arts
- Language
- en
- Explicit
- No
- First episode
- 24 Nov 2025
- Latest episode
- 13 Oct 2026
Latest episodes
19 episodes in the feed.

13 Oct 2026
Clay McLeod Chapman on Devil Inside, demonic possession, and writing morally gray characters
Today I sit down with USA Today bestselling and Bram Stoker Award–winning author Clay McLeod Chapman (https://www.claymcleodchapman.com/), whose newest novel, Devil Inside (https://harlequin.com/products/devil-inside?variant=44993060143280), is a darkly funny horror romance about a bike messenger who returns from the dead without his soul and falls for a body-hopping demon named Lilith. Our conversation covers the long history of romance in horror, what readers expect from a “horrormance,” and why falling in love can be as frightening as any supernatural threat. Clay also explains how he approached the book’s morally gray characters, its themes of consent, possession, and bodily autonomy, and the challenge of creating a happily ever after for a soulless man and a demon without a body. Plus, he shares his go-to coffee order, the subject he would teach besides writing, his favorite horror movie of the year, and a preview of his next novel, Mr. Lonelyhearts (https://us.macmillan.com/books/9781250412317/mrlonelyhearts/). Get Devil Inside (https://harlequin.com/products/devil-inside?variant=44993060143280), available now, and see Clay’s upcoming events (https://www.claymcleodchapman.com/events/). Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

8 Sept 2026
Saratoga Schaefer on queer horror, writing full-time, and A Thousand Monstrous Forms
Today I sit down with USA Today bestselling author Saratoga Schaefer (https://saratogaschaefer.com/), whose newest novel, A Thousand Monstrous Forms (https://www.penguinrandomhouse.com/books/826826/a-thousand-monstrous-forms-by-saratoga-schaefer/), is a sapphic gothic retelling of Bluebeard about a ceramic artist who moves into her new wife’s isolated manor and is forbidden from entering the basement. Our conversation covers what drew Saratoga to the Bluebeard folktale, the theme of toxic relationships that connects their four novels and the whirlwind experience of publishing Trad Wife, The Last Time We Drowned, and A Thousand Monstrous Forms within seven months. Saratoga also shares what it took to become a full-time author after a decade of writing alongside a day job, the burnout and anxiety that accompanied that transition, and the inspiration behind Trad Wife. Plus, we talk about their needy cat Cricket, a possibly haunted clown table, and the folktale they would love to retell next. Preorder A Thousand Monstrous Forms (https://www.penguinrandomhouse.com/books/826826/a-thousand-monstrous-forms-by-saratoga-schaefer/), out September 15, and see Saratoga’s upcoming events (https://saratogaschaefer.com/events/). Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

1 Sept 2026
Hallie Elizabeth Newton on Agnes Lives!, stream of consciousness, and writing from rage
Today I sit down with author and screenwriter Hallie Elizabeth Newton (https://www.penguin.co.uk/authors/318854/hallie-elizabeth-newton), whose debut novel, Agnes Lives! (https://www.bloomsbury.com/us/agnes-lives-9781639738564/), follows a fading New York City socialite over the course of 24 hours as she searches for someone willing to kill her before her next SoulCycle class. Our conversation covers why Hallie set the novel in 2014, writing in an extreme first-person stream of consciousness, and using a strict time constraint to hold together an intentionally messy, human story. We also discuss loneliness and the search for connection, creating an unlikable but compelling protagonist, and why real life doesn’t always provide a tidy narrative arc. Hallie also shares how her background in screenwriting shaped the book, what it was like working with editors at two different publishers, and how she found Agnes’s voice while narrating the audiobook herself. Get Agnes Lives! (https://www.bloomsbury.com/us/agnes-lives-9781639738564/) Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

4 Aug 2026
Rachel Harrison on her new novel Kiss Slay Replay, time loops, and the horror community
Today I sit down with Rachel Harrison (https://www.rachel-harrison.com/), New York Times bestselling author of The Return, Cackle, Such Sharp Teeth, Black Sheep, So Thirsty, and Play Nice and chat about her newest novel, Kiss Slay Replay (https://www.penguinrandomhouse.com/books/804414/kiss-slay-replay-by-rachel-harrison/), follows a reluctant wedding guest trapped in a time loop of masked killers, carnage, and increasingly unpredictable horrors. Our conversation covers the challenges of writing a time-loop story without becoming repetitive, grounding supernatural horror in genuine emotion, and finding humor in dark situations. We also discuss why horror is such a powerful way to explore anxiety, grief, loneliness, and other difficult subjects, the growing visibility of women in horror, and the friendships that have helped her survive the lonely side of publishing. Get Kiss Slay Replay (https://www.penguinrandomhouse.com/books/804414/kiss-slay-replay-by-rachel-harrison/) out September 1 and see Rachel’s upcoming US, UK, and Ireland tour dates (https://www.rachel-harrison.com/events). Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

16 Jul 2026
J.W. Ocker on his new book Don't Go There: A Tour of the World's Most Sinister Spots
Today I sit down with bestselling and Edgar Award-winning author J.W. Ocker, whose work spans spooky travel guides, children’s books, and horror novels. His newest book, Don’t Go There: A Tour of the World’s Most Sinister Spots, takes readers to 30 dangerous, mysterious, and unsettling locations that continue to inspire stories of hauntings, monsters, disappearances, disasters, and unexplained phenomena. Follow @JWOcker (https://www.instagram.com/jwocker/) on Instagram / https://www.oddthingsiveseen.com/ (https://www.oddthingsiveseen.com/) Get Don’t Go There (https://www.simonandschuster.com/books/Dont-Go-There/J-W-Ocker/9781683695028) Our conversation covers the strange origins of the Bermuda Triangle, the overlapping legends that can transform a location into a paranormal hotspot, and J.W.’s travels to places like the Salton Sea and Centralia, Pennsylvania. We also discuss what makes a place feel genuinely frightening, travel writing, and how the internet is changing the creation and lifespan of modern folklore. J.W. also shares his favorite Halloween tradition, where new readers should begin with Edgar Allan Poe, and details about his forthcoming book on Sleepy Hollow and the Headless Horseman (https://www.penguinrandomhouse.ca/books/841645/chasing-the-headless-horseman-by-j-w-ocker/9781324112228). Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

16 Jun 2026
Sara van Os on her novel Decomposition Book, OCD, and writing horror
Today I sit down with Sara van Os (https://www.instagram.com/saramcclarinet/ (https://www.instagram.com/saramcclarinet/)), author of the debut horror novel Decomposition Book, an emotional, electrifying, and darkly hilarious debut about a woman who finds a dead body and can’t give up its ghost, for fans of Mona Awad, Yellowjackets, and weird girl fiction. Get Decomposition Book: https://www.harpercollins.com/products/decomposition-book-sara-van-os?variant=44270250917922 (https://www.harpercollins.com/products/decomposition-book-sara-van-os?variant=44270250917922) Our conversation covers the origins of Decomposition Book, Sara’s experience writing OCD through the lens of horror, and the research she conducted into death rituals and relationships with the dead across different cultures. We also discuss queer representation in fiction, social media’s role in modern publishing, and what comes next after her novel’s successful launch. Intro music by: Trevor Vaughan (https://maglory.bandcamp.com)

2 Jun 2026
Allie Rowbottom on Lovers XXX, Los Angeles, and writing about taboo topics
Today I sit down with Allie Rowbottom (https://allierowbottom.com/), author of the memoir Jell-O Girls, the novel Aesthetica, and the new novel Lovers XXX. Set against the backdrop of the Los Angeles adult film industry in the 1980s, Lovers XXX follows two young women whose friendship, ambitions, and lives become intertwined over the course of decades. Photo credit © Matthew Weinberger (https://www.instagram.com/mweinbergerr (https://www.instagram.com/mweinbergerr)) Our conversation covers the origins of Lovers XXX (https://www.penguinrandomhouse.com/books/788105/lovers-xxx-by-rowbottom-allie/), researching the history of of this era, and why Allie is drawn to writing about subjects that are often misunderstood or dismissed. We also discuss Los Angeles as a literary setting, recurring themes across her work, and the differences between writing fiction and nonfiction. Get Allie’s books: Lovers XXX https://www.penguinrandomhouse.com/books/788105/lovers-xxx-by-rowbottom-allie/ (https://www.penguinrandomhouse.com/books/788105/lovers-xxx-by-rowbottom-allie/) Aesthetica https://sohopress.com/books/aesthetica/ (https://sohopress.com/books/aesthetica/) Jell-O Girls https://www.hachettebookgroup.com/titles/allie-rowbottom/jell-o-girls/9780316510622/ (https://www.hachettebookgroup.com/titles/allie-rowbottom/jell-o-girls/9780316510622/) Intro music by: Trevor Vaughan https://maglory.bandcamp.com/ (https://maglory.bandcamp.com/)

26 May 2026
Yah Yah Scholfield on weird girl fiction, horror, and On Sundays She Picked Flowers
Today I sit down with author Yah Yah Schofield (https://www.instagram.com/fluoresensitive/), whose debut novel On Sundays She Picked Flowers (https://www.simonandschuster.com/books/On-Sundays-She-Picked-Flowers/Yah-Yah-Scholfield/9781668091210) began as a project on Tumblr before being self-published and later rereleased by Saga Press, an imprint of Simon & Schuster. We talk about the novel’s long journey to publication and writing honestly about trauma and identity. Our conversation covers weird girl fiction and microgenres, horror as a space for grief and catharsis, the tension between separating art from the artist, and how lived experience inevitably shapes writing. Author Photo © Hunter Photography Intro music by: Trevor Vaughan https://maglory.bandcamp.com (https://maglory.bandcamp.com)

5 May 2026
Isaac Fitzgerald on Dirtbag Massachusetts, American Rambler, and the stories we inherit
Today I sit down with Isaac Fitzgerald (https://www.isaacfitzgerald.net/), bestselling author of Dirtbag Massachusetts, Pen & Ink, How to Be a Pirate, and the forthcoming book American Rambler: Walking the Roads of Johnny Appleseed. In the new book, Isaac retraces the path of Johnny Appleseed from Massachusetts to Indiana while exploring family history, storytelling, faith, loneliness, and the generosity of strangers across America. Our conversation covers writing honestly about family, how memoir changes when the people you’re writing about are still around to read it, and the experience of retracing Johnny Appleseed’s path across America. We also talk about long walks, why Isaac believes America is kinder than the internet would have you think, and why he likes moving between different styles of writing. Author Photo © Nader Farzan (https://www.instagram.com/nader.tiff/) Get Isaac’s books: American Rambler (https://www.penguinrandomhouse.com/books/736787/american-rambler-by-isaac-fitzgerald/) (out May 12) Dirtbag Massachusetts (https://www.bloomsbury.com/us/dirtbag-massachusetts-9781635573978/) Pen & Ink (https://bookshop.org/p/books/knives-ink-chefs-and-the-stories-behind-their-tattoos-with-recipes-isaac-fitzgerald/8df18cbfede84def?ean=9781632861214&next=t&next=t&source=IndieBound) How to Be a Pirate (https://www.lemuriabooks.com/How-to-Be-a-Pirate-Isaac-Fitzgerald-p/9781681197784.htm) Intro music by: Trevor Vaughan https://maglory.bandcamp.com/ (https://maglory.bandcamp.com/)

21 Apr 2026
Eleanor Anstruther and Alisa Kennedy Jones on radical publishing, women’s voices, and Fallout
Today I sit down with Eleanor Anstruther (https://www.eleanoranstruther.com/) and Alisa Kennedy Jones (https://alisajones.com/), author and publisher behind Fallout (https://empresseditions.io/our-books), a punk-hearted coming-of-age novel set against the backdrop of the Greenham Common Women’s Peace Camp. Our conversation dives into the radical history that inspired Fallout, the power of protest and community, and why stories about women’s lives—especially in midlife—are often overlooked by traditional publishing. We talk about alternative paths to publishing, from Substack to indie presses, what it means to truly support authors, and how Empress is rethinking the model to center creative freedom, transparency, and collaboration. Author photo credit: Rosalind Hobley (https://www.portlandphotographersforum.com/news/get-to-know-rosalind-hobley) ⸻ Get Eleanor’s book: Fallout (https://bookshop.org/p/books/fallout-eleanor-anstruther/a5cc5b1eed58fb37?ean=9798999527035&next=t&next=t&affiliate=93729) (out April 21) ⸻ Learn more about Empress Editions: Empress Editions (https://empresseditions.io/) ⸻ Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

24 Mar 2026
Eric LaRocca on grief, transgressive horror, and his new novel Wretch
Today I sit down with Eric LaRocca (https://ericlarocca.com/) who is a Bram Stoker Award finalist and the author of Things Have Gotten Worse Since We Last Spoke, We Are Always Tender with Our Dead, and many other works of transgressive, boundary-pushing horror. His latest novel, Wretch, explores grief, loss, and the terrifying lengths we might go to reconnect with those we’ve lost. Our conversation dives into Eric’s approach to writing horror and how he navigates pushing boundaries while working with publishers, what kinds of content some large retailers won’t carry, and why he’s drawn to stories that leave readers feeling “unclean.” We discuss the evolving landscape of queer horror, the current renaissance of queer voices in the genre, and why horror has always been a space for outsiders. Get Eric’s books: Wretch (https://www.simonandschuster.com/books/Wretch/Eric-LaRocca/9781668070093) (out March 24) Things Have Gotten Worse Since We Last Spoke (https://www.penguinrandomhouse.com/books/714716/things-have-gotten-worse-since-we-last-spoke-and-other-misfortunes-by-eric-larocca/) We Are Always Tender with Our Dead (https://www.penguinrandomhouse.com/books/790259/we-are-always-tender-with-our-dead-by-eric-larocca/) More (https://ericlarocca.com/books) Craig's recommendation this week: Trad Wife (https://www.penguinrandomhouse.com/books/807398/trad-wife-by-saratoga-schaefer/) by Saratoga Schaefer Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

9 Mar 2026
Michael Finkel on true crime, impossible stories, and The Art Thief
Michael Finkel is the author of The Art Thief, The Stranger in the Woods, and True Story; all nonfiction books that read like thrillers and dive deep into the minds of people living far outside the bounds of normal life. (Photo Credit: © Doug Loneman) We talk about how Mike became fascinated with people living on the fringes of society, from a Frenchman (https://en.wikipedia.org/wiki/St%25C3%25A9phane_Breitwieser) who stole over $2 billion worth of art just to admire it in his bedroom, to a hermit (https://en.wikipedia.org/wiki/Christopher_Thomas_Knight) who lived alone in the Maine woods for 27 years without speaking to another human being. Mike explains why he’s drawn to these kinds of stories, what it takes to convince elusive subjects to talk, and how years of reporting and research eventually become a narrative that feels both unbelievable and completely true. Our conversation also revisits the bizarre real-life events that inspired his book True Story, including the surreal moment when Mike discovered that a fugitive (https://en.wikipedia.org/wiki/Christian_Longo) accused of murdering his family had been traveling under his name while posing as a reporter for the New York Times. We talk about the complicated aftermath of that experience, what it taught him about truth and storytelling, and how it shaped the way he approaches every project since. Get Michael's books: The Art Thief (https://www.penguinrandomhouse.com/books/611687/the-art-thief-by-michael-finkel/) The Stranger in the Woods (https://www.penguinrandomhouse.com/books/251786/the-stranger-in-the-woods-by-michael-finkel/) True Story (https://www.michaelfinkel.com/books/true-story/) This week's recommendation: The Return (https://www.penguinrandomhouse.com/books/611389/the-return-by-rachel-harrison/) by Rachel Harrison Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

24 Feb 2026
Megha Majumdar on A Guardian and a Thief, writing full-time, and trusting the process
About the episode In this episode of Always Bring a Book, I sit down with bestselling author Megha Majumdar to talk about her new novel, A Guardian and a Thief, an Oprah’s Book Club pick and finalist for the National Book Award. Megha shares why she structured the novel over seven tense days, how an earlier ten-day draft had to be abandoned, and what it really means to “listen” when a book tells you it wants to become something else. We talk about the house at the center of the story, the hard-earned wisdom of cutting hundreds of pages in pursuit of a sharper, more urgent narrative, and her decision to step away from her role as Editor-in-Chief at Catapult to focus on writing full time. About the author Megha Majumdar is the author of the novel A Guardian and a Thief, which is an Oprah’s Book Club pick, a finalist for the Kirkus Prize and the National Book Award, and the winner of the American Library Association’s Andrew Carnegie Medal for Excellence. A Guardian and a Thief is also a New York Times notable book, a Washington Post notable book, and one of the ten best books of the year per The Atlantic and TIME Magazine. Her first book, the New York Times bestselling novel A Burning, was a TODAY Show Read With Jenna book club pick and a National Book Award nominee, among other honors. Her work has been supported by the Whiting, Civitella Ranieri, and Hawthornden foundations. Born and raised in Kolkata, India, she now lives in New York. Intro music by: Trevor Vaughan (https://maglory.bandcamp.com/)

10 Feb 2026
TJ Klune on writing from love, publishing ethics, and protecting creative work
In this episode of Always Bring a Book, I sit down with TJ Klune, bestselling author of The House in the Cerulean Sea, Under the Whispering Door, and In the Lives of Puppets. TJ and I reconnect after a few years to talk about everything that’s happened since Cerulean Sea became a massive success. TJ shares the story behind The Stars Look Like Home, his newly announced novel told from the point of view of a dog, written for a new Tor imprint, Wildthorn. We talk about writing from a place of deep personal connection, why the dog absolutely does not die, and how Britney Spears accidentally inspired the book’s title. The conversation also explores the emotional and creative weight of success, the rare second life his backlist has found through Tor republications, and the complicated realities of publishing older work years later. We also dig into the ethics of AI in publishing, TJ’s long-standing collaboration with cover artist Chris Sickels, and why supporting real artists matters more than ever. TJ reflects on resisting pressure to repeat past successes, protecting creative integrity, and what it means to keep writing stories that feel honest even as his audience continues to grow. Intro music by Trevor Vaughan (https://maglory.bandcamp.com/)

27 Jan 2026
Lucy Zhao on building Pagebound, social reading, and rejecting AI
In this episode of Always Bring a Book, I sit down with Lucy Zhao, co-founder of Pagebound (https://pagebound.co/), a fast-growing social reading app built as an alternative to Goodreads. Lucy shares how Pagebound grew from an idea between two lifelong readers into a self-funded platform with over 100,000 users in just one year, all without ads or venture capital. She reflects on leaving the tech world, betting on the reading community, and building a product rooted in values rather than growth-at-all-costs. The conversation touches on organic growth through BookTok and word of mouth, difficult feature tradeoffs made by a two-person team, and what’s next for Pagebound including giveaways, deeper author and publisher collaborations, and hopes for more in-person and library-based community building. Intro music by Trevor Vaughan (https://maglory.bandcamp.com/) This week’s recommendations: Starling House (https://us.macmillan.com/books/9781250799050/starlinghouse/) by Alix E. Harrow We Are Always Tender with Our Dead (https://www.penguinrandomhouse.com/books/790259/we-are-always-tender-with-our-dead-by-eric-larocca/) by Eric LaRocca

13 Jan 2026
Shen Tao on writing from the heart, poetry magic, and her debut The Poet Empress
Set in the fictional Azalea Dynasty, The Poet Empress (https://www.shentao.ca/projects/poet-empress) follows a young woman living in a world where women are forbidden to read, famine is rampant, and survival demands impossible choices. In this conversation, Shen reflects on writing eight novels before her debut, unlearning the urge to write for the market, and why poetry, rooted in truth and emotion, became the heart of her book’s magic system. She also talks candidly about the vulnerability of publishing deeply personal work, the emotional impact of early reader responses, and what it’s been like watching the book find its audience through online book communities all while navigating life as a debut author. Intro music by Trevor Vaughan (https://maglory.bandcamp.com/album/young-and-old-gregor-samsa) Author Photo credit: Yuqi Shan (https://www.instagram.com/_yuqishan_/) This week’s recommendations: Burn the Sea (https://boundless.binderybooks.com/item/fEhtUkBJj1dQCKzycAlv/) by Mona Tiwari True Story (https://www.michaelfinkel.com/books/true-story/) by Michael Finkel

23 Dec 2025
Anthony Shapland on A Room Above a Shop, queer love, and becoming a novelist
On today's episode I sit down with Welsh author and artist Anthony Shapland, whose debut novel A Room Above a Shop was released earlier this year. Set in a small Welsh town in the late 1980s, A Room Above a Shop tells the story of a secret love affair between two men during the height of the AIDS crisis and the era of Section 28. In this conversation, Anthony reflects on writing queer love with restraint and tenderness, coming to writing later in life, and how his background in visual art and filmmaking shaped the way he approaches narrative. Intro music by Trevor Vaughan (https://maglory.bandcamp.com/) In this episode, we explore: Why the novel’s central characters are known only by their initials Writing gay history through intimacy, anonymity, and resistance Giving yourself “permission” to become a writer later in life How visual art, filmmaking, and writing all stem from the same creative impulse The emotional significance of finishing the book on the Welsh coast This week’s recommendation: Heart the Lover (https://brooklinebooksmith.com/book/9780802165176) by Lily King

9 Dec 2025
Emily Austin on libraries, identity, and Is This a Cry for Help?
Today we sit down with bestselling Canadian author Emily Austin (https://www.emilyaustinauthor.com/), known for Everyone in This Room Will Someday Be Dead, Interesting Facts About Space, We Could Be Rats, and her upcoming 2026 novel Is This a Cry for Help? (https://www.emilyaustinauthor.com/copy-of-order-we-could-be-rats) Emily’s work blends dark humor with tenderness, exploring lesbian identity, mental health, neurodivergence, and the contradictions of being human. In this conversation, she digs into character creation, religious trauma, queerness, librarianship, and the messy, beautiful inner lives that shape her fiction. In this episode, we explore: The real library experience that inspired the opening of Is This a Cry for Help? The hidden biases baked into the Dewey Decimal System Writing invisible disabilities and internalized shame with honesty and humor How compulsory heterosexuality shaped both Emily’s life and Darcy’s story The chaos of sharing a name with a Fox News reporter This week's recommendation: Goddess of Filth (https://creaturehorror.com/books/goddess-of-filth) by V. Castro Intro + Outro music by Trevor Vaughan (https://maglory.bandcamp.com/)

24 Nov 2025
Paul Tremblay on AI, horror writing, and his new 2026 novel
Welcome to the very first episode of Always Bring a Book. Craig sits down with award-winning author Paul Tremblay (https://www.paultremblay.net/); the mind behind A Head Full of Ghosts, The Cabin at the End of the World, Horror Movie, and his middle-grade debut Another. Fresh off announcing his upcoming 2026 novel Dead but Dreaming of Electric Sheep (https://www.harpercollins.com/products/dead-but-dreaming-of-electric-sheep-paul-tremblay?variant=44376893030434), Paul talks about blending tech dread with dark humor, how the book became his longest and most ambitious project yet, and why he’s still firmly anti-AI in creative spaces. They also dig into: Paul’s long-running lawsuit against OpenAI (https://www.loeb.com/en/insights/publications/2024/03/tremblay-v-openai-inc) and how his thinking on AI has intensified The wild premise behind Dead but Dreaming of Electric Sheep (nanobots, remote-controlled bodies, and a slacker gamer protagonist?!) What it’s really like co-writing a novel with Stephen Graham Jones His experience writing Another for younger readers Growing up around the old Parker Brothers factory in Salem (Ouija boards, haunted stories, and an unreleased Dracula video game!) Intro + Outro music by Trevor Vaughan (https://maglory.bandcamp.com/)
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- Apple Podcasts (US)
- 5.0 / 5
- 14 ratings
- Spotify
- 5.0 / 5
- 8 ratings
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