El Atelier se desarrolló en Lima del 15 al 22 de marzo de 2021 gracias a la Embajada de Francia en Perú. Este taller producido por Soda Films, fue conducido por el cineasta francés David Duponchel, y el compositor y especialista en sonido Nicolás Larco. El taller tomó como materiales de crítica los largometrajes y cortometrajes presentados en el Ciclo de Cine Francófono, organizado por las embajadas de Francia, Canadá, Suiza y el Reino de Marruecos, en el Perú.
Atelier de Critique de Cinéma 2.0
Claim This Podcastby Francophonie Atelier
8 episodes
Updated Daily
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Podcast Overview
El Atelier se desarrolló en Lima del 15 al 22 de marzo de 2021 gracias a la Embajada de Francia en Perú. Este taller producido por Soda Films, fue conducido por el cineasta francés David Duponchel, y el compositor y especialista en sonido Nicolás Larco. El taller tomó como materiales de crítica los largometrajes y cortometrajes presentados en el Ciclo de Cine Francófono, organizado por las embajadas de Francia, Canadá, Suiza y el Reino de Marruecos, en el Perú.
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Publishing Since
3/26/2021
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Recent Episodes
March 26, 2021
Madame, par Stéphane Riethauser, du point de vue d'Helen Olawale
<p>Helen Olawale, participante del Atelier de Critique de Cinéma 2.0 en el marco de Francofonia 2021, analiza el documental suizo, Madame.</p>
March 26, 2021
Recrue, un film de Pier-Philippe Chevigny
<p>En esta oportunidad, Jully Crispin, participante del Atelier de Critique de Cinéma 2.0 comenta el cortometraje Recrue de Pier-Philippe Chevigny.</p>
March 26, 2021
Le cadre est très diminué, un film de Tala Hadid
<p>Shanice Catalano, participante del Atelier de critique de cinéma 2.0 analiza la obra de la directora marroquí Tala Hadid, presentada en el marco del ciclo de cine Francófono de 2021.</p>
8 total episodes available
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- What is Atelier de Critique de Cinéma 2.0?
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This podcast updates daily.
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This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
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Yes, this podcast regularly features guests.
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