Backwards Beats revisits the Rolling Stone 500 Greatest Albums of All Time, one album at a time. We dig into the music, the context, and the reputation, then decide how much of it actually holds up. Sometimes we agree. Sometimes we don’t. The list doesn’t get the final word, but every album gets a fair shake.
New episodes every Tuesday.
In this episode of Backwards Beats, Dan and Carl continue their reverse journey through Rolling Stone’s 500 Greatest Albums of All Time by diving into Lucinda Williams’ seminal 1988 self-titled third album. Before Car Wheels on a Gravel Road made her a household name and an Americana icon, this 1988 release laid down the exact blueprint for the modern alt-country and roots-rock movements. Released on the legendary UK post-punk label Rough Trade Records after being rejected by major L.A. and Nashville labels, Lucinda Williams showcases raw Southern gothic storytelling, Telecaster-driven blues-rock guitar work by Gurf Morlix, and unforgettable songwriting.
We trace Lucinda’s bohemian upbringing as the daughter of poet Miller Williams, her early years grinding on the Texas and Los Angeles club circuits, and how her unvarnished depiction of female autonomy and desire bridged the gap between traditional country icons like Loretta Lynn and 1990s roots-pop superstars like Mary Chapin Carpenter, Tom Petty, and Sheryl Crow. Join us for an in-depth track-by-track review, production breakdown, and honest critique of this roots-rock masterpiece.
Key Topics Covered in This Episode:
The origin story of Lucinda Williams, her southern upbringing, and literary influences.
The 1980s music industry landscape and why major labels rejected her uncategorizable sound.
How British post-punk label Rough Trade Records gave Lucinda complete artistic freedom.
Recording sessions at Mad Dog Studios in Venice, California, with co-producer and guitarist Gurf Morlix and engineer Dusty Wakeman.
Deep dives into iconic tracks: "Passionate Kisses," "Changed the Locks," "The Night's Too Long," "Crescent City," and "Side of the Road."
How covers by Mary Chapin Carpenter, Tom Petty, and Patty Loveless turned Lucinda into a "songwriter's songwriter."
Join us next week when we cover Paul Simon by Paul Simon.
6 Oct 2026
Al Green - Call Me (#427)
Put on your room-temperature sweatpants and get ready to ease into a smooth, soulful masterpiece. This week on the Backwards Beats Podcast, hosts Carl and Dan take a deep dive into Episode 93 to discuss the Reverend Al Green’s seminal 1973 album, Call Me. Coming in at No. 427 on Rolling Stone’s 500 Greatest Albums of All Time list (a massive tumble from its previous No. 60 spot in 2003), this 9-song, 35-minute record is a clinic in musical restraint, lush arrangements, and vocal genius.
From exploring the history of Royal Recording Studios in Memphis to breaking down Willie Mitchell's production wizardry, Carl and Dan dissect the album track-by-track. They analyze the legendary Hi Rhythm section (including the Hodges brothers), debate the role of country music covers in soul, and try to understand how Al Green makes complex modal interchanges feel as effortless as finger painting. Plus, stay tuned for their recurring "In Your Ears" segment, and find out if Call Me gets a definitive "Hit It" or "Skip It."
Music References
Four Tops
Bonnie Raitt
Linda Ronstadt
Big Star
Sparks
Clandestino by Mano Chao
Mano Chao
BLACKsummers'night by Maxwell
Ascension (Don't Ever Wonder) by Maxwell
Pretty Wings by Maxwell
Maxwell
Tribute by Jack Black
Jack Black
Al Green & The Soul Mates
Jackie Wilson
Ray Charles
Call Me by Juvenile
Juvenile
Chicago
Billie Eilish
Lizzy McAlpine
Dodie
Prince
Creep by Radiohead
Radiohead
Trombone Shorty
Bobby McFerrin
Innervisions by Stevie Wonder
Stevie Wonder
Respect by Aretha Franklin
(You Make Me Feel Like) A Natural Woman by Aretha Franklin
Aretha Franklin
Son of a Preacher Man by Dusty Springfield
Dusty Springfield
Mustang Sally by Wilson Pickett
Wilson Pickett
I'm So Lonesome I Could Cry by Hank Williams
Hank Williams
Hank Williams Jr.
The Everly Brothers
Can't Help Falling in Love by Elvis Presley
Elvis Presley
The Star-Spangled Banner by Whitney Houston
Whitney Houston
John Mayer
Elmo
Johnny Cash
Jerry Lee Lewis
Every Little Thing She Does Is Magic by The Police
The Police
Ten Summoner's Tales by Sting
Seven Days by Sting
Sting
Erykah Badu
Civil War / We Have a Choice by Karma Gods
Karma Gods
River of Dreams by Billy Joel
Glass Houses by Billy Joel
The Stranger by Billy Joel
All About Soul by Billy Joel
And So It Goes by Billy Joel
The Downeaster 'Alexa' by Billy Joel
Lullabye (Goodnight, My Angel) by Billy Joel
2000 Years by Billy Joel
You May Be Right by Billy Joel
Billy Joel
Here I Am (Come and Take Me) by UB40
Red Red Wine by UB40
Can't Help Falling in Love by UB40
UB40
Leon Bridges
Phoebe Bridgers
Bob Marley
Willie Nelson
Lyle Lovett
Lil Dicky
Bring It On by Juicy J
Juicy J
Leonard Cohen
Their Greatest Hits (1971–1975) by Eagles
Eagles
Thriller by Michael Jackson
Michael Jackson
Queen
Elliott Smith
Steve Miller Band
Booker T. & the M.G.'s
Jimmy Smith
Carl Denson
Maceo Parker
Kinfolk: Postcards from Everywhere by Nate Smith
Nate Smith
Across 110th Street by Bobby Womack
Bobby Womack
No Jacket Required by Phil Collins
Phil Collins
Genesis
Bone Thugs-n-Harmony
Join us next week when we cover Lucinda Williams by Lucinda Williams
29 Sept 2026
Hüsker Dü - New Day Rising
In Episode 92 of Backwards Beats, hosts Dan and Carl review Hüsker Dü's 1985 landmark release, New Day Rising, ranked at #428 on Rolling Stone Magazine's 500 Greatest Albums of All Time. The hosts explore the Minneapolis punk scene of the 1980s, the band's transition from intense hardcore to melodic post-punk, and the creative tension between dual songwriters Bob Mould and Grant Hart. Given a divisive, trebly low-fi production style, will our hosts ultimately give the album its due for its undeniable influence on 90s alternative rock—inspiring bands like Nirvana, Green Day, and the Pixies.
Music References
Dinosaur Jr.
Basket Case by Green Day
Good Riddance by Green Day
Green Day
Friends in Low Places by Garth Brooks
Garth Brooks
American Pie by Don McLean
Don McLean
Buddy Rich
Doc Severinsen
Ed Shaughnessy
Louie Bellson
In the Summertime by Ray Dorset / Mungo Jerry
Ray Dorset / Mungo Jerry
Blue Öyster Cult
Motörhead
Mötley Crüe
Psycho Killer by Talking Heads
Talking Heads
Suicide Commandos
The Replacements
Minutemen
Document by R.E.M.
Reconstruction of the Fables by R.E.M.
Shiny Happy People by R.E.M.
What's the Frequency, Kenneth? by R.E.M.
R.E.M.
Eight Miles High by The Byrds
The Byrds
Prince
The Beatles
Ram by Paul McCartney
Paul McCartney
Nirvana
Pixies
Pearl Jam
Jimmy Eat World
Foo Fighters
The Offspring
All I Want for Christmas Is You by Mariah Carey
Dreamlover by Mariah Carey
Mariah Carey
That's the Way Love Goes by Janet Jackson
If by Janet Jackson
All for You by Janet Jackson
Janet Jackson
Charli XCX
Ben Harper
Jack Johnson
Ben Folds
Lenny Kravitz
Dead End by Dead Kennedys
Buzzbomb by Dead Kennedys
Dead Kennedys
Rockin' in the Free World by Neil Young
Neil Young
Ball and Chain by Social Distortion
Social Distortion
The B-52's
Severe Tire Damage by They Might Be Giants
They Might Be Giants
Rush
Muse
Wilco
It's All Been Done by Barenaked Ladies
One Week by Barenaked Ladies
The Old Apartment by Barenaked Ladies
Shoe Box by Barenaked Ladies
Brian Wilson by Barenaked Ladies
Barenaked Ladies
Celebration Summer
Fugazi
Kenji Haino
With or Without You by U2
U2
Taylor Swift
Rumours by Fleetwood Mac
Fleetwood Mac
Tom Petty
Ramones
Elvis Costello
The Who
Run Runaway by Slade
Slade
Quiet Riot
TV Party by Black Flag
Gimme Gimme Gimme by Black Flag
Thirsty and Miserable by Black Flag
Black Flag
Joy Division
59 Times the Pain
Butthole Surfers
My Morning Jacket
Only the Good Die Young by Billy Joel
Angry Young Man by Billy Joel
Billy Joel
Goldfinger
CAN
Weird Al Yankovic
3AM by Matchbox Twenty
Matchbox Twenty
Cloud Nothings
War Pigs by Cake
Never There by Cake
Short Skirt/Long Jacket by Cake
Sheep Go to Heaven by Cake
Mexico by Cake
Cake
War Pigs by Faith No More
Faith No More
Immigrant Song by Led Zeppelin
Led Zeppelin
Bread
Join us next week when we dig into Call Me by Al Green.
Who has been a guest on Backwards Beats Podcast
Names identified in recent episode analyses. Showing up to five guests.
Jason Isbell
Julia Cowles
Nate Danciger
SZA
Reach and audience
Public platform figures. Ratings count people who left a rating, not total listeners.
YouTube views
60,730
Score snapshot 15 Sept 2025
Apple Podcasts (US)
5.0 / 5
5 ratings
Spotify
5.0 / 5
8 ratings
Podcast Authority Score: 74 / 100
A composite of feed quality, social presence, YouTube performance and engagement. Read the methodology.
Quality
87
Social presence
90
YouTube
76
Engagement
32
Contact Backwards Beats Podcast
Guest appearances
Books guests
Based on episode analysis; this does not confirm that the show is currently accepting guests.
Questions about Backwards Beats Podcast
Who hosts Backwards Beats Podcast?
Carl and Dan host the show. Published by Tunawood Productions.
How often do new episodes come out?
The show publishes weekly, based on its RSS feed.
Does Backwards Beats Podcast take guests?
Yes. Guests have been identified in episode analyses.
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