eq-line=philosophy x books x math x music x language x wildlife x coffee
فلسفه × کتاب × ریاضیات × موسیقی × زبان × حیاتوحش × قهوه

eq-line=philosophy x books x math x music x language x wildlife x coffee فلسفه × کتاب × ریاضیات × موسیقی × زبان × حیاتوحش × قهوه
Language
🇫🇦
Publishing Since
11/20/2025
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December 2, 2025
<p><br>در این اپیزود، بخش آشنایی اولیه با «مورسو» به پایان میرسد و وارد بخش هیجانانگیزتری میشویم؛ جایی که دو شخصیت از همسایههای مورسو معرفی میشوند: «سالامانو و سگ اسپانیلش، و رمون سانتِس». خواندن این قسمت برای من سخت بود، به دلیل برانگیختن احساسات و قضاوت اخلاقی. موسیقی پسزمینه: موسیقی فیلم اثر Eddy-Mers-And-His-Orchestra <a href="https://www.youtube.com/redirect?event=video_description&redir_token=QUFFLUhqbHhrTjJNRzd5cjRrdndZd0pqTjEwXzNCS05xUXxBQ3Jtc0tuckUzYndURVVXWjlxRFFFanNVdndUN2FnQ0dsV0p1YmF2Rk9rSWZWRWhQUkRtMG85U0swY1k5NGZrel8zN0h5aGFBWUxraFBldXduNFl2cTJJWHF1WkpzVG5zU1Nnb1BUYVpGX1lNb0s0ZlpRZExKOA&q=https%3A%2F%2Fwww.discogs.com%2Fmaster%2F873681-Eddy-Mers-And-His-Orchestra-Musique-De-Film%3Fsrsltid%3DAfmBOoqTE9L8eDYeH9ToJhGHcav1OH0aESjnwwfKakt9ZqOpvf4TrZMh&v=v03oAhw_hJU" target="_blank" rel="nofollow">https://www.discogs.com/master/873681...</a>In this episode, the initial introduction to Meursault comes to an end, and we enter a more exciting part, where two of Meursault’s neighbors are introduced: "Salamano and his spaniel, and Raymond Sintes". Reading this section was difficult for me because it arouses emotions and prompts moral judgment.</p>

November 28, 2025
<p>در این اپیزود، ادامهٔ نگاه خودم به کتاب بیگانه اثر آلبر کامو را بیان میکنم. برای توضیح دیدگاهم، هیچ نقد یا تفسیری را از پیش نمیخوانم و فقط برداشتهای شخصی و همانلحظهایام را پس از خواندن ترجمهٔ انگلیسی مطرح میکنم. در این بخش، به جزئینگری «مورسو» در توصیف آسمان و همچنین به نوع توجه او به ریزترین نکات و شاید بی اهمیت ترین در ادارهاش میپردازم.قهوهٔ ترک «محمت فِندی» که با جذوه درست کرده بودم هم کمک کرد تا با حس بهتری صحبت کنم.موسیقی پس زمینه: صفحه گرامفون از Bert Kaempfert</p><p><br></p><p>In this episode, I continue sharing my own perspective on Albert Camus’ The Stranger. To explain my viewpoint, I don’t read any reviews or interpretations beforehand; I simply express my personal and immediate impressions after reading the English translation. In this part, I focus on Meursault’s attention to detail in describing the sky, as well as the way he notices even the tiniest — and perhaps most insignificant — details in his office.The Turkish coffee from Mehmet Efendi that I made with a cezve also helped me speak with a better feeling</p>

November 25, 2025
<p>در این اپیزود به نگاه خودم به کتاب بیگانه آلبر کامو ادامه میدهم؛ جایی که «مورسو» یک گام جلوتر میرود و بهجای بسنده کردن به مفهوم «مقصر نبودن»، احساس گناه کوچک و دائمی را به همه تعمیم میدهد. یک حس ظریف که در پسزمینهی زندگی جریان دارد. یک گریزی هم زدم به موسیقی ژانر Blue Grass In this episode, I continue my look at Albert Camus’ The Stranger. Here, Camus takes a step further. Instead of stopping at the idea of not being “at fault,” he turns it into a quiet, persistent feeling of guilt. It is something small and familiar to all of us, always present in the backgroundI also took a short detour into the Bluegrass music</p>
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eq-line=philosophy x books x math x music x language x wildlife x coffee
فلسفه × کتاب × ریاضیات × موسیقی × زبان × حیاتوحش × قهوه
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