O podcast Errata explora a invisibilidade das mulheres na história do design a partir de conversas com pensadores, curadores, historiadores e designers sobre as suas experiências e os seus trabalhos.

Errata: uma revisão feminista à história do design gráfico português / a feminist amendment to graphic design history
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Podcast Overview
O podcast Errata explora a invisibilidade das mulheres na história do design a partir de conversas com pensadores, curadores, historiadores e designers sobre as suas experiências e os seus trabalhos.
Language
🇵🇹
Publishing Since
5/15/2021
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Recent Episodes

May 8, 2026
E26: Isabeli Santiago
<p class= "font-claude-response-body break-words whitespace-normal leading-[1.7]"> O episódio 26 é uma conversa — e uma caminhada — com a Isabeli Santiago, historiadora de arte, curadora e doutoranda em Estudos Feministas na Universidade de Coimbra, organizadora das Tours Feministas do Porto.</p> <p class= "font-claude-response-body break-words whitespace-normal leading-[1.7]"> Isabeli vem investigando as dinâmicas de apagamento, silenciamento e distorção da memória das mulheres nas narrativas dominantes da cidade — através de projetos como a Tour Feminista do Porto e a Revista Lina. O seu trabalho parte de um princípio simples e radical: caminhar pode ser, em si mesmo, uma metodologia feminista.</p> <p class= "font-claude-response-body break-words whitespace-normal leading-[1.7]"> Neste episódio, percorremos um pedaço do Bonfim no Porto, enquanto falamos sobre toponímia, representação no espaço público, fabulação crítica e sobre o que significa escrever a história com o corpo, com a voz, e com a cidade como arquivo.<br /> <br /></p> <p class= "font-claude-response-body break-words whitespace-normal leading-[1.7]"> Episode 26 is a conversation — and a walk — with Isabeli Santiago, art historian, curator, and PhD researcher in Feminist Studies at the University of Coimbra, and one of the organisers of the Feminist Tours of Porto.</p> <p class= "font-claude-response-body break-words whitespace-normal leading-[1.7]"> Isabeli has been investigating the dynamics of erasure, silencing, and distortion of women's memory in the dominant narratives of the city — through projects like the Feminist Tour of Porto and Revista Lina. Her work starts from a simple and radical premise: walking can itself be a feminist methodology.</p> <p class= "font-claude-response-body break-words whitespace-normal leading-[1.7]"> In this episode, we walked through a small section of the tour while discussing urban toponymy, representation in public space, critical fabulation, and what it means to write history with your body, your voice, and the city as archive.</p>

April 21, 2026
E25: Chloé Darmon
<p>O episódio 25 é uma conversa com a arquitecta e investigadora <a href= "https://ciaud.ubi.pt/index.php/members/chloe-darmond">Chloé Darmon</a> sobre as mulheres lavadeiras e o seu apagamento da história da arquitectura e da cidade.<br /> Chloé é licenciada pela Escola Superior de Arquitectura de Paris-Belleville e mestre pela Faculdade de Arquitectura da Universidade do Porto. É actualmente doutoranda na Universidade da Beira Interior com o projecto de tese Infraestruturas de Água: Cartografias espaciais e biografias a partir dos lavadouros públicos. No seu trabalho de investigação, Chloé centra-se nas mulheres lavadeiras — a sua relação com o espaço público, o trabalho que sustentou a economia urbana e as comunidades que construíram — e no modo como o desenho desses espaços nunca as considerou, apesar de toda a sua importância.<br /> Neste episódio, Chloé fala também sobre a exposição <a href= "https://www.museudoaljube.pt/expo/arquitectas-da-liberdade/">Arquitectas da Liberdade</a>, um projecto de curadoria colectiva que documenta o papel das mulheres na luta pelo direito à habitação em Portugal. O fio que atravessa todos estes trabalhos é a ideia de que a cidade não foi desenhada para as mulheres e que parte do trabalho feminista é ir procurar as suas vozes fora dos arquivos convencionais para poder escrever uma história que as inclui. Neste episódio, Chloé lembra-nos que ao ser escrita pela classe privilegiada, a história não só apresenta a sua vivência como experiência universal, como também apaga a classe trabalhadora. As mulheres lavadeiras existiram, trabalharam e o seu legado é fundamental para a compreensão da história de todes.</p> <p><br /> Episode 25 is a conversation with architect and researcher <a href= "https://ciaud.ubi.pt/index.php/members/chloe-darmond">Chloé Darmon</a> about washerwomen and their erasure from the history of architecture and the city.<br /> Chloé holds a degree from the École Supérieure de Architectura de Paris-Belleville and a master's degree from the Faculty of Architecture of the University of Porto. She is currently a doctoral candidate at the University of Beira Interior with the thesis project Water Infrastructures: Spatial Cartographies and Biographies from Public Washhouses. In her research, Chloé focuses on washerwomen — their relationship with public space, the work that sustained the urban economy and the communities they built — and how the design of these spaces never considered them, despite all their importance.<br /> In this episode, Chloé also talks about the exhibition <a href= "https://www.museudoaljube.pt/expo/arquitectas-da-liberdade/">Architects of Freedom</a>, a collective curatorial project that documents the role of women in the struggle for the right to housing in Portugal. The thread running through all these works is the idea that the city was not designed for women and that part of feminist work is to seek out their voices outside conventional archives in order to write a history that includes them. In this episode, Chloé reminds us that by being written by the privileged class, history not only presents its experience as universal, but also erases the working class. The washerwomen existed, they worked, and their legacy is fundamental to understanding everyone's history.</p>

February 23, 2026
E24: Zeina Maasri
<p dir="ltr">Episode 24 is a conversation with designer, historian, and educator Zeina Maasri on the visual and cultural politics of the Arab world and in particular on her most recent project "<a href="https://www.decolonizingthepage.com/en">Decolonising the Page: The Visual Politics and Poetics of Postcolonial Arabic Publications</a>," an online exhibition showcasing 250 books. </p> <p dir="ltr">Zeina is a graphic designer from Lebanon who became a teacher, and then a historian, driven by a growing unease with the narrow frameworks through which design history is usually taught. Both her published books, Off the Wall (Bloomsburry, 2009) and Cosmopolitan Radicalism (Cambridge University Press, 2020) are efforts into documenting visual culture that had been largely overlooked. </p> <p dir="ltr">"Decolonising the Page: The Visual Politics and Poetics of Postcolonial Arabic Publications" is the result of years of research and an extraordinary contribution to graphic design history. It's a project that asks us to rethink where design history lives, who gets recorded, and what happens when we take the archive seriously as a political space.</p> <p dir="ltr">-</p> <p dir="ltr">O episódio 24 é uma conversa com a designer, historiadora e educadora Zeina Maasri sobre a política visual e cultural do mundo árabe e, em particular, sobre o seu mais recente projeto, "<a href= "https://www.decolonizingthepage.com/en">Decolonising the Page: The Visual Politics and Poetics of Postcolonial Arabic Publications</a>", uma exposição online que apresenta 250 livros.</p> <p dir="ltr">Zeina formou-se em design de comunicação no Líbano onde se tornou professora e, mais tarde, historiadora, impulsionada por um crescente desconforto com as estruturas restritas através das quais a história do design é geralmente ensinada. Os seus dois livros publicados, "Off the Wall" (2009) e "Cosmopolitan Radicalism" (2020), são esforços para documentar a cultura visual que tinha sido amplamente negligenciada.</p> <p>"Decolonising the Page: The Visual Politics and Poetics of Postcolonial Arabic Publications" é o resultado de anos de investigação e de um contributo extraordinário para a história do design gráfico. É um projeto que nos convida a repensar onde reside a história do design, quem fica registado e o que acontece quando levamos o arquivo a sério como espaço político.</p> <p> </p> <p> </p>
34 total episodes available
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Briar Levit
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- What is Errata: uma revisão feminista à história do design gráfico português / a feminist amendment to graphic design history?
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This podcast updates bi-weekly.
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