Podcast Overview
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><span>由编辑、创作者视角出发的读书观影笔记。</span></span></p>
Language
🇨🇳
Publishing Since
11/9/2022
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Recent Episodes
December 27, 2022
4.《弥留之国的爱丽丝》请看原著
<span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>网飞改编真人版《弥留之国的爱丽丝2》已全集放出。</span></p><span><br></span><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>看完总体评价，三个字：看原著。</span></p><span><br></span><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>本期浅聊改编与原著差异，以及简单评价。</span></p><span><br></span><span><br></span><br>
November 28, 2022
3.《初恋2022》工整商业品
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>本期实验边看边讨论其商业技巧，正好对应上期商业创作内容。 </span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>BGM： </span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>Bach - C Major Prelude </span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>世界最快卡农 by UP主尔东和小明（片尾）</span><br></p>
November 21, 2022
2.虚构审美与商业创作
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>主播：不谈</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>绪论</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙金字塔模型被广泛用于生活方方面面。（防杠声明）理论中高低之分不代表低级和高级，仅表示数量及难度的对应关系，如“马斯洛的需求层次理论”——将人的需要划分为自下而上五个层级，即生理、安全、归属与爱、尊严、自我实现。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙在虚构作品的审美方面，在数量和取向上其实也有很明显的分层，大趋势上，审美的年龄和实际年龄是成正比关系——活得越久看得越多。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>本文将以金字塔模型以数量和难度划分五个层级，来自下（多）而上（少）浅析讨论一下。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>第一层，“心理上的小孩”、文艺无感群体</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙普通小孩，因为没见过，看什么都好，“童年滤镜”。审美年龄低。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙对文艺作品无感的人，自然也没有审美评判标准。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙“低龄化”含义囊括此阶层（与阶层二、部分阶层三）。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙作品：儿童文学、网络文章、自媒体视频、页游等。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>共同特点就是情节和寓意简单，主要篇幅和重心放在直白的描写（比如打斗）上，而结尾也往往是选择大团圆、皆大欢喜，作为娱乐产品，一笑而过，不给观众情绪包袱。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>第二层，以文艺作品为日常娱乐活动，但阅历有限</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙很多被称为“韭菜”，同属“低龄化”概念指向群体。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙部分人可以区分“狗血”概念。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙审美趋向是“噱头”和“矛盾”，即主要看“设定”和“情节”。不分好坏，只分好不好看。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙审美偏科、类型化严重。非常易受商业创作技巧影响。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙作品：商业片、类型片、网文、（辛辣味非虚构）、畅销书、BUFF商业作品*、网游等。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>特点：追求极致矛盾冲突，或多或少“工业套路”，可量产，常抄袭/融梗/二次创意*，追求“深刻”。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>第三层，以文艺作品为重要娱乐活动，有一定阅历</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙群体比较复杂，上下限间隔很大。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙对文学性开始有一定追求，不满足于故事，审美辐射到作品的文笔/氛围/表现手法等方面。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙能够区分工业作品、套路等一般商业技巧，但受BUFF影响反而更大。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙作品：通俗小说、经典文学、（特稿传记）、经典影片、独立文艺片、BUFF商业作品、独立游戏等。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>特点：追求雅俗共赏，弱情节重描写，多数有非商业创作意图。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>第四层，以文艺作品为主要研究，有大量阅历</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙大部分是文艺相关从业者，少数以文艺为主要生活方式的大众。开始俯视其他阶层作品，揣摩作品对普罗大众的影响，拥有几乎各类型各层级作品欣赏能力。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙除了第三层追求外，开始系统性了解相关艺术史和技术手法。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙关注点从作品辐射到幕后人员和细节（知识彩蛋）。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙作品：经典文学、经典影片、意识流、艺术史重要作品、当代作品、时下热点等。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>第五层，自成一派/曲高和寡/返璞归真</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙自成一派：各领域创作者大师，不在乎世俗作品与眼光，开创流派自我表达。如生涯后期的费里尼。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙曲高和寡：职业观众/读者/评论，偏学术化。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>⊙返璞归真：包容万象，地位凛然，开始反哺回归大众，或指导提携后辈。如受邀任职各名校的名家。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>重点详谈——商业创作（带*概念详谈）</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>“商业性”：以营销售卖为根本目的，以调动观众情绪、增强作品传播性为手段的套路化创作，我称之为作品的商业性。核心关键词是“媚众”。</span></p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>BUFF、二次创意、jump scare、flag、爽感叙事套路、内容擦边……</span></p><span><br></span><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span>BGM：<br>Bach - C Major Prelude<br>世界最快卡农 by UP主尔东和小明（片尾）<br><br></span></p><br>
4 total episodes available
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- What is 反刍?
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"><span><span>由编辑、创作者视角出发的读书观影笔记。</span></span></p> - How often does this podcast release new episodes?
This podcast updates daily.
- Where can I listen to this podcast?
This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
No, this podcast does not typically feature guests.
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