Which classic films still work for audiences today? On Film Generations, two guys born in the middle of 20th Century movie culture select a classic film to share with a panel of young film lovers — and see how it plays for today's generation. Along the way we discuss the making of each film, the state of the world when it was made, its reception by critics and public when originally released, and how its reputation has grown over the years. Discussions cover changes in representation, storytelling styles and the world itself since each film came out. At the end of every episode each panelist rates the movie and reveals whether they would recommend it to a friend. Join us on Film Generations as we explore the greatest classic movies through the eyes of film lovers young and old. An ElectraCast Production.
Film Generations
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Podcast Overview
Which classic films still work for audiences today? On Film Generations, two guys born in the middle of 20th Century movie culture select a classic film to share with a panel of young film lovers — and see how it plays for today's generation. Along the way we discuss the making of each film, the state of the world when it was made, its reception by critics and public when originally released, and how its reputation has grown over the years. Discussions cover changes in representation, storytelling styles and the world itself since each film came out. At the end of every episode each panelist rates the movie and reveals whether they would recommend it to a friend. Join us on Film Generations as we explore the greatest classic movies through the eyes of film lovers young and old. An ElectraCast Production.
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Publishing Since
3/11/2023
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Recent Episodes
June 9, 2026
308. Persona (1966)
To cineastes of the 20th century, Ingmar Bergman was a fixture on the Mount Rushmore of World Cinema. His cultural presence receded in the decades following his death but Gen Z interest in his films, driven by streaming and Letterboxd, is suddenly on the rise. We couldn’t wait to pick one of his most challenging movies to see how it plays to a younger audience. Persona (1966), made smack-dab in the middle of Bergman’s career, has delighted and perplexed audiences from the day it was released. Some of the issues it tackles — identity, motherhood, sexuality — are perennial. Others -- Jungian duality and the artificiality of filmmaking — seem ripe for a comeback. Hearing different generations of film lovers grapple with this masterpiece illuminates how our culture has changed and what continues to endure. Listen in for the surprising results. Hosts: Mark Netter & David Tausik Panelists: Guy Lewis, Kylee LaRue, Olive Goldberg & Brennan Guntang An ElectraCast Production Trailer: https://www.youtube.com/watch?v=YEfJopPIbQg&t=163s Wikipedia: https://en.wikipedia.org/wiki/Persona_(1966_film) IMDB: https://www.imdb.com/title/tt0060827/ Rotten Tomatoes: https://www.rottentomatoes.com/m/persona Learn more about your ad choices. Visit megaphone.fm/adchoices
March 24, 2026
307. Body Heat (1981)
On the heels of last episode’s Double Indemnity (1944), Film Generations examines the 1981 film noir Body Heat, an update of the genre for the then youthful baby boom generation. This was the directorial debut of writer/director Lawrence Kasdan, an unknown who leapt into prominence when he co-wrote The Empire Strikes Back (now Star Wars V) and Raiders of the Lost Ark in the same year. Among Body Heat’s era-appropriate updates to film noir are explicit sexuality, a liberated femme fatale and buckets of body sweat, all in living color. This approach turned heads in in 1981 but does it get a rise from a young generation in 2026? Find out as our panel reveals all, only on Film Generations. Hosts: Mark Netter & David Tausik Panelists: Guy Lewis, Olive Goldberg & Sonia Howell An ElectraCast Production Wikipedia: https://en.wikipedia.org/wiki/Body_Heat IMDB: https://www.imdb.com/title/tt0082089/ Rotten Tomatoes: https://www.rottentomatoes.com/m/1002830-body_heat Roger Ebert: https://www.rogerebert.com/reviews/great-movie-body-heat-1981 Learn more about your ad choices. Visit megaphone.fm/adchoices
March 5, 2026
306. Double Indemnity (1944)
Double Indemnity, as much as any other movie, invented the film noir genre and is possibly the most imitated, spoofed and remade classic of all time. Yet, on re-watching it, we as hosts were truly surprised: Double Indemnity defies expectations, and as much as being a template for the Film Noir genre it helped birth, it is also a template for the singularly witty and cynical voice of the great Billy Wilder. Wilder’s record-breaking writer/director career defied genre expectations with satiric comedies, ground-breaking dramas and films like The Apartment that walk a tightrope between the two. With Double Indemnity, he took a lurid news story about a homicidal wife and, with screenwriter Raymond Chandler, turned it into a taboo-crossing tale of sex and betrayal that spotlights darkest Los Angeles while casting shade on modern American life. Do these qualities pierce through eight decades of parody, imitation and meme? To judge by our young panel’s responses, the answer is both yes and no. Hear for yourself if and how this 20th century classic survives 21st century perception. Hosts: Mark Netter, David Tausik Panelists: Guy Lewis, Olive Goldberg, Sonia Howell, Brennan Guntang An ElectraCast Production Wikipedia: https://en.wikipedia.org/wiki/Double_Indemnity IMDB: https://www.imdb.com/title/tt0036775/ Rotten Tomatoes: https://www.rottentomatoes.com/m/double_indemnity Original Trailer: https://www.youtube.com/watch?v=yKrrAa2o9Eg Learn more about your ad choices. Visit megaphone.fm/adchoices
33 total episodes available
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Guy Lewis
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Masha Yuzhakov
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This podcast updates bi-weekly.
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