An in-depth discussion on the relationship between sound and image in your favorite movies, shows, and video games! Hosted by CineConcerts' President/Producer, Justin Freer
In the twenty-fifth episode of Film Music Focus, CineConcerts President/Producer Justin Freer continues his interview with composer Christopher Willis. They discuss working on VEEP with composer Rupert Gregson-Williams and British comedy icon Armando Iannucci, and Willis explains why the title theme changed between season 3 and season 4. Willis talks about collaborating with other creators on DISNEY'S THE LION GUARD, and how the music in the show is influenced by classic film scores and World music.
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Watch more Film Music Focus on CineConcerts+ https://www.cineconcertsplus.com/film-music-focus (https://www.cineconcerts.com/discover)
27 Oct 2020
EPISODE 24 - Christopher Willis Interview Part 1
In the twenty-fourth episode of Film Music Focus, CineConcerts President/Producer Justin Freer begins his interview with composer Christopher Willis. They discuss Willis' background as a musicologist and how he was inspired by his grandfather's piano playing. Willis talks about "reverse-engineering" music and film scores, and explains how he got his start with Rupert Gregson-Williams at Remote Control Studios.
Follow us on Twitter @CineConcertsLLC (https://twitter.com/CineConcertsLLC), Instagram @cineconcerts (https://www.instagram.com/cineconcerts/), or Facebook facebook.com/CineConcerts/ (https://www.facebook.com/CineConcerts/)
Read more on our website cineconcerts.com/discover (https://www.cineconcerts.com/discover).
13 Oct 2020
EPISODE 23 - Jim Fahey Interview Part 2
In the twenty-third episode of Film Music Focus, CineConcerts President/Producer Justin Freer concludes his interview with Jim Fahey, Director of Programming for the Chicago Symphony Orchestra. Justin and Fahey discuss the types of audiences that attend live film concerts, and how the concert going experience has evolved over time. Fahey talks about the physical challenges the musicians face, and the acoustical challenges of performing film scores like CASABLANCA at Orchestra Hall in Chicago.
Follow us on Twitter @CineConcertsLLC (https://twitter.com/CineConcertsLLC), Instagram @cineconcerts (https://www.instagram.com/cineconcerts/), or Facebook facebook.com/CineConcerts/ (https://www.facebook.com/CineConcerts/)
Read more on our website cineconcerts.com/discover (https://www.cineconcerts.com/discover).
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