Listen to exclusive interviews by the editors of world's leading resource for film music: FilmMusicSite.com

FilmMusicSite.com: Composer Talk
Claim This Podcastby FilmMusicSite.com
Podcast Authority
Beta
Podcast Overview
Listen to exclusive interviews by the editors of world's leading resource for film music: FilmMusicSite.com
Language
🇺🇲
Publishing Since
2/12/2023
Unlock The Full Podcast Authority Score Report
See how your podcast performs across key metrics
Podcast Authority
Beta
Recommendations available
Unlock the full report to see detailed tips
Recommendations available
Unlock the full report to see detailed tips
Unlock comprehensive insights including:
- • YouTube presence analysis
- • Social media reach metrics
- • RSS compliance scoring
- • Podcast 2.0 features
- • Technical standards
Detailed Analytics
- Complete breakdown of all 19 authority metrics
- Personalized recommendations for each metric
- Industry benchmarks and comparisons
- Technical RSS feed analysis and compliance scoring
Growth Strategies
- Step-by-step action plans for improvement
- Quick wins to boost your score immediately
- Pro tips from successful podcasters
See how your show performs across every key metric
High authority scores make your podcast more attractive to industry leaders and influencers who want to appear on credible shows.
Sponsors look for podcasts with proven authority and engagement. Your score demonstrates your podcast's value to potential partners.
Understanding your strengths and weaknesses helps you make data-driven decisions to expand your listener base effectively.
1 verified contact email on file for FilmMusicSite.com: Composer Talk
Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.
Recent Episodes

June 20, 2026
Interview Bruce Broughton
<p>Bruce Broughton is a composer who writes music for film, television, video games and he is best known for his many motion picture scores, which include Silverado, Tombstone, The Rescuers Down Under, The Presidio, Miracle on 34th Street, Homeward Bound, and Harry and the Hendersons. His television themes include The Orville, JAG, Steven Spielberg’s Tiny Toon Adventures, and Dinosaurs. With 24 nominations, Broughton has won a record 10 Emmy awards. His score to Silverado was Oscar-nominated, and his score to Young Sherlock Holmes was nominated for a Grammy. His music has accompanied many of the Disney theme park attractions throughout the world, and his score for Heart of Darkness was the first recorded orchestral score for a video game. One of his latest projects is Soarin’ Across America, music he wrote for the a new version of the Disneyland Attraction Soarin’.</p><p>In this new episode of Composer Talk composer Bruce Broughton gives us an inside view on how it is writing music for popular Disneyland attractions. We zoom in on Soarin’ Across America and Le Visonarium (From Time to Time). We talk about his music and his view on life.</p><p>Enjoy listening to this new fantastic episode!</p>

June 13, 2026
Interview Jessica Rose Weiss
<p>Jessica Rose Weiss is a composer who’s music blends the emotional depth of orchestral storytelling with the texture of electronic and folk influences, creating a style that’s both cinematic and deeply human. Her credits include Sony/Amazon’s Cinderella, the Jennifer Lawrence comedy No Hard Feelings, Ryan Murphy’s anthology series American Horror Stories, and Nicol Paone’s stylish crime caper The Kill Room, starring Samuel L. Jackson and Uma Thurman. Recently she wrote the music for the film Girls like Girls.</p><p><br></p><p>In this new episode of Composer Talk Jessica Rose Weiss takes us to the beginning of her career. We talk about the mentorship she had from Mychael Danna. She talks about her latest film Girls like Girls and how her composing process works. </p><p><br></p><p>Enjoy listening!</p>

May 5, 2026
Interview Högni
<p>Högni Egilsson is an Icelandic composer and performer working across concert music,</p><p>film, and contemporary songwriting. His work moves between acoustic and electronic worlds,</p><p>often exploring the relationship between musical language and narrative form. His film and television work includes the score for Touch (2024), directed by Baltasar Kormákur, the most attended film in Iceland that year. He also wrote music for the Netflix series Katla, the historical drama King and Conqueror. Recently he composed the music for the Netflix film Apex, a film starring Charlize Theron and Taron Egerton.</p><p><br></p><p>In this episode of Composer Talk Högni guides us through his composing process for the Netflix film Apex. We take a look at the recording process for this great score.</p><p><br></p><p>Enjoy listening!</p>
67 total episodes available
Recent guests on FilmMusicSite.com: Composer Talk
Guests from recent episodes — sign up to see every guest that has ever appeared on this show.
Dara Taylor
Guest
Carlos Rafael Rivera
Guest
Max Aruj
Guest
Alfie Godfrey
Guest
Similar Podcasts
Discover related shows you might enjoy
Deep-dive analytics for FilmMusicSite.com: Composer Talk
Frequently asked questions
Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.
- What is FilmMusicSite.com: Composer Talk?
- How often does this podcast release new episodes?
This podcast updates bi-weekly.
- Where can I listen to this podcast?
This podcast is available on 6 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
Information about guest appearances is not available.
Legal Disclaimer
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.







