The Indie Film Podcast
Filmwax Radio
Claim This Podcastby Adam Schartoff
135 episodes
Updated Daily
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59
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59
Podcast Authority
BetaFairBased on show quality, social media presence, reviews, charts, and more
Quality84
Social0
YouTube82
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Recent Episodes
July 16, 2026
Ep 904: Morgan Gruer, Scott Cohen & Ellie Sachs
<p>My guests in this segment are filmmaker <strong><a href="https://morgangruer.com/" target="_blank" rel="noreferrer noopener">Morgan Gruer</a></strong> with actors Scott Cohen and Ellie Sachs. Morgan made a short film, a comedy called “<a href="https://morgangruer.com/fire-at-will" target="_blank" rel="noreferrer noopener">Fire at Will</a>” which had its world premiere at the <a href="https://tribecafilm.com/festival/archive/fire-at-will-2025" target="_blank" rel="noreferrer noopener">Tribeca Film Festival</a>. “Fire at Will” is one family’s quest to confront their mortality and each other. </p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"> <div class="wp-block-embed__wrapper"> https://youtu.be/XU7X4pkxrto </div> </figure> <p>The film unravels the tapestry of a modern Jewish family as the Greenbergs attempt to understand each other, without actually stopping to listen. At its core, “Fire at Will” poses the universal question we all surely grapple with every time we visit our parents’ homes: Are we who we think we are? Or… are we who our families think we are?</p>
July 5, 2026
Ep 903: Ross McElwee & Michel Negroponte
<p>Two great personal documentarians grace the podcast: <strong><a href="https://rossmcelwee.com/" target="_blank" rel="noreferrer noopener">Ross McElwee</a></strong> (“Sherman’s March”) and <strong><a href="https://www.michelnegroponte.com/" target="_blank" rel="noreferrer noopener">Michel Negroponte</a></strong> (“I’m Dangerous With Love”). Long friends and colleagues, Ross and Michel come on to primarily discuss the sensitive subject matter behind Ross’ latest film, “<a href="https://remakemovie.com/" target="_blank" rel="noreferrer noopener">Remake</a>” The film begins a theatrical engagement at <a href="https://filmforum.org/film/remake" target="_blank" rel="noreferrer noopener">Film Forum</a> in NYC on 7/10/2026. They are currently screening a 40th anniversary 4K restored print of his seminal “Sherman’s March”. </p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"> <div class="wp-block-embed__wrapper"> https://www.youtube.com/watch?v=U5Vph7D_TxY </div> </figure> <p>The death of his son causes McElwee, an autobiographical filmmaker, to look back on his life’s work. He eventually turns to his archive of home movies — an afternoon trapping crayfish with his son Adrian, age 4; helping with homework, age 11; discussing career plans with his son, age 24. To what extent did his camera affect their relationship when Adrian was alive? To what extent does it define that relationship now that he is gone? Meanwhile, an effort to adapt McElwee’s first feature, “Sherman’s March”, into a work of fiction lurches along, giving the filmmaker another perspective from which to meditate on movie making and mortality. </p> <p>Ross McElwee is a documentary filmmaker from Charlotte, North Carolina currently living in Cambridge, Massachusetts. McElwee has made ten feature-length films. “Sherman’s March” won Best Documentary at the Sundance Film Festival and was chosen for preservation by the U.S Library of Congress National Film Registry in 2000 as a “historically significant American motion picture.” </p> <p>Bright Leaves premiered at the 2003 Cannes Film Festival’s Directors’ Fortnight. McElwee’s In Paraguay premiered at the Venice Film Festival in 2008, and he returned to Venice in 2011 to premiere Photographic Memory. McElwee has received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, and the American Film Institute. He has twice been awarded fellowships in filmmaking by the National Endowment for the Arts and production grants from the LEF foundation. McElwee received the Full Frame Documentary Film Festival’s Career Award in 2007 and the Pennebaker Award for his career in 2023. In 2024, the French Ministry of Culture awarded McElwee the rank of Chevalier des Artes et des Lettres. </p> <p>McElwee was Professor of the Practice of Filmmaking in the Department of Art, Film and Visual Studies at Harvard beginning in 2003 until his retirement in 2024. He is now a Research Professor, Emeritus in the AFVS Department. About Michel Negroponte </p> <p>Michel Negroponte is an award winning filmmaker who has been making feature length documentaries for more than 30 years. He was born and raised in New York City, and studied filmmaking with Richard Leacock and Ed Pincus at the Massachusetts Institute of Technology in the 1970s. In addition to making his own films, he has freelanced on countless films for HBO, PBS, the BBC, and Channel Four. </p> <p>He has also worked with independent filmmakers like Ross McElwee, Doug Block, Lisa Crafts, D.A. Pennebaker, Chris Hegedus, Christine Choy, Dick Rogers, John Marshall and Al Maysles. His films include SPACE COAST (1979), RESIDENT EXILE (1981), SILVER VALLEY (1984), JUPITER’S WIFE (1994), NO ACCIDENT (1996), W.I.S.O.R. (2000), METHADONIA (2005) and I’M DANGEROUS WITH LOVE (2009). JUPITER’S WIFE, a portrait of a beguiling homeless woman named Maggie, won a Special Jury Prize at the Sundance Film Festival and the prize for Best Feature Documentary at the Vancouver and the Santa Barbara Film Festivals. The film was also awarded an Emmy for Outstanding Individual Achievement in Documentary. Originally shot on small format video, it premiered on HBO/Cinemax before getting a nationwide 35mm theatrical release. Edward Guthmann of the San Francisco Chronicle called it one of the ten best films of the year. John Koch of the Boston Globe wrote, “Negroponte has a painter’s eye and a novelist’s reach; and if there is anything more engaging and satisfying than “Jupiter’s Wife” on television or at the movies these days, by all means tell me about it.” </p> <p>Negroponte’s films have been broadcast in the United States on PBS, HBO, and the Sundance Channel as well as in England, France, Germany, Spain, and Japan. His work has been shown at the Sundance Film Festival, The New York Film Festival, and the Museum of Modern Art in New York City and in festivals in Berlin, Rotterdam, Vancouver, and Japan. Negroponte has also taught in the graduate and undergraduate film programs at New York University’s Tisch School of the Arts and Temple University. Recently, he helped create a new graduate program in documentary filmmaking at the School of Visual Arts in New York City, which opened in September, 2009. He is part of the faculty there as well.</p>
June 23, 2026
Ep 902: Tony Lee Moral
<p>For over a century, Alfred Hitchcock has remained one of cinema’s most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller “The Lodger” (1927) marked the start of his signature style, which was later exemplified in classic films like “Vertigo” (1958), “North by Northwest” (1959), “Psycho” (1960), and “The Birds” (1963). </p> <p>Hitchcock’s work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. </p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"> <div class="wp-block-embed__wrapper"> https://www.youtube.com/watch?v=0NUJN1fq0Sc </div> </figure> <p>Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, “<a href="https://www.kentuckypress.com/9781985904446/a-century-of-hitchcock/" target="_blank" rel="noreferrer noopener">A Century of Hitchcock</a>” challenges the long-standing narratives that have shaped Hitchcock’s legacy. Author <strong>Tony Lee Moral</strong> revisits controversial claims regarding Hitchcock’s alleged abuses, scrutinizing biographer Donald Spoto’s interpretations—particularly Spoto’s portrayal of the director’s relationship with actress Tippi Hedren. With his analysis of Spoto’s 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. </p> <p>In this comprehensive reappraisal of Hitchcock’s career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock’s first film, “The Pleasure Garden”, and fifty years since his last film, “Family Plot”, Moral reexamines the director’s cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock’s legacy in the post-<a href="https://www.youtube.com/hashtag/metoo">#MeToo</a> era.</p>
135 total episodes available
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Jake Rademacher
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Luke Eberl
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Edgar Morais
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Sasha Wortzel
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Lucas Sabean
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Peter Hutchison
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