Faulty Cat Productions
Filtered Noise Podcast
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7 episodes
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Recent Episodes
June 23, 2020
Filtered Noise Podcast - S01.E06 - Bribery
Another treat for our regular listeners, we talk to Bribery (a.k.a. - Mitch Catterall). When Vince and I made the first episode of this podcast, he said, "Mind if we use my mate Mitch's music for the intro and outro?" I was absolutely open, but a little apprehensive. Then I heard the tracks and... wow. Dark, energetic, and visceral. Somehow; playful, uplifting, and fun. There's something about Bribery, as a multimedia project, that ticks every box. https://www.instagram.com/p/B22-jkLBShb/?utm_source=ig_web_copy_link Bribery is an experimental electronic musician from Melbourne, Australia focusing on glitchy, crunching beats, alongside warped and twisted vocals, heavily influenced by digital and organic corruption/mutation sounds like Burial remixing Radiohead and John Frusciante. Mitch Catterall was the recipient of the 2019 Adolphe Spivakovsky Scholarship for Music Composition for his project, Bribery. In this episode, we talk to Mitch about: Social Media use Multi-media as a journey The inception of Bribery (including using low budget equipment to achieve aesthetically pleasing results) Processing video using CV Stagecraft and live performance as an electronic musician Other projects Mitch has been a part of during his illustrious career, including solo projects Slacktivist, and Lo.Fi.stro The Filtered Noise Podcast will regularly discuss approaches to making music, what outside influences have shaped the music of our hosts and guest(s), and give some shout-outs to artists who have done (or are doing) cool things – see ‘Music We Talk About’ below. We love talking about music. Follow us on instagram @filterednoisecast and you can email us filterednoisecast@gmail.com. We also have a Ko-Fi account which you can donate to, if you feel like we’re doing a good job – https://ko-fi.com/filterednoise. Music in the intro and outro is by Bribery : https://bribery.bandcamp.com/
June 16, 2020
Filtered Noise Podcast - S01.E05 - No Compliments
<<<SHOW NOTES>>> In this episode of Filtered Noise, we talk to our inaugural guest, Allison Wright, aka - No Compliments. For regular listeners, you'll be familiar with our fandom of No Compliments debut EP. Allison Wright (1993, AUS) is a composer, arranger, producer, sound designer and trumpet player living in Amsterdam, The Netherlands. Since finishing her performance studies at the Australian National Academy of Music, Allison enjoys a diverse career as a collaborative musician and freelance trumpet player, performing with major orchestras and production companies as well as working as a composer, arranger, producer and sound artist on independent creative projects and commissions. Allison is has been a fellow of many national and international festivals and residencies, notably the Bang on a Can Summer Festival (2016), Eighth Blackbird's Creative Lab (2018) and Melbourne Electronic Sound Studio's (MESS) Professional Development Course 2018. In this episode, we talk to Allison about: DAW Workflow The creative process, from the perspective of a cla**ically-trained musician and an electronic music-maker The influences on Allison's music Chaos Hands; a collaborative, improvising ensemble with drummer Nicole Patrick and visual artist/filmmaker Xuan. Coding live multi-media for a planned international tour with Bec Plexus Adapting to the current pandemic situation in the creative industries; including planning and hosting a 24-hour Livestream Release Party. The Filtered Noise Podcast will regularly discuss approaches to making music, what outside influences have shaped the music of our hosts and guest(s), and give some shout-outs to artists who have done (or are doing) cool things – see ‘Music We Talk About’ below.
June 1, 2020
Filtered Noise Podcast - S01.E04 - Eleconomics
"This music is path orientated, not goal orientated." - Peter Evans I thought I'd start the show notes with this quote, as it's a pertinent part of the discussion at the top of the show. Music making is more accessible than it has ever been. Part of the making process, however, is a constant growth and expansion of ideas which leads us to create the music we do. We also discuss the efficacy of subscription streaming services, crowd funding, digital pre-releases, and other popular strategies for funding music. This leads to a conversation about the state of music economics and distribution and how they have aged, particularly with new ideas and technologies being explored as a response to the coronavirus lockdowns. Are these methods still fruitful ways of funding, creating, and releasing music? Is the crowd-funding platform now excluding those who it was intended for? What does Joe Rogan's $100-million deal with Spotify mean for artists, and the value of music as a whole? We discuss these questions and more. Within these two topics we also talk about developing communities and how that creates canonical growth and maybe even inspiration. We also talk about: Experimental music and musicians, including Peter Evans, Richard Barrett, Morton Feldman, John Cage, and others The unpredictability of (some) modular gear, particularly referring to SOMA Labs and Make Noise instruments and modules Scores and prompts for intuitive music making Warren Burt's articles and essays on new electronic music The Melbourne Synth Festival The Filtered Noise Podcast will regularly discuss approaches to making music, what outside influences have shaped the music of our hosts and guest(s), and give some shout-outs to artists who have done (or are doing) cool things – see ‘Music We Talk About’ below. We love talking about music. Follow us on instagram @filterednoisecast and you can email us filterednoisecast@gmail.com. We also have a Ko-Fi account which you can donate to, if you feel like we’re doing a good job – https://ko-fi.com/filterednoise. Music in the intro and outro is by Bribery : https://bribery.bandcamp.com/ <<>> Orenda Records - https://orendarecords.bandcamp.com/ Sugarstick and Xerox - https://opaltapes.com/album/sugarstick-xerox Rovox 625 - https://invisiblecityrecords.bandcamp.com/album/too-close-to-home tape loop - https://tapeloop.bandcamp.com/album/contagion-2020 Peter Evans - https://peterevansmusic.bandcamp.com/album/into-the-silence Dan Rosenboom - https://orendarecords.bandcamp.com/album/absurd-in-the-anthropocene Caleb Dolister - https://orendarecords.bandcamp.com/album/daily-thumbprint-collection-3-the-wandering Mr Bungle - https://open.spotify.com/artist/2zq0uqN9Wq12tqrQQt1ozw?autoplay=true&v=A King Crimson - https://open.spotify.com/artist/7M1FPw29m5FbicYzS2xdpi?autoplay=true&v=A Morton Feldman - https://open.spotify.com/artist/3Vmj59eAzsbiISxcCBHRCM?autoplay=true&v=A Mark Applebaum - https://open.spotify.com/artist/0H9VJTe5YIHfLKqor9C5Ln?autoplay=true&v=A Devin Townsend - https://open.spotify.com/artist/6uejjWIOshliv2Ho0OJAQN?autoplay=true&v=A <<>> Make Noise 0-Control Make Noise 0-Coast Make Noise Maths SOMA Labs Pipe SOMA Labs Pulsar 23 SOMA Labs Lyra 8 Folktek Mescaline
7 total episodes available
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- What is Filtered Noise Podcast?
- How often does this podcast release new episodes?
This podcast updates daily.
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This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
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Yes, this podcast regularly features guests.
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