Flash Art is an international magazine and publishing house since 1967 explores the cultural landscape through the work of both leading and emerging artists, writers and curators.
Flash Art Podcasts
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6 episodes
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Podcast Overview
Flash Art is an international magazine and publishing house since 1967 explores the cultural landscape through the work of both leading and emerging artists, writers and curators.
Language
🇮🇹
Publishing Since
4/16/2020
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Recent Episodes
June 29, 2020
Lea Bertucci, Quarantine Concerts, April 2020.
Lea Bertucci, Quarantine Concerts, April 2020. Excerpt from a live set with flute and tapes. Courtesy of the artist and Experimental Sound Studio, Chicago.<br /><br />The excerpt has been featured in the text "Aliveness: Technologies of Gathering in Times of COVID" by Maria Zuazu as part of the ongoing column "Listening In". <br /><br />“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section focuses on how listening practices are being investigated and reconfigured by artists working across disciplines in the twenty-first century.<br /><br />Click here: <a href="https://bit.ly/37ba9SO" rel="noopener">https://bit.ly/37ba9SO</a> for all "Listening In" episodes published on Flash Art International, <a href="https://flash---art.com" rel="noopener">https://flash---art.com</a>.
June 10, 2020
Maria Fusco, ECZEMA!, 2018
L’attore Rhodri Meilir esegue ECZEMA! di Maria Fusco presso la Galleria South London, giugno 2019.<br /><br />L'opera teatrale ECZEMA! è menzionata nel testo "Hardcore linguistico. Maria Fusco e la scrittura interdisciplinare" di Manuela Pacella, secondo episodio della rubrica mensile "Tell me stories!".<br /><br />“Tell me stories!” è una rubrica dedicata alla scrittura, a cura di Manuela Pacella. Uno spazio in cui testi di e su diversi autori indagano la scrittura d’arte, sperimentale, interdisciplinare, creativa e non.
April 28, 2020
Barbara Kruger’s "Picture/Readings" series, William J. Simmons
The following text "Love and the Paraliterary: On Barbara Kruger’s "Picture/Readings" by the writer, poet, essayist, and curator William J. Simmons originally appeared in Flash Art No. 329 (February – March 2020).<br /><br />Barbara Kruger’s work has come to represent a host of negative affects for art historians and critics, and it is in those dark, painful, and discomfiting emotions that the work finds its criticality and deconstructive qualities. So we are told, or perhaps, ironically, indoctrinated — fictions become history, indeed. We understand Kruger’s work to be oppositional, paranoid, skeptical, probing, threatening, refusing, dismantling, denuding, castigating, withholding, chastising, ridiculing, combative, dissecting, extracting, exposing, embarrassing, accosting, and detached. In many activist contexts, these qualities are necessary, but I wonder if they take a toll, if they produce stasis instead of opportunities. I have always thought of Kruger’s use of text as written on the wind, as it were, somewhere between the page and the pen and an untethered gust. - William J. Simmons<br /><br />Click here: <a href="https://bit.ly/2W7TSJa" rel="noopener">https://bit.ly/2W7TSJa</a> to read the full article and here: <a href="https://bit.ly/3aQ9R42" rel="noopener">https://bit.ly/3aQ9R42</a> for all the features published on Flash Art International, <a href="https://flash---art.com" rel="noopener">https://flash---art.com</a>.
6 total episodes available
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