From Takoma Park, MD to the Bay to L.A, Yihenew Belay (known as Heno.) has lived his life infatuated by the potential of what life could be once acknowledging the known unknown as inevitable. He’s lived through the streets, addiction, depression, hypersurveillance and the trials of forging one’s path as an independent artist. Death was the only guarantee, and that granted him the freedom to be. A dark utterance on a train ride became his album’s namesake: Death Ain’t That Bad. And as Heno. speaks with Michael — our host, and an artist grappling with that question all his life — the Maryland comrades send a beacon out for nomads, for Black folks, for dreamers gazing into the void and taking steps nonetheless.
5 May 2021
Episode 35: serpentwithfeet
To witness the gifts of serpentwithfeet is to witness an immeasurable gratitude to the legacies before him, and an incomparable style emanating from himself. His voice commands the room, his melodies haunt and delight within seconds, and his star’s rising with every dazzling performance. He’s also an Old Bay advocate and a purveyor of the power of corniness. In this episode, Michael and serpent connect for the second time (first published — Michael lost their first interview to tech errors three years ago). Within, the duo discuss DEACON, the necessity of community, and how to balance love and rage.
28 Apr 2021
Episode 34: Mia Berrin (Pom Pom Squad)
The cheerleader: a symbol of power, femininity, even purity should she be coated in porcelain. She’s despised and desired, and according to Mia Berrin, this image colored her formative girlhood experiences as a pillar of something unattainable. Pom Pom Squad became her project: a reimagining of the figure and an ongoing examination of the vulnerability of otherness via race, gender, and queerness. On this episode, Mia checks in with Michael to discuss how her youth paved the road to this project and her upcoming full-length debut Death of a Cheerleader. The pair also discuss the whitewashing of Black music, the power and money behind modern indie aesthetics and how to walk in one’s pain to power something beautiful.
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