by Desssss
Critical thinking practice on pop culture, but we don't talk by popular demand, hosted by Des. Hammer Time 是一个聊流行文化的播客节目，讨论内容以主播个人对流行文化的理解出发，也会请朋友们来聊聊天，展开我们认为有价值的话题。 If you don’t know now you know. Newsletter & 播客订阅：https://hidesssss.substack.com/ 给主播写信：sonicelsa@gmail.com <br/><br/><a href="https://hidesssss.substack.com?utm_medium=podcast">hidesssss.substack.com</a>
Language
🇨🇳
Publishing Since
11/17/2019
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April 7, 2026
<p>本期节目的嘉宾是老朋友Nin ❤️ 我们的大脑又 sync了 </p><p>看完今年上映的新版电影《呼啸山庄》（导演&编剧 Emerald Fennell） 后，我和 Nin 大失所望，可谓到了痛心疾首的地步，有太多不满必须要抒发一下。</p><p>艾米丽·勃朗特及她的著作《呼啸山庄》 是我与Nin 的文学世界中重要的一部分，还是 Nin 在研究生时期研究的课题，我们对它都有非常深切的感情，以这样的角度出发，以下是我们讨论的内容：</p><p>* <strong>这部改编电影中让我们如芒刺背，无语的地方有哪些：</strong></p><p>电影把角色都呈现地非常片面脸谱化，没有内在逻辑，只有表面上肤浅的疯狂，像是一个中二少女的臆想；</p><p>电影中的意象镜头并没有起到高明的隐喻作用，反而让人觉得恶趣味及刻意；</p><p>身份政治的强行体现简直不可理喻，少数族裔面孔的出现除了表面上的多元之外，只有创作者的虚伪和对原著的不尊重；</p><p>舞台剧感的置景与灯光给人感觉导演既想要架空又想要还原历史，导致呈现结果割裂不合理；</p><p>电影版对原著的阉割删减过头，情节简化后逻辑不通，爱与恨没有动机缘由，且主角肤浅愚蠢，配角扭曲片面，把深刻的灵魂之爱变成了低级色情片，《呼啸山庄》原著的核心精神毫无体现；</p><p>我们不反对虐恋，但认知错误的 S&M 元素加入更加令人厌恶，请注意S&M的本质是权力的互相博弈和纠缠，上下位的波动与动态，在原著中是非常深刻的，电影中只是幼稚低俗；</p><p>追求在视觉上制造奇观而不推敲奇观背后的含义，这是一种自大媚俗，与好的呈现手法对比，它差在哪里？请听 Nin 的精彩阐述；</p><p>* <strong>原著《呼啸山庄》 的伟大之处如何理解？</strong></p><p>艾米丽·勃朗特虽一生短暂，孤独索居，但她的精神是深邃的，感受力非凡且极具才华，她靠直觉性写作的风格影响了后世很多作家；</p><p>《呼啸山庄》 具有超前的现代性是文学评论界比较普遍的观点，但在 Nin 看来这部作品是永恒的古典的，因为古典性就应该是无道德的，神性的，注重灵魂和精神秩序，是人类永恒的叙事，并不属于某个特定时代，也无法用时代特征解读；</p><p>“人类灵魂没有欲求的东西，也就没有禁止的必要。”艾米丽曾写过的这段话来理解凯瑟琳和希斯克利夫的爱，这种爱不需要被赋予某个理由，而是一种灵魂在追求的东西，是原始的欲望；</p><p>“非理性”和“灵魂之爱”是 Nin 最喜欢的浪漫主义时期的核心，强调超自然和灵性（与社会化的理性相对），读出这种无法被解释的纠缠是理解《呼啸山庄》的前提；</p><p>伍尔夫对艾米丽的评价：“促使她创作的内在冲动，并非她自己的苦难或是创伤，这种冲动来自于一种宏大的志向，意在对整个人类与永恒力量之间的关系发表意见。“</p><p>* <strong>简单聊了聊 Charli xcx 的同名专辑</strong></p><p>本期节目的结束歌曲：Kate Bush - “Wuthering Heights”</p><p></p><p>Hammer Time Newsletter & 播客 Substack 地址： <a target="_blank" href="http://hidesssss.substack.com">hidesssss.substack.com</a></p><p>通过RSS订阅播客：<a target="_blank" href="https://api.substack.com/feed/podcast/1282982.rss">https://api.substack.com/feed/podcast/1282982.rss</a></p><p>给主播写信：<a target="_blank" href="mailto:sonicelsa@gmail.com">sonicelsa@gmail.com</a></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://hidesssss.substack.com?utm_medium=podcast&utm_campaign=CTA_1">hidesssss.substack.com</a>
March 9, 2026
<p>本期节目是我一个人与大家分享近期我听 Sault 时的感受和思考。</p><p>在我心目中，这个把自己隐藏起来，与音乐产业刻意保持距离的英国团体，是在当下这个环境中少有的真正的艺术家，他们坚定始终如一地表达着关于爱和信仰的主题，以融合兼收，贯通当代的创作将音乐的千万种形式诠释出人类相通的感情。</p><p>神秘莫测的游击式发行游戏和反制度的气质是他们牛逼之处最不值一提的特点了，对当代音乐的理解和黑人音乐传统的延展融合，从心灵角度讲述社会议题，在持续的丰厚产出中不断进化，我认为 Sault 之信仰是visceral 直觉性的，确信事实之外有信仰的荒谬，所以他们才得以做到将非洲传统音乐诠释地如此现代，在现代黑人音乐的遗产中自由地发挥。</p><p>本期内容按照Sault 发布作品时间线进行：</p><p>“5”, 2019</p><p>“9”, 2019</p><p>“Untitled (Black Is)”, 2020</p><p>“Untitled (Rise)”, 2020</p><p>“NINE”, 2021</p><p>“Air”, 2022</p><p>“AIIR”, “11”, “Earth”, “Untitled (God)”, “Today&Tomorrow” , 2022</p><p>“Acts of Faith”, 2023</p><p>“10”, 2025</p><p>“Chapter 1”, 2026</p><p></p><p><strong>Episode Playlist:</strong></p><p>Up All Night</p><p>Why Why Why Why Why</p><p>Masterpiece</p><p>Tip Toe</p><p>Out The Lies</p><p>Stop Dem</p><p>Don’t Shoot Guns Down</p><p>Wildfires</p><p>Black Is</p><p>Bow</p><p>Eternal Life</p><p>Miracles</p><p>Strong</p><p>I Just Want To Dance</p><p>You Know It Ain’t</p><p>Little Boy</p><p>Trap Life</p><p>Fear</p><p>You From London (feat. Little Simz)</p><p>Light’s In Your Hands</p><p>Reality</p><p>Luos Higher</p><p>Still Waters</p><p>Glory</p><p>Fight For Love</p><p>God Is Love</p><p>We Are Gods</p><p>Free</p><p>Valley of The Ocean</p><p>Power</p><p>Warrior</p><p>In The Beginning</p><p>The Greatest Smile</p><p>I Look For You</p><p>Pray For Me</p><p>W.A.L</p><p>S.O.T.H</p><p>Protector</p><p>Love Does Not Equal Pain</p><p>Puppet</p><p><strong>推荐阅读：</strong></p><p>All 5 of the new Sault Albums, review</p><p><a target="_blank" href="https://www.gigwise.com/reviews/3427878/all-5-of-the-new-sault-albums--reviewed/">https://www.gigwise.com/reviews/3427878/all-5-of-the-new-sault-albums--reviewed/</a></p><p>SAULT UNCOVERED: all we know about the mystery Indie R&B/Soul collective</p><p><a target="_blank" href="https://thebluesproject.co/2023/12/sault-about-the-mystery-indie-rnb-soul-collective/">https://thebluesproject.co/2023/12/sault-about-the-mystery-indie-rnb-soul-collective/</a></p><p>Air Album Review on Pitchfork</p><p><a target="_blank" href="https://pitchfork.com/reviews/albums/sault-air/">https://pitchfork.com/reviews/albums/sault-air/</a></p><p>Untitled (Black Is) / Untitled (Rise) Album review on Pitchfork</p><p><a target="_blank" href="https://pitchfork.com/reviews/albums/sault-untitled-black-is/">https://pitchfork.com/reviews/albums/sault-untitled-black-is/</a></p><p></p><p>Hammer Time Newsletter & 播客 Substack 地址： <a target="_blank" href="http://hidesssss.substack.com">hidesssss.substack.com</a></p><p>通过RSS订阅播客：<a target="_blank" href="https://api.substack.com/feed/podcast/1282982.rss">https://api.substack.com/feed/podcast/1282982.rss</a></p><p>给主播写信：<a target="_blank" href="mailto:sonicelsa@gmail.com">sonicelsa@gmail.com</a></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://hidesssss.substack.com?utm_medium=podcast&utm_campaign=CTA_1">hidesssss.substack.com</a>
January 17, 2026
<p>没想到吧，2026年第一期的另类主题我们聊的是 Black Eyed Peas!</p><p>如果你对这个团体的印象和认知还是2000s 那几首全球大热单，那么这一期或许会让你了解到一个坚持 Hip Hop 文化传承，有黑人意识，并且从容平衡 Underground 另类气质和商业化的有趣组合。</p><p>我和老林在本期分享的豆豆音乐主要范围是他们在 2003 “Elephunk”商业化之前的作品，当然了，我们必须得给 Kim Hill 女士她应得的认可与赞美！</p><p>some notes:</p><p>1998年正式发行的首作“Behind The Front“ 是一张 Jazz Rap 另类风格明显的作品，Kim Hill 作为初代女成员贡献了非常独特优雅有魅力的能量；</p><p><a target="_blank" href="https://youtu.be/KkSDNxM1w58?si=2t3v8rDx_ywKk-ud">New York Times 曾经制作的关于 Kim Hill 的纪录短片 “Almost Famous: I Was in The Black Eyed Peas. Then I Quit.” </a></p><p>1991年 William 和 apl.de.ap. 被 Eazy-E 发掘签约了 Ruthless Records, 他们与其他伙伴以 A.T.B.A.N Klann （a tribe beyond a nation)之名发行的 “Grass Roots” 原计划在93年发行，却因种种原因从未上架；</p><p>2000年的第二张“Bridging the Gap” 第一首就由大师级的 DJ Premiere 制作，参与嘉宾也有 Wyclef Jean, Chali 2na 这些1990s 地下另类场景中的重要人物。</p><p>Episode playlist:</p><p>Clap Your Hands</p><p>What It Is</p><p>Put On Your Adidas</p><p>Fallin’ Up</p><p>Joints & Jam</p><p>Weekend ft. Esthero</p><p>Lil’ Lil’</p><p>BEP Empire</p><p>Like That ft. Q-Tip, John Legend, Talib Kweli, Cee Lo</p><p></p><p>Hammer Time Newsletter & 播客 Substack 地址： <a target="_blank" href="http://hidesssss.substack.com">hidesssss.substack.com</a></p><p>通过RSS订阅播客：<a target="_blank" href="https://api.substack.com/feed/podcast/1282982.rss">https://api.substack.com/feed/podcast/1282982.rss</a></p><p>给主播写信：<a target="_blank" href="mailto:sonicelsa@gmail.com">sonicelsa@gmail.com</a></p> <br/><br/>This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://hidesssss.substack.com?utm_medium=podcast&utm_campaign=CTA_1">hidesssss.substack.com</a>
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Critical thinking practice on pop culture, but we don't talk by popular demand, hosted by Des.
Hammer Time 是一个聊流行文化的播客节目，讨论内容以主播个人对流行文化的理解出发，也会请朋友们来聊聊天，展开我们认为有价值的话题。
If you don’t know now you know.
Newsletter & 播客订阅：https://hidesssss.substack.com/ 给主播写信：sonicelsa@gmail.com <br/><br/><a href="https://hidesssss.substack.com?utm_medium=podcast">hidesssss.substack.com</a>
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