女声演绎《红楼梦》中经典诗词及片段，并加以简明解说 参考书目：红楼梦诗词全鉴/（清）曹雪芹著；李楠解译
红楼梦诗词对联及相关片段朗读
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女声演绎《红楼梦》中经典诗词及片段，并加以简明解说 参考书目：红楼梦诗词全鉴/（清）曹雪芹著；李楠解译
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5/25/2021
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Recent Episodes
October 5, 2021
出自第一百二十回｜结红楼梦偈
【原文】<br>说到辛酸处，荒唐愈可悲①。<br>由来同一梦②，休笑世人痴！<br>【注解】<br>①此句借“荒唐言”来写“辛酸泪”。<br>②由来：从来，自古以来。<br>【背景】<br>那空空道人听了，仰天大笑，掷下抄本，飘然而去。一面走着，口中说道：“原来是敷衍荒唐！不但作者不知，抄者不知，并阅者也不知。不过游戏笔墨，陶情适性而已！”<br>后人见了这本传奇，亦曾题过四句偈语，为作者缘起之言更进一竿。<br>【赏析】<br>此诗是全书的结束语。所谓“更进一竿”，是“百尺竿头，更一步”的简语，本禅宗比喻宗教修养从较高的水平再提高一步的话，后用以泛说“更上一层楼”。<br>偈语的前两句，“说到辛酸处，荒唐愈可悲”，意思是说，书中所写辛酸之处，因其用荒唐之言而显得更加可悲，极好地呼应了曹雪芹《自题一绝》中“满纸荒唐言，一把辛酸泪”的意境。<br>偈语的后两句，“由来同一梦，休笑世人痴”，意思是说，自古以来，人生同样地都像是一场大梦，谁也不要笑话谁更加执迷不悟。这里，将曹雪芹的“痴梦”与世人之“痴梦”等同起来，是极其错误的。在自题诗中，“都云作者痴”的“痴”，绝不是《好了歌》中“世人”追求功名富贵、娇宠妻妾儿孙的“痴”，世人之“痴”正是曹雪芹所要批判的。由此可见，续作者意图在原作思想之上“更进一竿”，也只能是“痴人说梦”而已。<br><br><br>
October 5, 2021
出自第一百二十回｜离尘歌
【原文】<br>我所居兮，青埂之峰。<br>我所游兮，鸿蒙太空。<br>谁与我游兮，吾谁与从①。<br>渺渺茫茫兮，归彼大荒②。<br>【注解】<br>①吾谁与从：意思是说：我跟着谁呢？<br>②大荒：即小说开头说的大荒山。<br>【背景】<br>一日，行到毘陵驿地方，那天乍寒，下雪，泊在一个清静去处。贾政打发众人上岸投帖辞谢朋友，总说即刻开船，都不敢劳动。船上只留一个小厮伺候，自己在船中写家书，先要打发人起早到家。写到宝玉的事，便停笔。抬头忽见船头上微微的雪影里面一个人，光着头，赤着脚，身上披着一领大红猩猩毡的斗篷，向贾政倒身下拜。贾政尚未认清，急忙出船，欲待扶住问他是谁。那人已拜了四拜，站起来打了个问讯。贾政才要还揖，迎面一看，不是别人，却是宝玉。贾政吃一大惊，忙问道：“可是宝玉么？”那人只不言语，似喜似悲。贾政又问道：“你若是宝玉，如何这样打扮，跑到这里来？”宝玉未及回言，只见船头上来了两人，一僧一道，夹住宝玉道：“俗缘已毕，还不快走。”说着，三个人飘然登岸而去。贾政不顾地滑，疾忙来赶，见那三人在前，哪里赶得上？只听得他们三人口中不知是哪个作这首歌。
October 4, 2021
出自第九十回｜薛蝌 感怀
【原文】<br>蛟龙失水似枯鱼①，两地情怀感索居②。<br>同在泥涂多受苦，不知何日向清虚③。<br>【注解】<br>①枯鱼：喻人困顿无助，陷入绝境。庄子寓言说：远水不救近渴，等远水送到时，活鱼因失水早变成店铺里卖的干鱼了。<br>②索居：独居，离开朋友而居。这里说他俩未婚，还不能住在一起。<br>③清虚：高天，喻能享富贵尊荣的地位。<br>【背景】<br>邢岫烟家境贫寒，来贾府后寄人篱下，日子过得不太好。其未婚夫薛蝌为之而有牢骚，又觉得自己也不得志，就混写了几句诗“出出胸中的闷气”。<br>【赏析】<br>续作者是把邢岫烟、薛蝌作为夏金桂、宝蟾的对立面来描写的。前者是所谓正派人，而后者淫邪。写淫邪比较生动（有人已指出它是有所模仿的），写正派就没有生气，面目也跟这首诗差不多。如果把这首诗与第一回中贾雨村中秋对月所咏二诗一联比较一下，我们就会发现薛蝌与贾雨村在思想上有惊人的相似之处。但曹雪芹写的是一个尚未发迹的野心勃勃的官僚政客，而高鹗写的则是所谓“秉性忠厚”恪守社会道德的不得志的正人君子。这种截然相反的情况，我们也只能从原作者和续作者的思想观点根本不同上去解说。
145 total episodes available
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