In One Ear is the monthly podcast of the 21st Century Music Practice Research Centre. The 30 minute episodes are released on the last Thursday of the month with other content - video publications by the guests and In One Ear 'Extended Play' supplement podcasts with more detailed discussions by the guests - released during the rest of the month. The podcast is currently run by a team of volunteers and each month features guests - typically a PhD student engaged in music practice research, and one or more researchers who have contributed to one of the C21MP research projects, published in the Cambridge Elements series, or are running an event in association with the centre.

In One Ear
Claim This Podcastby C21MP Research Centre
Podcast Overview
In One Ear is the monthly podcast of the 21st Century Music Practice Research Centre. The 30 minute episodes are released on the last Thursday of the month with other content - video publications by the guests and In One Ear 'Extended Play' supplement podcasts with more detailed discussions by the guests - released during the rest of the month. The podcast is currently run by a team of volunteers and each month features guests - typically a PhD student engaged in music practice research, and one or more researchers who have contributed to one of the C21MP research projects, published in the Cambridge Elements series, or are running an event in association with the centre.
Language
🇺🇲
Publishing Since
2/25/2026
1 verified contact email on file for In One Ear
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Recent Episodes

June 30, 2026
Episode 5: Performing with physical diversity, Instruments as collaborators, and working with unfamiliar piano repertoire
<p class="MsoNormal">Our guests on this episode are <span style= "color: black;"><span id= "docs-internal-guid-7087fd0e-7fff-89d3-5c6b-75517ec38b0f" style= "white-space: pre-wrap;">Niamh Gallagher, a disabled violist, performer and practice researcher. She is a doctoral scholar at Goldsmiths, University of London</span></span>, <span style= "color: black;"><span id= "docs-internal-guid-6abb743f-7fff-c5ba-e9d4-79309c8e9484" style= "white-space: pre-wrap;">Marc Duby, a professional bassist and academic researcher in music, joining us from the University of South Africa</span></span>, and <span style= "color: black;"><span id= "docs-internal-guid-ac0d2a66-7fff-ca88-cfca-951737b9f011" style= "white-space: pre-wrap;">Elisa Rumici, who is pursuing a doctorate in artistic research at the Hochschule für Musik Freiburg, Germany</span></span>. We start by discussing <span style= "color: black;"><span id= "docs-internal-guid-7087fd0e-7fff-89d3-5c6b-75517ec38b0f" style= "white-space: pre-wrap;">Niamh's practice-led research project which is entitled Authentic Bodies – Diverse Embodiment and Disabled Identity in String Performance Practice</span></span>. Marc discusses both <span style="color: black;"><span id= "docs-internal-guid-f25ce0c9-7fff-6e85-3426-b7793dab0895" style= "white-space: pre-wrap;">"What Musicking Affords", which is part of the 21</span><sup><span style= "white-space: pre-wrap;">st</span></sup></span> <span style= "color: black;"><span style="white-space: pre-wrap;">Century Music Practice Cambridge Elements series, and his role as one of the first C21MP Research Fellows working on our Open Research Project format - looking at the idea of musical instruments as partners rather than just tools</span></span>. Elisa <span style= "color: black;"><span id= "docs-internal-guid-40d03da1-7fff-7cd8-afce-41136301ae5e" style= "white-space: pre-wrap;">is an award-winning pianist who has performed widely all across Europe and teaches extensively</span></span>. Here she discusses the challenges and rewards of working with unfamiliar piano repertoire, both in performance and pedagogy. This episode was presented by Stefanie Barschdorf and Simon Zagorski-Thomas. The production team were Stefanie Barschdorf, Maciej Kierzkowski, Gittit Pearlmutter and Simon Zagorski-Thomas - with a special thanks to Maciej for getting the edit ready on time.</p>

June 19, 2026
Episode 4 Extended Play: Marimba Performance, 2027 C21MP Conference and the Social Dimension of Song Writing
<p><span style="font-size: 12pt;">The Extended Play version of episode 4 was presented by Stefanie Barschdorf and Simon Zagorski-Thomas. The production team were Stefanie Barschdorf, Luiz Mouro, Maciej Kierzkowski, Gittit Pearlmutter and Simon Zagorski-Thomas - with a special thanks to Gittit for getting the edit ready on time.Our guests on this episode are <span id= "docs-internal-guid-fa3f2d61-7fff-5c06-95a6-0d33edebaa7f" style= "font-family: Arial, sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Márton Gábor Szives, a percussionist, researcher and teacher at the Doctoral School of Arts of the University of Pécs, supported by the Hungarian Academy of Arts</span><span style= "font-family: 'Helvetica Neue Thin', sans-serif;">, Wellington Gordon, the chair of the 2027 C21MP Conference, <span id= "docs-internal-guid-899e1d54-7fff-cbbb-cd55-e11f14db874b" style= "font-family: Arial, sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> a bassist, audio engineer and educator at the Commercial Music programme at Florida State University</span>,</span> <span style= "font-family: 'Helvetica Neue Thin', sans-serif;">and </span><span id="docs-internal-guid-2035d58c-7fff-ac51-fb8c-1e3206d44ee4" style= "font-family: Arial, sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Remy Haswell-Martin from the University of West London and Adam Martin from the University of Huddersfield, co-authors of a forthcoming Element in the 21st Century Music Practice series</span> on "<span style= "caret-color: #000000; color: #000000; font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; display: inline !important; float: none;">Creative Interactions in Collaborative Songwriting</span>". We start by discussing the developments in contemporary Marimba performance technique that led Márton to his current PhD and he discusses that process of collaboration with ten composers in which he explored these new techniques for them as a way to stimulate their ideas for new compositions. Wells Gordon participated in the first C21MP conference and will be talking about hosting the 2027 conference at Florida State University and how we're going to be exploring Music and the Extended Mind. Remy and Adam discuss some of the social factors that affect collaborative song writing - looking at them from a phenomenological and affect theory perspective to explore both the positive and negative emotions that can have an impact on collaborative song writing.</span></p>

May 29, 2026
Episode 4: Marimba Performance, 2027 C21MP Conference and the Social Dimension of Song Writing
<p><span style="font-size: 12pt;">Our guests on this episode are <span id="docs-internal-guid-fa3f2d61-7fff-5c06-95a6-0d33edebaa7f" style= "font-family: Arial, sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Márton Gábor Szives, a percussionist, researcher and teacher at the Doctoral School of Arts of the University of Pécs, supported by the Hungarian Academy of Arts</span><span style= "font-family: 'Helvetica Neue Thin', sans-serif;">, Wellington Gordon, the chair of the 2027 C21MP Conference, <span id= "docs-internal-guid-899e1d54-7fff-cbbb-cd55-e11f14db874b" style= "font-family: Arial, sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> a bassist, audio engineer and educator at the Commercial Music programme at Florida State University</span>,</span> <span style= "font-family: 'Helvetica Neue Thin', sans-serif;">and </span><span id="docs-internal-guid-2035d58c-7fff-ac51-fb8c-1e3206d44ee4" style= "font-family: Arial, sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Remy Haswell-Martin from the University of West London and Adam Martin from the University of Huddersfield, co-authors of a forthcoming Element in the 21st Century Music Practice series</span> on "<span style= "caret-color: #000000; color: #000000; font-family: Helvetica; font-style: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; -webkit-text-stroke-width: 0px; text-decoration: none; display: inline !important; float: none;">Creative Interactions in Collaborative Songwriting</span>". We start by discussing the developments in contemporary Marimba performance technique that led Márton to his current PhD and he discusses that process of collaboration with ten composers in which he explored these new techniques for them as a way to stimulate their ideas for new compositions. Wells Gordon participated in the first C21MP conference and will be talking about hosting the 2027 conference at Florida State University and how we're going to be exploring Music and the Extended Mind. Remy and Adam discuss some of the social factors that affect collaborative song writing - looking at them from a phenomenological and affect theory perspective to explore both the positive and negative emotions that can have an impact on collaborative song writing. This episode was presented by Stefanie Barschdorf and Simon Zagorski-Thomas. The production team were Stefanie Barschdorf, Luiz Mouro, Maciej Kierzkowski, Gittit Pearlmutter and Simon Zagorski-Thomas - with a special thanks to Gittit for getting the edit ready on time.</span></p>
9 total episodes available
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Frequently asked questions
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This podcast updates daily.
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This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
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Yes, this podcast regularly features guests.
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