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In Search of the Great America

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by Laura Milkins

5.0(3 reviews)

26 episodes

Updated Daily

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Podcast Overview

Hello! I am your host, Laura Milkins. In Search of the Great America is a public history podcast project. Asking people to define their great America: past, present and future. The mission is simple, to ask people to define their Great America (past, present and future) and to uncover the diversity, complexity, and community connections that already make us great. To find out what people really want for America, outside of the framework of politics and the media. With this project, I offer a non-judgmental space for people to share what they wish for themselves, their family and their community. Each interview is only 15 minutes long. The guest will answer the following questions: -Where did you grow up and what was it like? -Was there a time in history that you thought America was great and why? -What is great about America now for you? -What does your great America look like in the future? -Who are we when we are our best? So… What’s your Great America? ARTIST BIO I am an interdisciplinary artist living in Tucson, AZ. My work explores vulnerability, intimacy, and cultural norms, using variety of media: online-interactive performance, video, drawing, painting, and live radio/podcasting. Since 2012, I have taught Art and Visual Culture at Pima Community College. I received an MFA in painting from University of Arizona in 2008. In 2009, I was a Fulbright Scholar in Mexico City. My recent work includes The Depression Session, a website dedicated to de-stigmatizing depression, and to help listeners feel less alone in their struggles with depression. The Depression Session project was a way for me to relate to others, to understand my own depression, but more importantly, to give back in providing a source for others to find connections and resources. Past work includes Of Birds and Men, 27 portraits of men in power accused by women of sexual harassment and abuse, facing a bird with the same letter as their name. Zero Packaging Project, a year without packaging; and Walking Home: stories from the desert to the Great Lakes, in which I walked 2,007 miles from Arizona to Michigan wearing a live webcam; Walking Stories: Mexico, I walked across Mexico City in the company of strangers, posting the stories they shared each night on a BLOG. My work has been exhibited across the U.S., Mexico, and in France. I have received grants, awards, and international recognition for my work, including a Fulbright award to travel and work in Mexico City and a Tanne Foundation Award.

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Publishing Since

9/4/2020

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Recent Episodes

April 26, 2021

13.2 - Los Angeles, CA History: center of the burgeoning motion picture industry

LOS ANGELES, CA: THE GREAT AMERICA OF 1900-1950 The first half of the 20th century was arguably the heyday of Los Angeles. This was the era when what was once considered a secondary city at best, first surpassed rival San Francisco as the largest city in California, and then became one of the largest cities in the country. Where economic expansion was once restrained by a modest supply of fresh water and the lack of a natural harbor, massive projects pushed by city leadership addressed these limitations, and Los Angeles became a center for trade and petroleum production, well prepared for the industrial boom to come. Los Angeles in this era seemed to embody the dream of opportunity, economic and otherwise, which had been associated with California in the American imagination since the days of the Gold Rush. More than anything, however, what elevated Los Angeles to the status of great American city was the outsized place that it would hold in popular culture thanks to it having become a center of the burgeoning motion picture industry. Echoing previous generations of emigrants who came west to escape the constraints of the east, film pioneers settled in Los Angeles starting in 1910 to evade legal entanglements in the Atlantic states and to take advantage of year-round sunshine. By the 1930s, six Los Angeles based film studios, all started by Jewish immigrant entrepreneurs who had come from the East coast, would dominate the industry and the local economy. As an extension of filmmaking, Los Angeles quickly became a focus for the arts in general, and a vision of a lifestyle driven by Southern California’s sunny climate influenced American notions of fashion and leisure. Civic boosters likewise found certain communities inconvenient to their vision of what they wanted the city to become and found them all too easy to set them aside in the name of progress. At the beginning of the century, African-Americans saw Los Angeles as a haven from the discrimination they faced in the East, but by the 1920s, they found themselves increasingly segregated by language in deeds, euphemistically referred to as “restrictions,” which limited their choice of neighborhoods. A thriving and well-established Chinatown was forced to move as a result of railroad expansion in 1938. Nowhere does this seem more ironic than in the case of the Mexican-Americans community, once the city’s majority, but now less than ten percent of the population. Though Los Angeles embraced architectural elements like Spanish tile and promoted an admittedly antiseptic version of its Spanish and Mexican past, the people who represented that heritage were marginalized and had little voice in the City’s future. Restrictions kept Mexicans, immigrants from Japan and certain parts of Europe, in neighborhoods like Boyle Heights. Eventually, the sense of solidarity that emerged in these communities would provide them with some political clout, but this would be in the future. Los Angeles continued to thrive after World War Two, but as it reached two million people, it became increasingly difficult to simply engineer its way out of problems or to ignore its issues. Growing suburbs in places like Orange County now competed for resources and political power. Emerging African-American and Mexican-American political leaders challenged the cliquish leadership at city hall. More than anything, this city that emerged largely during the era of the automobile was becoming too spread out and difficult to manage. The city is now more diverse and more representative than it was in those days, and retains its special place in our popular culture, but there is still a sentimental attachment to the era when it seemed that anything was possible there. -Tom Prezelski

April 26, 2021

13 - Los Angeles, CA: When We Live Our Best Truth and Speak Our Minds

Episode 13. Vana Thiero describes a Great America where the kids of today become leaders who speak their minds and seek what is best for the greater good ALL humanity for the long term. Vana Thiero is a single mom of two sons diagnosed with autism. She is a producer, writer, public speaker, Emmy winning editor, activist and comedian, who goes by the letter V. Vana grew up in Pontiac, during the time in the 60s when blacks were migrating to the north for great jobs. It was a time of positivity and great opportunities. Her family was the first black family to buy a house in her neighborhood, so she was friends with white and black children alike growing up. Their house was featured in Ebony Magazine.

February 22, 2021

12.2 - Caliente, NV History: headquarters for the railroad

Though it was never a large community, Caliente, Nevada briefly boomed in the interwar years as a headquarters for the railroad. Much smaller now, the town still lives on the foundation established in those days even as local leadership pursues new economic opportunities. The valley formed by the junction of Meadow Valley Wash and Clover Creek had attracted ranchers since the 1860s. The town of Caliente was established in 1901, when the Union Pacific Railroad’s new branch line north to Salt Lake City was built through the valley and built a station there. The town was designated a “division point” for the railroad, where crews and engines would be switched out. It also served as a headquarters for maintenance workers and administrative staff. An estimated ninety percent of the jobs in town were with the railroad. The town reached a population of nearly 5000 by the 1930s. It had an active social life, with an Elks Lodge for the professional men in town, and an Odd Fellows Lodge for the working class, as well as a number of women’s clubs. The hot springs that gave the town its name attracted additional attention. A large hotel was built to accommodate tourists. The railroad also did its part to make the place more appealing to travelers by constructing an elegant new depot in 1923 to replace a previous utilitarian building that was gutted by a fire. Like a lot of public buildings in the west during that era, the new depot was built to evoke a Spanish past by emulating the missions of California, though the actual Mexican-American population of Southern Nevada was declining in terms of real numbers in those days. In addition to offices and dormitories, the new building had a second floor which was set aside as a hotel. Though the railroad attracted an ethnically diverse workforce, largely of European immigrants, African-Americans were considered unwelcome, which seems ironic given that the two original American settlers in the valley in the 1860s were escaped slaves. Reformers dubbed Nevada the “Mississippi of the West” because political leaders actively pursued Jim Crow-style segregation. In Caliente and surrounding Lincoln County, the Black population remained quite small, but witnessing the mistreatment of an African-American family friend during his depression-era boyhood in the town helped inspire a man named Ralph Denton to work for change. During his long career as a lawyer, activist, and elected official, Denton championed civil rights and transformed both the Democratic Party and Nevada politics in general. With the transition to diesel engines, the division point at Caliente was no longer necessary, and operations were moved to Las Vegas in 1948. The population quickly declined, though the railroad would remain an active element of the town’s economy. Local leadership continues to pursue development of a tourist industry related to the area’s natural beauty, though a shortage of hotel space presents a challenge, as does concern about retaining the town’s character. The depot, one of the few such buildings from its era which still stands, would become a city hall, museum and community center and serves as a symbol for the town. -Tom Prezelski, Resident Historian

26 total episodes available

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What is In Search of the Great America?: Hello! I am your host, Laura Milkins.

In Search of the Great America is a public history podcast project. Asking people to define their great America: past, present and future.

The mission is simple, to ask people to define their Great America (past, present and future) and to uncover the diversity, complexity, and community connections that already make us great. To find out what people really want for America, outside of the framework of politics and the media. With this project, I offer a non-judgmental space for people to share what they wish for themselves, their family and their community.

Each interview is only 15 minutes long. The guest will answer the following questions:

-Where did you grow up and what was it like? -Was there a time in history that you thought America was great and why? -What is great about America now for you? -What does your great America look like in the future? -Who are we when we are our best?

So… What’s your Great America?

ARTIST BIO I am an interdisciplinary artist living in Tucson, AZ. My work explores vulnerability, intimacy, and cultural norms, using variety of media: online-interactive performance, video, drawing, painting, and live radio/podcasting. Since 2012, I have taught Art and Visual Culture at Pima Community College. I received an MFA in painting from University of Arizona in 2008. In 2009, I was a Fulbright Scholar in Mexico City.

My recent work includes The Depression Session, a website dedicated to de-stigmatizing depression, and to help listeners feel less alone in their struggles with depression. The Depression Session project was a way for me to relate to others, to understand my own depression, but more importantly, to give back in providing a source for others to find connections and resources.

Past work includes Of Birds and Men, 27 portraits of men in power accused by women of sexual harassment and abuse, facing a bird with the same letter as their name. Zero Packaging Project, a year without packaging; and Walking Home: stories from the desert to the Great Lakes, in which I walked 2,007 miles from Arizona to Michigan wearing a live webcam; Walking Stories: Mexico, I walked across Mexico City in the company of strangers, posting the stories they shared each night on a BLOG.

My work has been exhibited across the U.S., Mexico, and in France. I have received grants, awards, and international recognition for my work, including a Fulbright award to travel and work in Mexico City and a Tanne Foundation Award.
How often does this podcast release new episodes?: This podcast updates daily.
Where can I listen to this podcast?: This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
Does this podcast accept guests?: Yes, this podcast regularly features guests.

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