Podcast thumbnail for Indistinct Chatter

Indistinct Chatter

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by LAYR / Pia-Marie Remmers

6 episodes
Updated Daily
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Podcast Overview

Indistinct Chatter is a podcast series accompanying the group exhibition with the same title at LAYR Vienna curated by Pia-Marie Remmers. Each episode features one artist in the show, offering an extended space for their work and thoughts. Music written and produced by Mike Ratledge mikeratledge.bandcamp.com Podcast unterstützt durch österreichisches Bundesministerium für Kunst, Kultur, öffentlicher Dienst und Sport. - Indistinct Chatter is a group exhibition dedicated to film, while at the same time excluding it. Since the 1970s, exhibition spaces have become more frequently transformed into quasi movie theaters, with video works forming an integral part of contemporary artists' often immersive installations. But how do we attend to the sensation and pull of the cinematic when the moving image is absent? The works on view range from narrative snippets and movie props to closing credits, without showing a single motion picture. Temporality and movement are largely suspended, while the apparent subplots and by-products of the cinematic are put into the spotlight. A nod to Louise Lawler's "A Movie Will Be Shown Without The Picture" (1979) where the audience was invited to watch a full-length film in a regular cinema without its visual component, the exhibition tackles questions of performativity, narration and representation in front of and behind the screen.

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Publishing Since

3/2/2021

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Recent Episodes

Episode thumbnail for Vol. 6 - Lise Soskolne

April 23, 2021

Vol. 6 - Lise Soskolne

The sixth episode consist of “The Provenance of Jeanne Dielman" a text written by Lise Soskolne and read by Tamara Faith Berger. Lise Soskolne was born in Canada in 1971 and lives and works in New York since the late 1990s. She is a co-founder of Working Artists and the Greater Economy and has been its core organizer since 2012. The organization advocates for the payment of artist fees by nonprofit art institutions in the U.S. In the context of her first institutional solo exhibition in Germany, Humour Then, at Kunstverein Nürnberg in 2020, Lise wrote provenance records for each of her paintings in the show. She decided on this format to document and convey the creation process of her paintings as well as their exhibition participations and changes of ownership. The latter played an especially interesting role in regards to “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles”, a painting which is part of the group exhibition in Vienna. In "The Provenance of Jeanne Dielman", the artist interweaves “the violent refusal” of the character of Jeanne Dielman in Chantal Ackerman’s 1975 film with the events surrounding the sale of the work in the late 1990s. Tamara Faith Berger is the author of Lie With Me (2001), The Way of the Whore (2004) – republished together as Little Cat in 2013 – Maidenhead (2012) and Kuntalini (2016). Her fifth book, Queen Solomon, was published by Coach House Books in October 2018. It was nominated for a Trillium Book Award. Her work has been published in Apology, Canadian Art, Taddle Creek and Canadian Notes and Queries. She runs Smutburger, a literary collective. She lives in Toronto. Music written and produced by Mike Ratledge mikeratledge.bandcamp.com Podcast unterstützt durch österreichisches Bundesministerium für Kunst, Kultur, öffentlicher Dienst und Sport.

Episode thumbnail for Vol. 5 - William Leavitt

April 18, 2021

Vol. 5 - William Leavitt

The fifth episode consists of an audio story with background music written by the artist last year during the first COVID lockdown in the US. The artist was born in Washington D.C. in 1941. Today he lives and works in California. The composition of the script was determined by chance, as Leavitt drew words and pictures one by one from a stack of cards. The result is the story of Bonny and Oskar who stumble across a pile of photos, old notes and waste, which inspire them to arbitrary daydreams. The story ends with the revealing sentence: “Yes, but the roulette wheel is a beautiful thing“. The theatric music and the artist's sonorous voice create a kind of cinematic dramaturgy, which is supplemented by the description of vacant sets and distinctive props that evoke memories of Leavitt's drawings in the exhibition in Vienna. Music written and produced by Mike Ratledge mikeratledge.bandcamp.com Podcast unterstützt durch österreichisches Bundesministerium für Kunst, Kultur, öffentlicher Dienst und Sport.

Episode thumbnail for Vol. 4 - Masha Tupitsyn

April 8, 2021

Vol. 4 - Masha Tupitsyn

The fourth episode presents a reading from Masha Tupitsyn’s book Picture Cycle, published by MIT Press in 2019. In the book Tupitsyn melds film criticism, philosophy, and autobiography and investigates personal and cultural annals of memory, identity, and spectatorship. The chapter “I give you my word” deals explicitly with Masha’s film/audio-essay Love Sounds, which is currently on view at the gallery. The other chapter presented in this episode is called “Famous Tombs” and focuses on the 1990s love relationship of Winona Ryder and Johnny Depp. Both chapters are read by Caitlin Mulligan. https://www.mashatupitsyn.com/ABOUT Music written and produced by Mike Ratledge mikeratledge.bandcamp.com Podcast unterstützt durch österreichisches Bundesministerium für Kunst, Kultur, öffentlicher Dienst und Sport.

6 total episodes available

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Frequently asked questions

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What is Indistinct Chatter?

Indistinct Chatter is a podcast series accompanying the group exhibition with the same title at LAYR Vienna curated by Pia-Marie Remmers. Each episode features one artist in the show, offering an extended space for their work and thoughts.

Music written and produced by Mike Ratledge mikeratledge.bandcamp.com

Podcast unterstützt durch österreichisches Bundesministerium für Kunst, Kultur, öffentlicher Dienst und Sport.

Indistinct Chatter is a group exhibition dedicated to film, while at the same time excluding it. Since the 1970s, exhibition spaces have become more frequently transformed into quasi movie theaters, with video works forming an integral part of contemporary artists' often immersive installations. But how do we attend to the sensation and pull of the cinematic when the moving image is absent? The works on view range from narrative snippets and movie props to closing credits, without showing a single motion picture. Temporality and movement are largely suspended, while the apparent subplots and by-products of the cinematic are put into the spotlight. A nod to Louise Lawler's "A Movie Will Be Shown Without The Picture" (1979) where the audience was invited to watch a full-length film in a regular cinema without its visual component, the exhibition tackles questions of performativity, narration and representation in front of and behind the screen.

How often does this podcast release new episodes?

This podcast updates daily.

Where can I listen to this podcast?

This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.

Does this podcast accept guests?

Yes, this podcast regularly features guests.

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