by Stanford TAPS
Host (TAPS Professor Michael Rau) interviews working artists on how their artistic theory manifests in their artistic practice. This Podcast is supported by the Office of the Vice President for the Arts and Stanford TAPS. The statements in this podcast are the opinions of the speakers.
Language
🇺🇲
Publishing Since
8/11/2020
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September 23, 2020
<p>Hosted By Michael Rau</p> <p>This Podcast is supported by the Office of the Vice President for the Arts and Stanford TAPS. The statements in this podcast are the opinions of the speakers.</p> <p>This Week's Episode of Intersections features Lance Weiler. </p> <p>You can learn more about Lance at <a href="http://lanceweiler.com/about/">http://lanceweiler.com/about/</a></p>
September 16, 2020
<p>Hosted By Michael Rau</p> <p>This Podcast is supported by the Office of the Vice President for the Arts and Stanford TAPS. The statements in this podcast are the opinions of the speakers.</p> <p>This Week's Episode of Intersections features Rachel Chavkin.</p> <p>RACHEL CHAVKIN is a director, writer and dramaturg, as well as the founding Artistic Director of Brooklyn-based company the TEAM (<a href="http://theteamplays.org/" target="_blank">theteamplays.org</a>) whose work has been seen all over London and the U.K. including the National Theatre, the Royal Court, Old Vic, and multiple collaborations with the National Theatre of Scotland and the Battersea Arts Centre. Selected freelance work includes Dave Malloy’s Natasha, Pierre & the Great Comet of 1812 (Ars Nova, A.R.T., Broadway), Anaïs Mitchell’s Hadestown (New York Theatre Workshop, Edmonton Citadel, London’s National Theatre, upcoming: Broadway), Arthur Miller’s The American Clock (Old Vic), Matt Gould and Carson Kreitzer’s Lempicka (Williamstown), Caryl Churchill’s Light Shining in Buckinghamshire (New York Theatre Workshop), Marco Ramirez’s The Royale (Old Globe, Lincoln Center), Bess Wohl’s Small Mouth Sounds (Ars Nova, Off-Broadway, national tour), Sarah Gancher’s I’ll Get You Back Again (Round House), and multiple collaborations with Taylor Mac including The Lily’s Revenge, Act 2 (HERE); and with Chris Thorpe, including Confirmation and Status. Chavkin is a recipient of a Tony nomination for Best Direction, three Obie Awards, a Drama Desk Award, multiple Lortel nominations, two Doris Duke Impact Award nominations, and the 2017 Smithsonian Award for Ingenuity along with Dave Malloy.</p> <p><br></p>
September 9, 2020
<p>Hosted By Michael Rau</p> <p>This Podcast is supported by the Office of the Vice President for the Arts and Stanford TAPS. The statements in this podcast are the opinions of the speakers.</p> <p>This Week's Episode of Intersections features Kelley Girod.</p> <p>Kelley Nicole Girod is the founder and Executive Producing Director of Obie Award winning, The Fire This Time Festival. She is a 2008 graduate of Columbia's MFA playwriting program where she was a Stein and Liberace Fellow, as well as a John Golden Fellow. Her plays reflect the rich world of her native Louisiana and include Ambrosia, Straight on til Morning, Poetics of the Creative Process, Parabolas, and Watching. She was named Nytheatre.com Person of the Year for her work on TFTT, and is a part of the Indie Theatre Hall of Fame. As a producer her credits include Israela Margalit's Get Me A Guy, and Night Blooming Jasmine (both at Horse Trade Theater); Louisiana Mon Amour (Women Center Stage at Culture Project); Thais Francis's Outcry (Horse Trade Theater, Jack). She is a mother to two beautiful daughters, Penelope Evelyn and Noelle Anamaria.</p>
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Host (TAPS Professor Michael Rau) interviews working artists on how their artistic theory manifests in their artistic practice.
This Podcast is supported by the Office of the Vice President for the Arts and Stanford TAPS. The statements in this podcast are the opinions of the speakers.
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