Lives of the most Excellent Artists, Architects, Curators, Critics, Theorists Poets and more, like Vasari’s book updated. (Interviews with over 1200 artists and others about practice and lifestyle from Yale University radio WYBCX)
Interviews by Brainard Carey
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Lives of the most Excellent Artists, Architects, Curators, Critics, Theorists Poets and more, like Vasari’s book updated. (Interviews with over 1200 artists and others about practice and lifestyle from Yale University radio WYBCX)
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Recent Episodes
July 18, 2026
Peter Acheson
<p><img fetchpriority="high" decoding="async" class="wp-image-16582 alignleft" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/Peter-Acheson-headshot-768x1024.jpg" alt="" width="332" height="443" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/Peter-Acheson-headshot.jpg?resize=768%2C1024&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/Peter-Acheson-headshot.jpg?resize=225%2C300&ssl=1 225w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/Peter-Acheson-headshot.jpg?resize=1152%2C1536&ssl=1 1152w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/Peter-Acheson-headshot.jpg?resize=696%2C928&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/Peter-Acheson-headshot.jpg?resize=1068%2C1424&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/Peter-Acheson-headshot.jpg?w=1158&ssl=1 1158w" sizes="(max-width: 332px) 100vw, 332px" /><a href="https://www.antonkerngallery.com/exhibitions/526-peter-acheson/">Peter Acheson</a> was born in Washington, DC, in 1954 and received his BFA from Yale University in 1976. An early member of Williamsburg’s art scene in the 1980s, he relocated to upstate New York in the 1990s, where he continues to live and work in Columbia County.</p> <p>His paintings range from textured abstractions to restrained gestures that draw on a wide range of influences, including nineteenth-century French painting, Blinky Palermo, Raoul De Keyser, Bill Jensen, and Forrest Bess, alongside close observation of the landscape surrounding his studio.</p> <p>Acheson’s concern is less with resolving these references than it is to allow them to coexist, permitting his paintings to act as habitats where various traditions and approaches can meet without hierarchy. This carries through to Acheson’s playful way of treating his compositions, leaving them caught between styles, simultaneously structured and chaotic, with direct references and happenstance similarity.</p> <p>His work has been exhibited at Anton Kern Gallery, New York; Steven Harvey Fine Arts, New York; Gordon Robichaux, New York; Brennan & Griffin, New York; Novella Gallery, New York; John Davis Gallery, Hudson, New York; the American Academy of Arts and Letters, New York; Elizabeth Harris Gallery, New York; and Baumgartner Gallery, New York. His work has been discussed in <i>Hyperallergic</i> and <i>The Brooklyn Rail</i>.</p> <figure id="attachment_16578" aria-describedby="caption-attachment-16578" style="width: 696px" class="wp-caption alignnone"><img decoding="async" class="wp-image-16578 size-large" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-1024x866.jpg" alt="" width="696" height="589" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=1024%2C866&ssl=1 1024w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=300%2C254&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=768%2C650&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=1536%2C1299&ssl=1 1536w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=2048%2C1733&ssl=1 2048w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=696%2C589&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=1068%2C904&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?resize=1920%2C1624&ssl=1 1920w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27911-image-scaled.jpg?w=1392&ssl=1 1392w" sizes="(max-width: 696px) 100vw, 696px" /><figcaption id="caption-attachment-16578" class="wp-caption-text">Peter Acheson Four Levels, 1983 – 1984 Oil on wood 8 7/8 x 11 1/8 inches (22.5 x 28.1 cm) Photo: Izzy Leung </figcaption></figure> <figure id="attachment_16579" aria-describedby="caption-attachment-16579" style="width: 696px" class="wp-caption alignnone"><img decoding="async" class="wp-image-16579 size-large" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-1024x614.jpg" alt="" width="696" height="417" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=1024%2C614&ssl=1 1024w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=300%2C180&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=768%2C461&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=1536%2C922&ssl=1 1536w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=2048%2C1229&ssl=1 2048w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=696%2C418&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=1068%2C641&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?resize=1920%2C1152&ssl=1 1920w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27900-image-scaled.jpg?w=1392&ssl=1 1392w" sizes="(max-width: 696px) 100vw, 696px" /><figcaption id="caption-attachment-16579" class="wp-caption-text">Peter Acheson Untitled, 2020 Oil and stick on wood block 2 x 6 1/4 x 1 3/4 inches (5.1 x 15.9 x 4.4 cm) Photo: Izzy Leung </figcaption></figure> <figure id="attachment_16580" aria-describedby="caption-attachment-16580" style="width: 696px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-16580 size-large" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-730x1024.jpg" alt="" width="696" height="976" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=730%2C1024&ssl=1 730w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=214%2C300&ssl=1 214w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=768%2C1078&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=1095%2C1536&ssl=1 1095w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=1460%2C2048&ssl=1 1460w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=696%2C977&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=1068%2C1499&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?resize=1920%2C2694&ssl=1 1920w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?w=1824&ssl=1 1824w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27922-image-scaled.jpg?w=1392&ssl=1 1392w" sizes="auto, (max-width: 696px) 100vw, 696px" /><figcaption id="caption-attachment-16580" class="wp-caption-text">Peter Acheson Untitled, 2010-2012 Oil on wood 10 1/4 x 6 3/8 inches (26 x 16.2 cm). Photo: Izzy Leung </figcaption></figure> <figure id="attachment_16581" aria-describedby="caption-attachment-16581" style="width: 696px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-16581 size-large" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-1024x855.jpg" alt="" width="696" height="581" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=1024%2C855&ssl=1 1024w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=300%2C250&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=768%2C641&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=1536%2C1282&ssl=1 1536w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=2048%2C1709&ssl=1 2048w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=696%2C581&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=1068%2C891&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?resize=1920%2C1603&ssl=1 1920w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/AK-27913-image-scaled.jpg?w=1392&ssl=1 1392w" sizes="auto, (max-width: 696px) 100vw, 696px" /><figcaption id="caption-attachment-16581" class="wp-caption-text">Peter Acheson Untitled, 2019 Oil on canvas 16 x 20 inches (40.6 x 50.8 cm) Photo: Izzy Leung </figcaption></figure>
July 14, 2026
Yuya Saito
<p><img fetchpriority="high" decoding="async" class="wp-image-16567 alignleft" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/yuyasaito.png" alt="" width="268" height="248" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/yuyasaito.png?w=752&ssl=1 752w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/yuyasaito.png?resize=300%2C278&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/yuyasaito.png?resize=696%2C644&ssl=1 696w" sizes="(max-width: 268px) 100vw, 268px" /><a href="https://www.goca.gallery/exhibitions/yuya-saito">Yuya Saito</a> (b. 1982, Japan) lives and works in Brooklyn, New York. He makes wall-based works and freestanding sculpture in laminated and bent wood, a language he has developed over more than a decade out of the craft of bent-wood furniture-making.</p> <p>Saito’s work has been presented internationally at such institutions and venues as Rockefeller Center, New York; Brooklyn Army Terminal, New York; National Art Center, Tokyo; and Setagaya Art Museum, Tokyo.</p> <p>Public commissions include installations for the Brooklyn Army Terminal, New York (2026) and Art Link at Yokohama Red Brick Warehouse (2022). He is the recipient of the TRiCERA Award and Jury Award at IAG Awards 2021, as well as the Special Jury Award at Independent Tokyo 2020.</p> <figure id="attachment_16568" aria-describedby="caption-attachment-16568" style="width: 761px" class="wp-caption alignnone"><img decoding="async" class="wp-image-16568 size-full" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation1.png" alt="" width="761" height="606" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation1.png?w=761&ssl=1 761w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation1.png?resize=300%2C239&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation1.png?resize=696%2C554&ssl=1 696w" sizes="(max-width: 761px) 100vw, 761px" /><figcaption id="caption-attachment-16568" class="wp-caption-text">Yuya Saito, Ground Rules, Installation View</figcaption></figure> <figure id="attachment_16569" aria-describedby="caption-attachment-16569" style="width: 753px" class="wp-caption alignnone"><img decoding="async" class="wp-image-16569 size-full" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation2.png" alt="" width="753" height="600" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation2.png?w=753&ssl=1 753w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation2.png?resize=300%2C239&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installation2.png?resize=696%2C555&ssl=1 696w" sizes="(max-width: 753px) 100vw, 753px" /><figcaption id="caption-attachment-16569" class="wp-caption-text">Yuya Saito, Ground Rules, Installation View</figcaption></figure> <figure id="attachment_16570" aria-describedby="caption-attachment-16570" style="width: 759px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-16570 size-full" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installatioon3.png" alt="" width="759" height="606" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installatioon3.png?w=759&ssl=1 759w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installatioon3.png?resize=300%2C240&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/installatioon3.png?resize=696%2C556&ssl=1 696w" sizes="auto, (max-width: 759px) 100vw, 759px" /><figcaption id="caption-attachment-16570" class="wp-caption-text">Yuya Saito, Ground Rules, Installation View</figcaption></figure>
July 8, 2026
Shaun Leonardo
<figure id="attachment_16559" aria-describedby="caption-attachment-16559" style="width: 326px" class="wp-caption alignleft"><img fetchpriority="high" decoding="async" class="wp-image-16559" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/web_Shaun-Leonardo_Image-Argenis-Apolinario_09272024-1024x683-2.jpg" alt="" width="326" height="217" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/web_Shaun-Leonardo_Image-Argenis-Apolinario_09272024-1024x683-2.jpg?w=1024&ssl=1 1024w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/web_Shaun-Leonardo_Image-Argenis-Apolinario_09272024-1024x683-2.jpg?resize=300%2C200&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/web_Shaun-Leonardo_Image-Argenis-Apolinario_09272024-1024x683-2.jpg?resize=768%2C512&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/web_Shaun-Leonardo_Image-Argenis-Apolinario_09272024-1024x683-2.jpg?resize=696%2C464&ssl=1 696w" sizes="(max-width: 326px) 100vw, 326px" /><figcaption id="caption-attachment-16559" class="wp-caption-text">Portrait of Shaun Leonardo, 2024. Photo by Argenis Apolinario.</figcaption></figure> <p><a href="https://www.cristintierney.com/exhibitions/107-shaun-leonardo-the-invisible-man/cover/">Shaun Leonardo</a> (b. 1979, Queens, NY) is a multidisciplinary artist whose work negotiates societal expectations of manhood, namely definitions surrounding Black and brown masculinities, along with its notions of achievement, collective identity, and experience of failure. Leonardo received his MFA from the San Francisco Art Institute and has received support from Creative Capital, Guggenheim Social Practice, Art for Justice, and A Blade of Grass. His work is currently included in the traveling group exhibition Get in the Game: Sports, Art, Culture, open now at the Perez Art Museum Miami.</p> <p>Leonardo’s work has also been featured at the Guggenheim Museum, the Norton Museum of Art, the San Francisco Museum of Modern Art, the Crystal Bridges Museum of American Art, the Queens Museum, the High Line, and the New Museum, and profiled in The New York Times, Artnet News, and CNN. His solo exhibition, The Breath of Empty Space, was presented at MICA, MASS MoCA, and The Bronx Museum, and his first major public art commission, Between Four Freedoms, premiered at Four Freedoms Park Conservancy in 2021. Numerous institutions hold Leonardo’s work in their collections, including the Bowdoin Museum of Art, the JP Morgan Chase Corporate Art Collection, the Los Angeles County Museum of Art, El Museo del Barrio, the Portland Museum of Art, the Shelley and Donald Rubin Foundation, and the Smithsonian National Museum of African American History and Culture. The artist lives and works in Brooklyn, NY.</p> <figure id="attachment_16557" aria-describedby="caption-attachment-16557" style="width: 696px" class="wp-caption alignnone"><img decoding="async" class="wp-image-16557 size-large" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-790x1024.jpeg" alt="" width="696" height="902" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=790%2C1024&ssl=1 790w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=231%2C300&ssl=1 231w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=768%2C996&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=1185%2C1536&ssl=1 1185w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=1580%2C2048&ssl=1 1580w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=696%2C902&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=1068%2C1385&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?resize=1920%2C2489&ssl=1 1920w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?w=1974&ssl=1 1974w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11149_Shaun-Leonardo_Self-Portrait-Icon-Sculpture_2007-scaled.jpeg?w=1392&ssl=1 1392w" sizes="(max-width: 696px) 100vw, 696px" /><figcaption id="caption-attachment-16557" class="wp-caption-text">Shaun Leonardo, Self-Portrait Icon (Sculpture), 2007. Marble. 24 x 6 x 24 inches (61 x 15.2 x 61 cm). Courtesy of the artist and Cristin Tierney Gallery, New York.</figcaption></figure> <figure id="attachment_16558" aria-describedby="caption-attachment-16558" style="width: 696px" class="wp-caption alignnone"><img decoding="async" class="wp-image-16558 size-large" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11131_Shaun-Leonardo_Self-Portrait-Superhero-4-Sleeping-Giant_2008-Large-1024x774.jpeg" alt="" width="696" height="526" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11131_Shaun-Leonardo_Self-Portrait-Superhero-4-Sleeping-Giant_2008-Large.jpeg?resize=1024%2C774&ssl=1 1024w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11131_Shaun-Leonardo_Self-Portrait-Superhero-4-Sleeping-Giant_2008-Large.jpeg?resize=300%2C227&ssl=1 300w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11131_Shaun-Leonardo_Self-Portrait-Superhero-4-Sleeping-Giant_2008-Large.jpeg?resize=768%2C580&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11131_Shaun-Leonardo_Self-Portrait-Superhero-4-Sleeping-Giant_2008-Large.jpeg?resize=696%2C526&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11131_Shaun-Leonardo_Self-Portrait-Superhero-4-Sleeping-Giant_2008-Large.jpeg?resize=1068%2C807&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-11131_Shaun-Leonardo_Self-Portrait-Superhero-4-Sleeping-Giant_2008-Large.jpeg?w=1280&ssl=1 1280w" sizes="(max-width: 696px) 100vw, 696px" /><figcaption id="caption-attachment-16558" class="wp-caption-text">Shaun Leonardo, Self-Portrait Superhero 4 (Sleeping Giant), 2008. Sign enamel on plywood cutout. 48 x 70 x 3/4 inches (121.9 x 177.8 x 1.9 cm). Courtesy of the artist and Cristin Tierney Gallery, New York.</figcaption></figure> <figure id="attachment_16556" aria-describedby="caption-attachment-16556" style="width: 696px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-16556 size-large" src="https://museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-858x1024.jpeg" alt="" width="696" height="831" srcset="https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=858%2C1024&ssl=1 858w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=251%2C300&ssl=1 251w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=768%2C916&ssl=1 768w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=1287%2C1536&ssl=1 1287w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=1716%2C2048&ssl=1 1716w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=696%2C831&ssl=1 696w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=1068%2C1274&ssl=1 1068w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?resize=1920%2C2291&ssl=1 1920w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?w=1392&ssl=1 1392w, https://i0.wp.com/museumofnonvisibleart.com/interviews/wp-content/uploads/2026/07/CT-9543_Shaun-Leonardo_Champ-Mike-Tyson_2014_Adam-Reich-scaled.jpeg?w=2088&ssl=1 2088w" sizes="auto, (max-width: 696px) 100vw, 696px" /><figcaption id="caption-attachment-16556" class="wp-caption-text">Shaun Leonardo, Champ (Mike Tyson), 2014. Charcoal on paper. 76 1/8 x 64 inches (193.4 x 162.6 cm). Courtesy of the artist and Cristin Tierney Gallery, New York.</figcaption></figure>
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