「借题发挥」不仅是一档读书会播客。
借题发挥 Podcast
Claim This Podcastby Kloyd
10 episodes
Updated Inactive
Accepts GuestsHas SponsorsLocation 🇨🇳
Podcast Overview
1 verified contact email on file for 借题发挥 Podcast
Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.
Recent Episodes
November 29, 2023
10 | 【英文番外】DIElects or Dialects?（嘉宾：邓一恒）
<figure><img src="https://image.xyzcdn.net/Fu2QgtP_liE4UCqCh-x7_nDaazJ1.png"/></figure><p>好久不见，欢迎收听<strong>【借题发挥 Podcast】</strong>，</p><p>本期节目是本是为了Round Table的Uni-Talk活动准备一期英文对谈。由于活动时长限制，我们决定将完整的内容上传回自己的频道。<strong>即便忙碌的日子不得不让我们暂停更新的脚步，但仍希望每一次相聚和聊天都能被珍视。</strong></p><p>我们将从陈奕迅澳门演唱会的小插曲开始，探讨作为熟悉方言的使用者，到底如何看待方言产生的一系列冲突与误解呢？</p><p>本期节目很荣幸能邀请到上海外国语大学跨文化研究中心的邓一恒教授与我们一同深入到意见不一的方言问题里，一起寻找属于方言的新出路。</p><blockquote><em><strong>本期嘉宾</strong></em></blockquote><p><strong>邓一恒</strong></p><p><strong>上海外国语大学跨文化研究中心教授</strong></p><blockquote><em><strong>参与成员</strong></em></blockquote><p>陈钢 Kloyd</p><p>殷敏玥 Shayne</p><blockquote><em><strong>您可能会感兴趣的话题：</strong></em></blockquote><p>-从Eason演唱会到求学生活，我们都对语言有着<strong>天然的敏感</strong></p><p>-为何在一线城市的方言总是更有<strong>优越感</strong>？</p><p>-方言本身需要为人们不说普通话而背锅吗？</p><p>-“我说故我在”——方言与口音中的<strong>身份认同</strong></p><p>- 如何从“<strong>Cantonese</strong>”的称呼中分辨对方的身份背景？</p><p>-方言引发的诸多分歧如何靠<strong>个人</strong>来解决？</p><p>策划｜“借题发挥 Podcast”团队</p><p>嘉宾及指导｜邓一恒</p><p>文案｜殷敏玥 陈钢</p><p>剪辑｜陈钢</p><p>排版｜殷敏玥</p><p>责编｜殷敏玥 陈钢</p><p>了解更多节目内容和后续发布，欢迎在“小宇宙App”｜“喜马拉雅”｜“网易云音乐”｜ “Spotify”｜“微信公众平台”搜索“<strong>借题发挥Podcast</strong>”。</p>
May 20, 2023
09｜“我在小红书学阅读”--谈读书与社交媒体
<p>欢迎收听【<strong>借题发挥 Podcast</strong>】与【<strong>来次话疗Let’s Talk</strong>】的新一期联动节目。本次将会是几位往期参与的老朋友之间的闲谈。我们将会从读书为起点大战各大社交媒体，与算法和规则见招拆招……</p><blockquote><em><strong>参与成员</strong></em></blockquote><p>陈钢 Kloyd</p><p>王楚棋 曲奇（@来次话疗Let’s Talk）</p><p>刘警予 Warma</p><p>姬沛萱</p><blockquote><strong>本期节目概览及相关内容</strong></blockquote><p>01:29大家都是哪些社交媒体的重度用户？</p><ul> <li><strong>微博推荐：@小狗的口袋（萌宠博主）、@顾悦老师</strong></li></ul><p>05:42小红书上关于阅读的氛围如何？</p><ul> <li><strong>小红书推荐：@Sissi的阅读空间</strong></li></ul><p>14:30如何看待小红书一年几百本的读者？</p><p>21:43互关豆瓣无异于暴露隐私</p><p>23:01大家如何使用豆瓣的标记功能与打分机制</p><p>33:00 豆瓣还是中国最有文化含量的社交平台吗？</p><p>35:00 微信阅读上的“划线”引起公愤</p><p>39:06 正确使用微信阅读指南</p><p>46:35各位“种草”书的方式</p><ul> <li><strong>油管推荐：@ BenjaminMcEvoy / @jenvcampbell</strong></li></ul><p>54:23 有没有奏效的碎片化阅读？</p><p>01:04:11 每人推荐一本书</p><blockquote>-<strong>《智性与激情：苏珊·桑塔格传》</strong>[法] 贝阿特丽丝 ·穆斯利</blockquote><blockquote>-<strong>《致后代：布莱希特诗选》</strong>[德] 贝托尔特•布莱希特</blockquote><blockquote>-<strong>《当下的力量》</strong>[德] 埃克哈特·托利</blockquote><blockquote>-<strong>《语言问题》</strong>赵元任</blockquote><blockquote>-<strong>《书店日记》</strong>[英] 肖恩·白塞尔</blockquote><blockquote>-<strong>《中国哲学简史》</strong>冯友兰</blockquote><p><strong>剪辑及文案</strong>｜陈钢</p><p><strong>排版</strong>｜何鑫玥</p><p><strong>责编</strong>｜陈钢 王楚棋</p><p>了解更多节目内容和后续发布，欢迎在“小宇宙App”｜“喜马拉雅”｜ “苹果播客”｜“网易云音乐”｜ “Spotify”｜“微信公众平台”搜索“<strong>借题发挥 Podcast</strong>”。</p>
May 13, 2023
08 | 《女巫的子孙》：从莎士比亚到阿特伍德的“暴风雨”（嘉宾：王岚）
<p>欢迎收听借题发挥，终于，我们在讨论英语文学的道路上迎来了莎士比亚。但今天我们讨论的并不是莎翁本人的作品，而是有<strong>玛格丽特·阿特伍德（Margaret Atwood）</strong>在莎士比亚逝世400周年之际，基于戏剧<u><strong>《暴风雨》（</strong></u><u><em><strong>The Tempest</strong></em></u><u><strong>）</strong></u>所创作的小说《<u><strong>女巫的子孙》（</strong></u><u><em><strong>Hag-seed</strong></em></u><u><strong>）</strong></u>。今天我们将和多年从事莎士比亚和戏剧研究的王岚老师一起，聊聊这两场相隔四百多年的“暴风雨”。</p><blockquote><em><strong>本期嘉宾</strong></em></blockquote><p><strong>王岚</strong></p><p>上海外国语大学英语学院教授、博士生导师，长期从事英美文学与文化领域的教学和科研工作。中国外国文学研究会英国文学研究分会副会长、英语文学研究分会常务理事、莎士比亚研究分会理事。</p><blockquote><em><strong>参与成员</strong></em></blockquote><p>陈钢</p><p>刘警予</p><p>莫家诚（于德国海德堡连线）</p><blockquote><em><strong>作者简介</strong></em></blockquote><p><strong>玛格丽特·阿特伍德（Margaret Atwood）</strong></p><p>加拿大小说家、诗人、文学评论家，布克奖、星云奖和普罗米修斯奖获得者。代表作：《使女的故事》（<em>The Handmaid’s Tale</em>）、《盲刺客》（<em>The Blind Assassin</em>）。</p><blockquote><strong>本期节目概览及相关内容</strong></blockquote><p><u>02:39</u> 如何看作为莎翁晚期作品的《暴风雨》？</p><p><u>06:47</u> 莎翁如何向观众要掌声？</p><p><u>14:39</u> 阿特伍德小说里的“监禁”意味？</p><p><u>20:12</u> 《女巫的子孙》如何“教学”莎剧?</p><p><u>33:43</u> 阿式写作的科幻感与魅力</p><ul> <li><strong>威廉·莎士比亚（William Shakespeare）</strong>：</li></ul><p>-《暴风雨》（<em>The Tempest</em>）</p><p>-《麦克白》（<em>Macbeth</em>）</p><p>-《奥赛罗》（<em>Othello</em>）</p><p>-《冬天的故事》（<em>The Winter's Tale</em>）</p><p>-《皆大欢喜》（<em>As You Like It</em>）</p><ul> <li><strong>玛格丽特·阿特伍德 （Margret Atwood）</strong>：</li></ul><p>-《女巫的子孙》（<em>Hag-seed</em>）</p><p>-《别名格蕾丝》（<em>Alias Grace</em>）</p><p>-《疯癫亚当》三部曲：</p><p>-《羚羊与秧鸡》（<em>Oryx and Crake</em>）</p><p>-《洪水之年》（<em>The Year of the Flood</em>）</p><p>-《疯癫亚当》（<em>MaddAddam</em>）</p><p>-《佩涅罗佩》（<em>The Penelopiad</em>）</p><ul> <li><strong>约翰·弗莱彻(John Fletcher，1579-1625)</strong>：英国剧作家</li> <li><strong>塞缪尔·贝克特(Samuel Beckett)</strong>：代表作《等待戈多》。</li> <li><strong>BGM</strong>：Ever New -Beverly Glenn-Copeland & Indigo Rising</li></ul><p><strong>策划</strong>｜“借题发挥 Podcast”团队</p><p><strong>嘉宾及指导</strong>｜王岚</p><p><strong>文案</strong>｜陈钢</p><p><strong>剪辑</strong>｜刘警予</p><p><strong>排版</strong>｜陈嘉希</p><p><strong>责编</strong>｜陈钢 刘警予</p><p>了解更多节目内容和后续发布，欢迎在“小宇宙App”｜“喜马拉雅”｜“网易云音乐”｜ “Spotify”｜“微信公众平台”搜索“<strong>借题发挥Podcast</strong>”。</p>
10 total episodes available
Deep-dive analytics for 借题发挥 Podcast
Frequently asked questions
Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.
- What is 借题发挥 Podcast?
- How often does this podcast release new episodes?
This podcast updates inactive.
- Where can I listen to this podcast?
This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
No, this podcast does not typically feature guests.
Legal Disclaimer
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.