[subst. fém.] 3. Au fig. Lutte, conflit de paroles ou d'écrits. moecostayam@gmail.com @moecstymtImage: Photomontage. Estampe, Musée National de Tokyo.
Podcast Overview
[subst. fém.] 3. Au fig. Lutte, conflit de paroles ou d'écrits. moecostayam@gmail.com @moecstymtImage: Photomontage. Estampe, Musée National de Tokyo.
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Publishing Since
2/18/2021
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Recent Episodes
May 29, 2021
Réseaux, Jeunes, Sociaux: l'Endroit du Décor
Introspection. Regard critique sur un monde parallèle. Tenter de démêler le réel du surréel. Avec les interventions d'Alia Leonardi, Niki Kohandel et Perrine Desmartin. Musiques: J. Brel, Au suivant A. Khachaturian, Mascarade-Suite I. Valse J.S. Bach, Concerto d'Orgue en Ré mineur BWV 596 II. Largo e spiccato F. Chopin, Nocturne n° 20 en Do dièse mineur Op. Posth, balbutié au piano par mes soins N. Bochsa, Etude n°8, à la harpe par Perrine Desmartin Image: "Emojis souvent utilisés", 2020.
March 8, 2021
Nippones et moi
Femmes japonaises, par une femme japonaise. Penser le féminisme au Japon, en 2021. Y mettre toute sa colère. Avec les interventions d'Asako Yamamoto, Rika Soejima et Naoto Soejima Musiques: Spaceinvader, Lost Control (<a href="https://icons8.com/music/author/spaceinvader">Spaceinvader</a>) J.S. Bach, Clavier Bien Tempéré Livre I, Prélude N°6 en Ré Mineur BWV 851, par Sviatoslav Richter G. Verdi, La Traviata, Addio del Passato, par Anna Netrebko M. Nakajima, この空を飛べたら, par Tokiko Kato Bibliographie: Hasunuma L., Shin K. (2019) "#MeToo in Japan and South Korea: #WeToo, #WithYou", Journal of Women, Politics & Policy, 40(1), pp. 97-111. Ikeda K. (2010), "Ryōsai-kembo, Liberal Education and Maternal Feminism under Fascism: Women and Sport in Modern Japan", The International Journal of the History of Sport, 27(3), pp. 537-552. Ko D. (2008), "The creation of patriarchy in Japan: Wakita Haruko's 'Women in Medieval Japan' from a comparative perspective", International Journal of Asian Studies, 5(1), 87-96. Matsui M. (1990), "Evolution of the Feminist Movement in Japan", NWSA Journal, 2(3), pp. 435-449. Ochiai E. (2014), "Leaving the West, rejoining the East? Gender and family in Japan’s semi-compressed modernity", International Sociology, 29(3), pp. 209-228. Otsubo S. (1999), "Feminist Wartime Eugenics in Wartime Japan", U.S.-Japan Women's Journal. English Supplement, 17, pp. 39-76. Image: Kashou Takabatake, 出番を待つ.
February 18, 2021
Du Virus et de l'Adieu au Monde
(Énième) conversation autour de la Covid, pour n’avoir plus jamais à le faire. Les perspectives de vingtenaires en 2021, sur le chavirement d'un monde. Avec : Les interventions d'Etienne Le Page, Garance Buxtorf et Léo Marybrasse La voix de la merveilleuse Ara Méndez Murillo Musiques : Gaspard Sandor, Noise Control Alphonse Hasselmans, Petite Valse, par Perrine Desmartin Edith Piaf, La foule Johannes Brahms, Intermezzo Op. 117 No. 2, par mes soins Dalida, Laissez-moi danser Références et Bibliographie : Libération, « Après l’effondrement du monde », 29 mars 2020.https://www.liberation.fr/debats/2020/05/03/apres-l-effondrement-du-monde_1786714/ Libération, « Non, ce virus n’est une bonne chose pour rien, ni personne », 12 avril 2020. https://www.liberation.fr/debats/2020/04/12/non-ce-virus-n-est-une-bonne-chose-pour-rien-ni-personne_1784835/?utm_medium=Social&utm_source=Facebook&fbclid=IwAR3qfeH-W2rJINxxiddo_E6J_HrY_w3zYfz07vQom3YHIyJklitQUngjfOY#Echobox=1586701039 Albert Camus, La Peste, Gallimard, 1972. Le Monde, « Après tout ça, on s’embrassera et, surtout, on dansera », 23 décembre 2020. https://www.lemonde.fr/m-perso/article/2020/12/23/apres-tout-ca-on-s-embrassera-et-surtout-on-dansera_6064286_4497916.html Carl Schmitt (1932), La notion de politique. Granovetter M.S. (1973), “The Strength of Weak Ties”, American Journal of Sociology, 78(6), pp. 1360-1380. Gefen A., Laugier S. (2020), Le pouvoir des liens faibles, CNRS éditions. France Culture, « Métro, boulot, dodo… Que reste-t-il de la convivialité ? », 15 octobre 2020. https://www.franceculture.fr/emissions/le-temps-du-debat/le-temps-du-debat-emission-du-jeudi-15-octobre-2020 Image: Mon ex-coloc Léo, 2020.
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