Podcast thumbnail for 聊斋的帷幔:几乎改写历史的神幻之作

聊斋的帷幔:几乎改写历史的神幻之作

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by 多云下的蛋

54 episodes
Updated Inactive
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Podcast Overview

<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">回到妖与传说恣意的年代,看狐仙鬼怪、书生、官僚与百姓……</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">这是入门聊斋的读书笔记,也是文学理论的应用实践。</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"> 唯聊斋,能使我们更丰富;唯真实,为文学之信仰!</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">正是《聊斋》这样一本奇书,让阎连科深深着迷,透过不同的稜镜,重新探索它在真实与虚幻间二重辩证又相互结扭、映照的特性。他以东、西方的名著纵横参照,从《聊斋》故事中最为人熟知的「狐狸」一族悠悠说起,谈非人、神异,再至人世、日常,下看地府鬼魂,上探宗教与神,看蒲松龄无尽地书写人和人世之困绝同时,书写非人对「人和人的生活」之向往。阎连科指出蒲松龄写出了一个人类巨大的悖论:人的美好是一切美好之最;而人的美好又被人类所毁灭、诅咒、侵害和玷污。</p><span><br /></span><br />

Language

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Publishing Since

9/23/2023

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Recent Episodes

Episode thumbnail for 54:第十二章 《聊斋志异》中的桃花源与乌托邦

October 19, 2023

54:第十二章 《聊斋志异》中的桃花源与乌托邦

Episode thumbnail for 53:第十二章 《聊斋志异》中的桃花源与乌托邦

October 18, 2023

53:第十二章 《聊斋志异》中的桃花源与乌托邦

Episode thumbnail for 52:第十二章 《聊斋志异》中的桃花源与乌托邦

October 18, 2023

52:第十二章 《聊斋志异》中的桃花源与乌托邦

54 total episodes available

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What is 聊斋的帷幔:几乎改写历史的神幻之作?
<p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">回到妖与传说恣意的年代,看狐仙鬼怪、书生、官僚与百姓……</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">这是入门聊斋的读书笔记,也是文学理论的应用实践。</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal"> 唯聊斋,能使我们更丰富;唯真实,为文学之信仰!</p><p style="color:#333333;font-weight:normal;font-size:16px;line-height:30px;font-family:Helvetica,Arial,sans-serif;hyphens:auto;text-align:justify;" data-flag="normal">正是《聊斋》这样一本奇书,让阎连科深深着迷,透过不同的稜镜,重新探索它在真实与虚幻间二重辩证又相互结扭、映照的特性。他以东、西方的名著纵横参照,从《聊斋》故事中最为人熟知的「狐狸」一族悠悠说起,谈非人、神异,再至人世、日常,下看地府鬼魂,上探宗教与神,看蒲松龄无尽地书写人和人世之困绝同时,书写非人对「人和人的生活」之向往。阎连科指出蒲松龄写出了一个人类巨大的悖论:人的美好是一切美好之最;而人的美好又被人类所毁灭、诅咒、侵害和玷污。</p><span><br /></span><br />
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