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刘若瑀的三十六堂表演课 I 优人神鼓

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<p style="line-height:30px;text-align:justify;" data-flag="normal">【作者简介】</p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>刘若瑀,1980年代初为兰陵剧坊主要演员,接受心理学教授吴静吉博士指导,开启其对表演艺术热爱之门,当时的代表作为“荷珠新配”。曾主持“小小脸谱”。1984年毕业于美国纽约大学剧场艺术研究所,同年被波兰剧场大师葛托夫斯基选中,接受为期一年的专业训练,启发了她对生命本质的探寻之旅。并带起90年代前卫小剧场的溯源风潮,在剧场界颇具影响力。</span></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>1988年创立“优表演艺术剧团”(原“优剧场”),由民间祭祀仪式和民俗演绎的学习入手,以太极导引和身体能量的开发为训练基础。1993年,与黄志群合创“优人神鼓”,将击鼓、静坐与武术融入到创作中,开创剧团新的风貌。曾率团两度云脚中国台湾,远赴印度、中国西藏,以行者的脚步带领优人走上“道”“艺”合一之路。</span></p><p style="font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;color:#333333;font-weight:normal;text-align:justify;" data-flag="normal"><strong style="color:#FC5832;word-break:break-all;font-family:Helvetica,Arial,sans-serif;font-weight: normal;">【编辑推荐】</strong></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>本书讲述的不仅仅是表演的实质,更是一位修行人对生命的领悟。刘若瑀将这种体会融汇于她的优人神鼓表演中,释放出不一样的能量。与其说这是三十六堂表演课,不如说这是刘若瑀带给读者的三十六段循序渐进的人生领悟。</span></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>【内容简介】</span></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>《刘若瑀的三十六堂表演课》刘若瑀结合葛托夫斯基的身体训练、东方传统武术、击鼓、太极导引等元素,探索出大自然和禅修为表演基础的“当代肢体训练法”,在专业领域上具有开创性。她广泛地运用音乐、戏剧、文学、舞蹈、祭祀仪式等素材,持续创作,不断获邀参加国际重要艺术节表演,呈现了中国台湾优质的剧场表演艺术,融合了世界观与当代美学的特点,获得国际艺坛高度重视。</span></p>

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Publishing Since

11/22/2021

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Recent Episodes

Episode thumbnail for 刘若瑀的三十六堂表演课(15)第33-36堂(终篇)

December 8, 2021

刘若瑀的三十六堂表演课(15)第33-36堂(终篇)

Episode thumbnail for 刘若瑀的三十六堂表演课(14)第29-32堂

December 7, 2021

刘若瑀的三十六堂表演课(14)第29-32堂

Episode thumbnail for 刘若瑀的三十六堂表演课(13)第27-28堂

December 6, 2021

刘若瑀的三十六堂表演课(13)第27-28堂

15 total episodes available

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What is 刘若瑀的三十六堂表演课 I 优人神鼓?
<p style="line-height:30px;text-align:justify;" data-flag="normal">【作者简介】</p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>刘若瑀,1980年代初为兰陵剧坊主要演员,接受心理学教授吴静吉博士指导,开启其对表演艺术热爱之门,当时的代表作为“荷珠新配”。曾主持“小小脸谱”。1984年毕业于美国纽约大学剧场艺术研究所,同年被波兰剧场大师葛托夫斯基选中,接受为期一年的专业训练,启发了她对生命本质的探寻之旅。并带起90年代前卫小剧场的溯源风潮,在剧场界颇具影响力。</span></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>1988年创立“优表演艺术剧团”(原“优剧场”),由民间祭祀仪式和民俗演绎的学习入手,以太极导引和身体能量的开发为训练基础。1993年,与黄志群合创“优人神鼓”,将击鼓、静坐与武术融入到创作中,开创剧团新的风貌。曾率团两度云脚中国台湾,远赴印度、中国西藏,以行者的脚步带领优人走上“道”“艺”合一之路。</span></p><p style="font-size:16px;line-height:30px;font-family:Helvetica, Arial, sans-serif;color:#333333;font-weight:normal;text-align:justify;" data-flag="normal"><strong style="color:#FC5832;word-break:break-all;font-family:Helvetica,Arial,sans-serif;font-weight: normal;">【编辑推荐】</strong></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>本书讲述的不仅仅是表演的实质,更是一位修行人对生命的领悟。刘若瑀将这种体会融汇于她的优人神鼓表演中,释放出不一样的能量。与其说这是三十六堂表演课,不如说这是刘若瑀带给读者的三十六段循序渐进的人生领悟。</span></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>【内容简介】</span></p><p style="line-height:30px;text-align:justify;" data-flag="normal"><span>《刘若瑀的三十六堂表演课》刘若瑀结合葛托夫斯基的身体训练、东方传统武术、击鼓、太极导引等元素,探索出大自然和禅修为表演基础的“当代肢体训练法”,在专业领域上具有开创性。她广泛地运用音乐、戏剧、文学、舞蹈、祭祀仪式等素材,持续创作,不断获邀参加国际重要艺术节表演,呈现了中国台湾优质的剧场表演艺术,融合了世界观与当代美学的特点,获得国际艺坛高度重视。</span></p>
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