Media in the Margins

About Media in the Margins

What happens to journalism when trust is broken? Through interviews and critical commentary, the podcast explores legacy and independent media, creator-journalists, democratic accountability, and the cultural and political conditions shaping how truth is produced, performed, and tested today.  Hosted by academic researcher and documentarian BEcky BEamer, it asks what democratic media can become when built from the margins. For transparency, each episode includes show notes with relevant sources, disclosures, and ethical context: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

Publisher

bleep bleep productions // BEcky BEamer

Category

education · news

Language

en

Explicit

Yes

First episode

19 Feb 2026

Latest episode

26 Jun 2026

Latest episodes

13 episodes in the feed.

1. 

   26 Jun 2026

   The Platform Native: What Short-Form News Gives Us — and Takes Away

   In Episode 10 of Media in the Margins, Becky Beamer speaks with Benjamin Haug-Toklum, a second-year photojournalism student at OsloMet, about what happens when news is compressed into TikTok format. Benjamin’s research examines how Norwegian national media outlets — NRK, TV 2, VG, and Dagbladet — adapt news stories for TikTok and how those videos compare with the corresponding written articles. His findings suggest that TikTok news is often more compressed, visually driven, emotionally framed, and focused on conflict or human-interest elements. That can make news more accessible for younger audiences, but it can also reduce nuance, source diversity, and contextual understanding. The episode explores short-form video, visual journalism, platform-native storytelling, creator news, NRK’s public-service role, commercial calls to action, Vær Varsom-plakaten, PFU, AI, and why photojournalism may become more important in a media environment where synthetic content is easier to produce. At its center, this episode asks whether news organizations can reach young audiences on TikTok without narrowing their understanding of reality. GUEST BIO Benjamin Haug-Toklum is a second-year photojournalism student at OsloMet whose work examines how news is shaped and understood through short-form video. He is also developing documentary work through the Documentary Norway course, including a project in Tromsø focused on tourism and visual representation. SELECT LINKS OsloMet — Photojournalism: https://www.oslomet.no/en/study/tkd/photojournalism (https://www.oslomet.no/en/study/tkd/photojournalism) NRK: https://www.nrk.no/ (https://www.nrk.no/) TV 2 Nyheter: https://www.tv2.no/nyheter/ (https://www.tv2.no/nyheter/) VG: https://www.vg.no/ (https://www.vg.no/) Dagbladet: https://www.dagbladet.no/ (https://www.dagbladet.no/) Dylan Page / News Daddy — TikTok: https://www.tiktok.com/@dylan.page (https://www.tiktok.com/@dylan.page) Norwegian ethics note: Vær Varsom-plakaten is the ethical code for editor-controlled media in Norway and is administered through Norsk Presseforbund. PFU — Pressens Faglige Utvalg — handles complaints and assesses whether media outlets have breached good press practice. In public-facing materials, explain this briefly for international audiences. For full show notes, references, guest links, ethical statement, AI usage statement, research notes, transcript annotations, and corrections/updates, visit: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page) Accuracy notes: The transcript appears to contain several automated transcription errors. Corrections noted in the show notes as discovered. Mentioned media outlets and sources are not endorsements. The described research is a limited study showing a pattern, and additional research is needed in this area.

2. 

   19 Jun 2026

   The Independent Publisher: Designing Beyond the Algorithm

   What can journalism learn from independent design publishing? In Episode 09 of Media in the Margins, Becky Beamer speaks with Lars Harmsen, co-founder of Slanted Publishers and Slanted Magazine, about independent publishing, design authorship, censorship, AI, print culture, and the future of visual media. Lars is an award-winning German graphic designer, typographer, publisher, professor, and creative director. He teaches typography and editorial design at Fachhochschule Dortmund — University of Applied Sciences and Arts, co-founded Slanted Publishers, and works as creative director and partner at Melville Brand Design. This conversation asks whether independent design publishing can function as journalism — not necessarily investigative journalism, but as documentation, curation, authorship, public archiving, and cultural witnessing. For full show notes, references, guest links, ethical statement, AI usage statement, research notes, transcript annotations, and corrections/updates, visit: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page) GUEST BIO Lars Harmsen is an award-winning German graphic designer, typographer, publisher, professor, and co-founder of Slanted Publishers and Slanted Magazine. He is Professor for Concept and Design / Typography and Layout at Fachhochschule Dortmund — University of Applied Sciences and Arts, and he is also a creative director and partner at Melville Brand Design in Munich. His work spans typography, editorial design, publishing, visual culture, branding, design education, and contemporary design criticism. Through Slanted Publishers, Harmsen has helped build an independent publishing platform that documents international design scenes through books, magazines, online publishing, events, lectures, and a large archive of video interviews with designers and cultural figures. SELECTED LINKS Lars Harmsen — official website: https://www.larsharmsen.de/ (https://www.larsharmsen.de/) Lars Harmsen — Fachhochschule Dortmund profile: https://www.fh-dortmund.de/personen/Lars-Michael-Harmsen/index.php?loc=en-US (https://www.fh-dortmund.de/personen/Lars-Michael-Harmsen/index.php?loc=en-US) Lars Harmsen — Melville Brand Design profile: https://melvilledesign.de/lars-harmsen/ (https://melvilledesign.de/lars-harmsen/) Slanted Publishers: https://www.slanted.de/ (https://www.slanted.de/) Slanted Publishers — Video Interviews: https://www.slanted.de/?s=video+interviews (https://www.slanted.de/?s=video+interviews)

3. 

   15 Jun 2026

   Trailer: Preview S01 Episodes 5 - 10

   This preview trailer brings together Episodes 5–10 of Media in the Margins, a video podcast and public-facing research project exploring creator journalism, independent media, trust, platform power, visual storytelling, labor, ethics, and the future of public knowledge. Across these six episodes, Becky Beamer speaks with journalists, media founders, researchers, designers, publishers, students, and independent storytellers working across the edges of traditional media systems. Featured episodes: EP05 — Ford Fischer **The Primary Source: Documenting Public Life Before Power Frames the Record** Raw video, protest documentation, public events, platform moderation, and the role of primary-source journalism. EP06 — Mollie Muchna **The Trust Builder: How Journalism Earns Trust in Public** Transparency, corrections, sourcing, AI disclosure, audience trust, and the credibility signals journalism needs to make visible. EP07 — Dr. Toby Miller **The Critical Witness: What Journalism Must Remember About Labor, Language, and the Planet** Journalism’s future beyond the decline narrative, with attention to labor, language, environmental media, digital materiality, and gumshoe reporting. EP08 — Carrie Regan **The Founder Storyteller: What Media Becomes After the Institution** From National Geographic to founder-led media: storytelling, trust, women founders, cultural communication, and the messy middle of building independent work. EP09 — Lars Harmsen **The Editorial Designer: Publishing, Censorship, and the Authorship of Design** Independent publishing, Slanted Magazine, design authorship, censorship, AI, print culture, and the public knowledge role of editorial design. EP10 — Benjamin Haug-Toklum **The Platform Native: What Short-Form News Gives Us—and What It Takes Away** TikTok news, visual framing, younger audiences, NRK, TV 2, VG, Dagbladet, source diversity, and the ethics of platform-native journalism. Together, these episodes ask: What happens to journalism when trust moves outside the institution? What does independent media make possible? What gets lost when journalism is compressed into platforms? How do creators, journalists, designers, and educators build public knowledge in fragmented information systems? And what must journalism remember before it gives up on itself? Watch the full episodes on YouTube and listen on Spotify or Apple Podcasts. Full show notes, guest links, references, ethics statement, AI usage statement, transcript annotations, and corrections/updates are available here: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page) This project treats journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes. #MediaInTheMargins #Journalism #CreatorJournalism #IndependentMedia #TrustInMedia #MediaFutures #VisualJournalism #MediaLiteracy #AITransparency

4. 

   12 Jun 2026

   The Founder Storyteller: What Media Becomes After the Institution

   In Episode 08 of Media in the Margins, Becky Beamer speaks with Carrie Regan about what media becomes after the institution — when a storyteller trained in global television builds an independent, founder-led platform of her own. Regan reflects on her years at National Geographic and Warner Bros. Discovery, her transition into entrepreneurship, and the launch of My Great Pivot, a podcast from The Female Founders Project featuring women who have left stability to build something new. The conversation explores storytelling, journalism, trust, audience-building, monetization, cultural communication, messy-middle entrepreneurship, and the difference between telling stories for a mass audience and building a niche platform that can survive. At its center, this episode is about the founder as storyteller: the person who must create the story, the audience, the business model, and the trust structure at the same time. GUEST BIO Carrie Regan is a media strategist, producer, podcast host, and cross-cultural consultant with more than 25 years of experience developing global media content. She spent more than a decade at National Geographic Television and later worked across global production and collaboration contexts, including Warner Bros. Discovery. She now runs her own consulting work through Globally Minded and Global Content Strategies and hosts My Great Pivot, a podcast from The Female Founders Project featuring candid interviews with women who have reinvented themselves as founders and entrepreneurs. Her work sits at the intersection of legacy media production, entrepreneurial storytelling, cultural communication, audience trust, and founder-led media. https://www.carrieregan.com/ (https://www.carrieregan.com/) FOR MORE INFORMATION, SHOW NOTES & DISCLOSURES Ethics & Transparency - This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page) Profile image provided by: Carrie Regan

5. 

   5 Jun 2026

   The Critical Witness: What Journalism Must Remember About Labor, Language, and the Planet

   In Episode 07 of Media in the Margins, Becky Beamer speaks with Dr. Toby Miller about journalism’s future through the lenses of labor, language, digital materiality, environmental consequence, and long-form public knowledge. The episode opens with a provocation: “The golden age of journalism is over and there’s no hope… This is nonsense.” For Miller, journalism is not dying simply because legacy newsrooms in wealthy countries are shrinking. The larger picture is more complex. More people are literate than ever before, more people are seeking information across the world, and journalism continues to emerge through local reporting, independent media, foundation-supported investigations, peace journalism, social movements, and collective forms of public witnessing. At its center, this episode is about witness: not only seeing and reporting, but remembering the labor behind media, the languages that shape stories, the planetary costs of digital production, and the communities that remain outside the screen. Miller calls for more gumshoe journalism, more language learning, more history, more sociology, more anthropology, and more journalism that reaches beyond the “online as the only truth.” GUEST BIO Dr. Toby Miller is an interdisciplinary social scientist, media theorist, author, and podcaster whose work spans cultural studies, journalism, political economy, environmental media studies, labor, sport, and global cultural production. As stated in the episode recording, he is Distinguished Professor in Media and Cultural Studies at Tecnológico de Monterrey and Professor Emeritus at the University of California, Riverside. He is the author and editor of more than 50 books, including Why Journalism? A Polemic and How Green Is Your Smartphone?, and his newest co-authored book with Joan Pedro Carañana is Global Sports Go Green—Or Do They? Miller is also the creator and host of the long-running culturalstudies podcast, a noncommercial, long-form interview archive that has published more than 940 episodes and currently surfaces over 187,000 downloads on Podbean. https://www.tobymiller.org/ (https://www.tobymiller.org/) FOR MORE INFORMATION, SHOW NOTES & DISCLOSURES Ethics & Transparency This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page) Profile image provided by: Toby Miller

6. 

   22 May 2026

   The Trust Builder: How Journalism Earns Trust in Public

   How do journalists earn trust in the public? In Episode 06 of Media in the Margins, Becky Beamer speaks with Mollie Muchna, project manager at @TrustingNews, about how journalism earns trust in the public. Mollie Muchna turns trust into practice: transparency, corrections, sourcing, ethics, AI disclosure, and credibility signals that help audiences understand why journalism deserves trust and how to get it. Mollie works with journalists and newsrooms to develop strategies for transparency, audience engagement, ethical clarity, and clearer communication. In this episode, she explains why journalists cannot assume that audiences understand how reporting works — or why they should trust it. As more people encounter news through independent creators, newsletters, TikTok, Instagram, YouTube, Substack, and other platform-native spaces, credibility has to be signaled clearly. Audiences need to know how information was gathered, what sources were used, how claims were verified, what the journalist’s mission is, and what ethical standards guide the work. This conversation asks what journalism must explain about itself if it wants to survive in a fragmented, low-trust information ecosystem. Full show notes, guest links, ethical statement, AI usage statement, research notes, references, transcript annotations, and corrections/updates are available here: https://bleepbleepproductions.start.page/ (https://bleepbleepproductions.start.page/) Platform, Rights, and Disclosure Note: This episode is an independent interview and educational media commentary produced for Media in the Margins. It is not sponsored, and no guest, organization, platform, or company paid for placement or editorial influence in this episode. Profile image provided by: Mollie Muchna. Guest Links Mollie Muchna — Trusting News author page: https://trustingnews.org/author/mollie/ (https://trustingnews.org/author/mollie/) Trusting News — Resources: https://trustingnews.org/category/resources/ (https://trustingnews.org/category/resources/) Trust Kits: https://medium.com/trusting-news/introducing-trust-kits-a-new-tool-for-journalists-to-simplify-earning-trust-86526436af7c (https://medium.com/trusting-news/introducing-trust-kits-a-new-tool-for-journalists-to-simplify-earning-trust-86526436af7c) Trusting News — Show you’re trustworthy: An ethics checklist for creator journalists: https://trustingnews.org/show-youre-trustworthy-an-ethics-checklist-for-creator-journalists/ (https://trustingnews.org/show-youre-trustworthy-an-ethics-checklist-for-creator-journalists/) Creator Journalism Trust and Credibility Toolkit — Lenfest Institute: https://www.lenfestinstitute.org/solutions-resources/creator-journalism-trust-and-credibility-toolkit/ (https://www.lenfestinstitute.org/solutions-resources/creator-journalism-trust-and-credibility-toolkit/) For full show notes, references, guest links, ethical statement, AI usage statement, research notes, and corrections/updates, visit: https://bleepbleepproductions.start.page/ (https://bleepbleepproductions.start.page/)

7. 

   8 May 2026

   The Primary Source: Documenting Public Life Before Power Frames the Record

   In Episode 5 of Media in the Margins, Becky Beamer speaks with Ford Fischer, independent journalist, filmmaker, co-founder of News2Share, and one of the clearest voices in primary-source documentary journalism. Ford describes his work not as “neutral,” but as primary source documentation: raw videography and livestreaming that records events as they happen, without shaping the footage around his personal position. His work is about preserving evidence, context, and public memory. The conversation explores how raw footage moves through the media ecosystem from livestreams and YouTube uploads to licensing by news outlets and documentary films. Ford also discusses demonetization, platform moderation failures, algorithmic misunderstanding of context, and the challenge of documenting political conflict in an attention economy that rewards personality over evidence. Guest Bio Ford Fischer is an independent journalist, filmmaker, and co-founder/editor-in-chief of News2Share. Since 2014, he has specialized in primary-source video documentation of political activism, protest, civil unrest, and public conflict. His work is widely used by newsrooms, documentary filmmakers, and public-interest media. News2Share publishes raw video journalism and field documentation, and its official site lists Ford Fischer as a regular author and producer. Key Themes Primary-source documentary journalism Raw footage as public evidence Livestreaming and verification Platform demonetization and context collapse The difference between neutrality and taking no position Independent field journalism and risk Links News2Share: https://news2share.com/ (https://news2share.com/) News2Share YouTube: https://www.youtube.com/channel/UCbBm6SZ235HFxwVKC7Po5IA (https://www.youtube.com/channel/UCbBm6SZ235HFxwVKC7Po5IA) Ford Fischer / News2Share profile and work: https://news2share.com/author/fordfischer/ (https://news2share.com/author/fordfischer/) Ethics & Transparency This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

8. 

   7 May 2026

   The Infrastructure Builder: What Independent Journalists Need

   In Episode 4 of Media in the Margins, Becky Beamer speaks with Liz Kelly Nelson, founder of Project C and co-developer of The Independent Journalism Atlas, about whether creator-led journalism is becoming a viable media system —or whether it remains a fragile, under-supported space. Liz brings nearly 30 years of journalism experience, including leadership roles at AOL, The Washington Post, USA Today, Gannett, and Vox. In this conversation, she traces how talented journalists began leaving legacy institutions to build newsletters, YouTube channels, podcasts, and platform-native ventures not because journalism was dying, but because distribution, autonomy, and audience relationships were changing. The episode focuses on the infrastructure gap: funding, business models, platform dependency, credibility standards, creator support systems, IP ownership, AI transparency, and the need for funders and institutions to recognize creator journalists as part of the future of public-interest media. Liz defines independent creator journalism as acts of journalism distributed across platforms like TikTok, YouTube, Substack, Beehiiv, Twitch, Reddit, and others, outside the umbrella of legacy news brands. Guest Bio Liz Kelly Nelson is a journalist, educator, media strategist, founder of Project C, and co-founder of The Independent Journalism Atlas. Her work focuses on building sustainable infrastructure for independent, creator-led journalism. Project C describes itself as a research hub, community, and strategic home for journalists building audience-driven media ventures outside traditional institutions. The Independent Journalism Atlas identifies Nelson as co-founder and founder of Project C, with experience leading teams at Vox, USA Today, Gannett, and AOL. Key Themes Creator journalism as infrastructure The business model problem Why funders are interested but risk-averse The Independent Journalism Atlas Sustainability, standards, and credibility AI use, disclosure, and audience trust Links Project C: https://projectc.biz/ (https://projectc.biz/) The Independent Journalism Atlas: https://journalismatlas.com/ (https://journalismatlas.com/) Project C Newsletter: https://newsletter.projectc.biz/ (https://newsletter.projectc.biz/) Ethics & Transparency This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

9. 

   6 May 2026

   The Neighborhood Muckraker: When Transparency Becomes a Fight for Democratic Power

   In Episode 3 of Media in the Margins, Becky Beamer speaks with Ben Camacho, an investigative journalist, documentary photographer, and producer whose work focuses on state-sanctioned violence, public records, and communities affected by police and state power. This episode asks: What does independent investigative journalism look like when it is built outside legacy institutions — and when the government pushes back? Ben discusses the lawsuit brought against him by the City of Los Angeles after he pursued public records connected to LAPD officer photographs. He explains why access to public records matters, how independent journalists can face institutional pressure, and why his outlet Inadvertent draws from the muckraking tradition. The conversation also explores collaboration among independent journalists, documentary work, surveillance reporting, and the importance of trusting one’s judgment when working outside traditional newsroom structures. Guest Bio Ben Camacho is a multi-award-winning investigative journalist, documentary photographer, and producer. His reporting focuses on state violence, public records, policing, and communities affected by state power. He founded Inadvertent, an independent investigative outlet; co-founded West Side Storytellers, an independent documentary production team; co-founded The Southlander; and has chaired the legal committee of the IWW Freelance Journalists Union. Public bios also identify him as the founder of Inadvertent and co-founder of West Side Storytellers. Key Themes Independent investigative reporting Public records and police transparency Muckraking as a living journalistic tradition Government pressure on local reporters Collaboration among independent journalists Documentary photography and written investigation Links Ben Camacho — official site: https://bencamacho.com/ (https://bencamacho.com/) Inadvertent: https://www.inadvertent.news/ (https://www.inadvertent.news/) West Side Storytellers: https://westsidestorytellers.com/ (https://westsidestorytellers.com/) Instagram: https://www.instagram.com/bencamach0/ (https://www.instagram.com/bencamach0/) IWW Freelance Journalists Union: https://freelancejournalistsunion.org (https://freelancejournalistsunion.org) Ethics & Transparency This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

10. 

    5 May 2026

    The Outsider: Building Trust Where the Audience Already Is

    In Episode 2 of Media in the Margins, Becky Beamer talks with V Spehar, creator of Under the Desk News, about what happens when journalism is built directly for TikTok, Instagram, YouTube, and short-form video culture. V explains how creator journalism mirrors traditional media with reporters, commentators, specialists, explainers, and public voices but removes the old gatekeeping structure. Instead of relying on a masthead to carry authority, independent journalists must build trust through storytelling, transparency, consistency, and direct accountability to audiences. The conversation moves from platform-native news to ethics, mentorship, transparency statements, public values, and what it means to “perform the news” without turning journalism into empty performance. V also discusses why publishing ethics, funding information, mission statements, and red lines are not optional extras for creator journalists — they are part of becoming trustworthy. Guest Bio V Spehar is an award-winning digital journalist, podcaster, and creator of Under the Desk News, a platform-native news project known for making current events more accessible, emotionally aware, and human. V has built a following of more than 4.7 million and has appeared across legacy outlets including CNN, NPR, and PBS. Their official site describes Under the Desk News as a project that makes news more human and accessible. They go live daily, Mon-Thurs from 10-11:30am ET. Additionally, if you could link their Substack, that would be amazing! Please find the links to each below: https://www.youtube.com/channel/UC4e3Gm46D6hWqVyjwkgS33g (https://www.youtube.com/channel/UC4e3Gm46D6hWqVyjwkgS33g) https://underthedesknews.substack.com/ (https://underthedesknews.substack.com/) Key Themes Platform-native journalism Peer-to-peer authority rather than institutional authority Why young audiences distrust traditional news formats Transparency statements and public ethics News as performance and its risks Creator journalism as an ecosystem, not a single category Links Under the Desk News: https://underthedesknews.com/ (https://underthedesknews.com/) V Spehar / Under the Desk News Substack: https://underthedesknews.substack.com/ (https://underthedesknews.substack.com/) Instagram: https://www.instagram.com/underthedesknews/ (https://www.instagram.com/underthedesknews/) YouTube: https://www.youtube.com/@underthedesknews (https://www.youtube.com/@underthedesknews) Ethics & Transparency This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

11. 

    4 May 2026

    The Relationalist: Earning Trust When Journalists Move From Institutions to Influencers

    In the first episode of Media in the Margins, Becky Beamer speaks with Salla-Rosa Gröhn, a Finnish media professional specializing in social media journalism, audience engagement, and youth-focused platform-native storytelling. This conversation asks a deceptively simple question: Can journalists learn from influencers without losing journalistic integrity? Salla-Rosa discusses how journalism is changing on social media, what it takes to reach audiences who are not engaging with traditional news outlets, and why credible public-interest media cannot afford to abandon the platforms where people spend much of their daily lives. The episode also explores language barriers, AI translation, platform censorship, ethical self-regulation, and the need for trustworthy journalism to become more visible, accessible, and human online. Salla-Rosa’s work includes the 2022 Polis / LSE report “Can Journalists Be Influencers?”, which examines how journalists can adapt influencer-style communication to reach hard-to-reach audiences while maintaining independence and authority. Her public profile also notes her work with Yle Kioski and her focus on social media storytelling for young and hard-to-reach audiences. Key Themes Trust on social platforms Journalists as public-facing personalities Influencer methods without influencer ethics drift AI translation and language barriers Why credible journalism must be present where audiences already are Platform censorship and the limits of big-tech distribution Links Salla-Rosa Gröhn — personal site: https://www.sallarosa.com/about (https://www.sallarosa.com/about) Reuters Institute profile: https://reutersinstitute.politics.ox.ac.uk/people/salla-rosa-grohn (https://reutersinstitute.politics.ox.ac.uk/people/salla-rosa-grohn) LSE report — Can Journalists Be Influencers?: https://blogsmedia.lse.ac.uk/blogs.dir/19/files/2022/06/22_0295-POLIS-Report-Journo-Influencers-V4.pdf (https://blogsmedia.lse.ac.uk/blogs.dir/19/files/2022/06/22_0295-POLIS-Report-Journo-Influencers-V4.pdf) Ethics & Transparency This episode is part of Media in the Margins, a public-facing research and journalism project. We treat journalism as an evolving process built through dialogue, transparency, and revision. Editorial control remains with the host and production team, and any corrections, updates, ethics notes, or source links will be documented in the show notes: https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

12. 

    3 May 2026

    Media in the Margins | Official Trailer: Who Do We Trust Now?

    Media in the Margins is a public-facing journalism and artistic research project about creator journalism, independent media, platform power, and public trust. We approach journalism as an evolving process rather than a finished product, and we treat knowledge-making as something developed through dialogue, transparency, and revision. Media in the Margins is a video podcast about the future of journalism, creator-led reporting, platform power, public trust, and the independent media workers building new forms of accountability outside traditional institutions. Hosted by Becky Beamer, an Associate Professor of Photojournalism at OsloMet University and documentary filmmaker, the series brings together journalists, researchers, creators, and media innovators who are reshaping how public knowledge is produced, distributed, questioned, and trusted. This first launch week celebrates World Press Freedom Week 2026, with five conversations exploring creator journalism, platform-native storytelling, investigative independence, media infrastructure, and primary-source documentation. After the first five episodes, new episodes will be released every Friday, with bonus and mini-episodes from Zambia connected to World Press Freedom Day and the cancellation of RightsCon 2026. Subscribe to support independent, ethical, evidence-driven journalism. https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

13. 

    19 Feb 2026

    Introducing - Crafting the Frame - Preview

    Join us for a new podcast about the art world and the people who live in it. No gatekeeping, just honest conversations about art culture, history, memory, and perspectives. Crafting the Frame is a video podcast about how culture manufactures meaning in the Artworld, Media, and Education. The throughline is simple: seeing isn’t believing — belief is designed. In season 1, we position the investigation inside the art world: where it’s headed and how to appreciate work across genres. It is an ever-evolving conversation. We want to hear from you: feedback, corrections, new perspectives, or ideas. Co-hosts artists-scholars David W. Nees and Becky Beamer. Show notes and more information : https://bleepbleepproductions.start.page (https://bleepbleepproductions.start.page)

Contact Media in the Margins

Guest appearances

Books guests

Based on episode analysis; this does not confirm that the show is currently accepting guests.