The show bringing you political commentary on entertainment media from the perpetual Sunday of suburban ennui. Hosted by Livvy Sutherland and Ruben Traynor.
Shows every other Sunday.

by Ruben Traynor&Livvy Sutherland
The show bringing you political commentary on entertainment media from the perpetual Sunday of suburban ennui. Hosted by Livvy Sutherland and Ruben Traynor. Shows every other Sunday.
Language
🇺🇲
Publishing Since
4/26/2020
Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.

September 19, 2021
<p>'This'll be the kind of thing to infect a generation! It'll be a Woodstock for the 80s!' / 'If you want the ultimate, you've got to be willing to pay the ultimate price. It's not tragic to die doing what you love.'</p> <p>What have a classic high school satire and a camp action film got in common? Sex and death, of course! We explore late 80s /early 90s ennui as the breeding ground of films that both examine and encapsulate postmodernist depthlessness, chasing the only high left at the end of history: the end of life. In Heathers, would-be school-shooters seek stimulation in callous suburbia, while Point Break positions the endless chasing of the next wave as a hedonistic alternative to the dull bureaucracy of a hollowed-out state. But thrill-seeking is a pastime with an expiration date...</p>

May 16, 2021
<p>'It's only a dream!'</p> <p><br></p> <p>A Nightmare on Elm Street, and its iconic villain Freddy Kruger, has been a cultural staple since Wes Craven's original film in 1984. Since then, there have been six more films in the decade-long series, all the way up to the postmodern malaise of 1994. From the Freudian modernism of the 80s films, through the carbon-copy unoriginality in the middle of the series, up to the postmodern reflexivity of the last two films, the films trace a familiar pattern, and one which charts wider cultural shifts around this time. We ask how the first two films defy gender expectations and subvert already familiar slasher tropes. We delve into how these films represent dreams, and how far they can be understood as relating to Freud's Interpretation of Dreams. Is Freddy a phantom of the death drive, or a paradoxical creature of wish fulfilment? Finally, we analyse the nineties films' self-awareness, and what this means for our own dreams, desires and, indeed, nightmares.</p>

May 2, 2021
<p>'You're filming something. That's kind of the purpose, right?' </p> <p>From the dizzy heights of Borat (2006) and Jackass (2002), to the pandemic-inflected How to With John Wilson (2020), Bad Trip (2020) and slightly disappointing Borat 2 (2020), the twenty-first-century can't get enough of comedy that blends reality and the scripted. Perhaps the most successful of these productions is Nathan For You (2013-17), the show where Nathan Fielder uses his 'knowledge to help struggling small business owners make it in this competitive world', blending cringe-comedy and reality TV to create a light-hearted but prickly satire on American business and media culture. But with its final episode, 'Finding Frances' (2017), Nathan For You pulls us into a newly touching realm, where the line between construction and reality is thinner than ever. How does our fixation with the authentic reflect on our culture of constant performance, where social media makes us all into hidden-camera comedians? Is a 'New Sincerity' possible, in film as in literature, as the culmination of artifice? And if something moves us, perhaps even moves us to change our world, does its authenticity matter?</p>
Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.
The show bringing you political commentary on entertainment media from the perpetual Sunday of suburban ennui. Hosted by Livvy Sutherland and Ruben Traynor.
Shows every other Sunday.
This podcast updates daily.
This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
No, this podcast does not typically feature guests.
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.