Novel Dialogue: where unlikely conversation partners come together to discuss the making of novels and what to make of them. What makes us special? Critics and novelists in conversation. Breaking down the boundaries between critical, creative, and just plain quirky, Novel Dialogue’s approach is wide-ranging and unconventional. Ever wondered what Jennifer Egan thinks of TikTok, how Ruth Ozeki honed her craft working on the movie Mutant Hunt, or if Colm Tóibín will ever write a novel about an openly gay novelist? Join us for lively conversations hosted by scholars who admire and write about the novelists that help shape our literary culture. Learn more about Novel Dialogue here.

Novel Dialogue
Claim This Podcastby Aarthi Vadde and John Plotz
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Podcast Overview
Novel Dialogue: where unlikely conversation partners come together to discuss the making of novels and what to make of them. What makes us special? Critics and novelists in conversation. Breaking down the boundaries between critical, creative, and just plain quirky, Novel Dialogue’s approach is wide-ranging and unconventional. Ever wondered what Jennifer Egan thinks of TikTok, how Ruth Ozeki honed her craft working on the movie Mutant Hunt, or if Colm Tóibín will ever write a novel about an openly gay novelist? Join us for lively conversations hosted by scholars who admire and write about the novelists that help shape our literary culture. Learn more about Novel Dialogue here.
Language
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Publishing Since
3/3/2021
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Recent Episodes

May 21, 2026
10.5 The Novel as Instrument: Sinan Antoon and Michael Allan (MAT)
Iraqi novelist Sinan Antoon discusses his novel "Of Loss and Lavender" with critic Michael Allan, exploring history, memory, and translation.

May 7, 2026
10.4 Place Presents Itself To You in Fragments: Ivan Vladislavić and Jeanne-Marie Jackson (MAT)
How to write about place is a question that cuts across the career of the South African Ivan Vladislavić. The questions of place and space are pressing ones in the context of South Africa, where the transition to democracy in 1994 included a redrawing of the national map, and the last three decades have seen the large-scale transformation of urban centers such as Johannesburg. What defines Johannesburg a literary city? asks the critic Jeanne-Marie Jackson. From this unfurls a series of reflections about the writer’s relationship to place and the various ways in which narrative form can be bent to capture the experience of place—and in particular the experience of a place as it changes across time. The resulting work may feel fragmentary, Ivan allows, but that is a function of the nature of place rather than an imposition on the part of the writer. Finally, the conversation turns toward Ivan’s choice to study Afrikaans literature in the 1970s. As a tradition often at odds with Afrikaner politics and urgently concerned with the world Ivan himself inhabited, reading the work of Afrikaans writers such as Ingrid Winterbach, Entienne Leroux, André Brink, and Breyten Breytenbach offered a vital counterpoint to Ivan’s training in the English canon. Ivan closes by fondly remembering the teacher who introduced him to the writer’s notebook, a habit that continues to be crucial to his practice today. Mentioned in this episode: The Folly Double Negative The Near North Zoë Wicomb, You Can’t Get Lost in Cape Town Georges Pérec Gauteng John Miles, Ampie Coetzee, Ernst Lindenberg, and Taurus Publishers Marlene van Niekerk Nadine Gordimer The Goon Show Learn more about your ad choices. Visit megaphone.fm/adchoices

April 9, 2026
10.3 Just Slightly Outside the Circle: Peter Orner and Sarah Wasserman (EH)
Chicago is the main character, the setting, the obsession, and the historical grist for the mill of Peter Orner’s most recent novel, The Gossip Columnist’s Daughter (Little Brown and Company, 2025). In conversation about his hometown with Novel Dialogue host Sarah Wasserman, Peter brings us into a lost pocket of time. It is the early 1960s, when Chicagoans partied in a kind of “Midwestern Weimar” and the gossip columnist Irv Kupcinet, holding forth as many as six times a week for 60 years, wrote a garrulous, glamorous story of the city. While the increasingly unhinged narrator of his novel investigates the mysterious death of Kupcinet’s daughter in 1963, Peter delves into his own family’s history, anxiously asking “we can’t hurt our dead, can we?” The novel swerves between fact and fiction, including photographs that are both real artifacts from the historical record and staged photos that participate in the fictional world of the novel. Peter laughs off this contradiction, remarking “the closer I get to real things, the more fictional it becomes.” How to describe such a complicated novel? Sarah offers this gem: “It’s as if Philip Roth were less cancellable and wrote a murder mystery,” a line that results in a poignant conversation about what it means to be Jewish and socially striving in Chicago in middle of the 20th century and what it means to be a cultural outsider, “just slightly outside of the circle.” Peter brings the conversation to a close with a memory of going to the University of Tish.Mentions: Reverend Hightower appears in William Faulkner’s Light in August Irv “Kup” and Essie Kupcinet were Karyn “Cookie” Kupcinet’s parents An Edna O’Brien story appears in Andre Dubus’s Dancing After Hours Malcolm Lowry’s Under the Volcano Phyllis Diller at the Palmer House Bette Howland’s line about Chicago being “the raw materials for a city” appears in Blue in Chicago Alberto Paniagua Philip Roth Tish O’Dowd Ezekiel’s Floaters Learn more about your ad choices. Visit megaphone.fm/adchoices
71 total episodes available with 1 transcripts
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- What is Novel Dialogue?
- How often does this podcast release new episodes?
This podcast updates bi-weekly.
- Where can I listen to this podcast?
This podcast is available on 10 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
No, this podcast does not typically feature guests.
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