On April 8th, 1943 Otto and Elise Hampel, a working class couple from Berlin, are guillotined for leaving hundreds of postcards containing anti-Nazi messages in public places throughout the city. They, and their small everyday acts of futile resistance, are in many ways the opposite of Hans Fallada who continues to do just enough to appease the Nazi’s in order to survive under their regime. If anything he sees the Hampel’s deaths as proof that his capitulations to Nazi demands were the right course. But after the Third Reich falls and Fallada is forced to try to survive in bombed-out Berlin without money or food and with a new wife (who is also hopelessly addicted to morphine) it's the Hampels’ story that he turns to to write the first novel about domestic resistance to the Nazi’s. He writes the 550 page novel in 24 days. It’s an absolute masterpiece, and it kills him…
4 Sept 2023
S3E4: Desperate Literature
Fallada hunkers down on his farm where he plans to wait out the war writing and tending to his vegetable garden in sobriety. But the bomber jets buzzing overhead and the Nazi censors who only allow him to publish idyllic “memoirs” of his country life prove too much for him. He retreats to the bottle and descends into an alcoholic madness in which he brandishes a gun at his now ex-wife Suze. The incident lands him in a Nazi psychiatric hospital which he chronicles in a novel entitled The Drinker. He also writes a memoir about his life in the Third Reich with the belief that both the war and the nightmare he’s been living in since the Nazi’s took power will soon be over. He’s right about the first part, but not the second…
28 Aug 2023
S3E3: All Men Are Cowards
In 1932 Hans Fallada releases his big hit, Little Man, What Now? a somewhat autobiographical novel about a young middle-class family trying to survive in an age of mass unemployment and hyperinflation. As The novel can be read as an indictment of the Weimar Republic, the Nazi’s spare it when they take power and begin mass book burnings in April 1933. But to stay in print Fallada agrees to change the novel’s highly unsympathetic Nazi character into a “footballer.” In his next novel, Once a Jailbird, he bends to pressure to write a forward saying that the inhumane justice system described in the novel is now, thankfully, a thing of the past - thanks to the Nazi’s. Doubly ironic because at the time he writes this forward, he’s already been a Nazi prisoner and will most definitely be one again…
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