The Sekdek Podcast offers a distinctive blend of elements - from raw field recordings and intimate, unscripted moments to thoughtful songs and discussions. This multimedia journey captures the spirit of spontaneous artistic expression, primarily through a LO-FI DIY lens and with a commitment to Black Metal’s raw production values. Occasionally, this setup provides an ASMR experience. The podcast navigates a vast landscape of topics and styles, providing a deep, philosophical dive into the artistic process. It not only serves as a historical archive and creative outlet but also revives and analyzes a series of similar, now-defunct works from circa 2012. Ideal for those in art, philosophy, music, and artificial intelligence.
A long, rambling critique of a fellow podcaster becomes something much larger: a meditation on conspiracy theories about conspiracy theories, the seductions of darker interpretations, and the overly critical lenses that can mistake suspicion for insight. Along the way, the episode examines how cultural criticism goes wrong—how context is flattened, motives are invented, and complexity is forced into neat accusations.
At the center is a long-form defense of Jean-Michel Basquiat: not as a market myth, doomed celebrity, or convenient symbol, but as a serious, historically aware artist whose work absorbed race, power, language, music, money, anatomy, and the contradictions of 1980s New York. Part rebuttal, part cultural autopsy, and part defense of artistic ambiguity, this episode argues that criticism becomes useless when it is more interested in exposing a hidden crime than understanding the work in front of it.
25 Aug 2026
Pee Pee & Tee Tee
A commute-to-work podcast. A depressing and kinda bitter rant on my way to work turns into a stupid and silly ramble about my difficult job and ultimately showcases my state of mind while heading to work very early in the morning. I like to capitalize on drive time and record pods, so I yap about my legal work, AI a bit, and the cringiness of how people think AI is so cringy. Basically a live field recording of my brain before sunrise, driving to work and trying to make use of the miles. The thing is, I go off the rails a bit, and things get out of control around the seven-minute mark. And a surprising amount of self-amusement arises. I don't mind showing how much of a dork I am. If I were a girl, I'd like me and would consider dating me. Warning #1: I say the word Congletariot. If that is offensive somehow, I am sorry to whoever it offends. Warning #2: I do accents. Because I am from the 90s and like comedy, and don't think doing accents is disrespectful or racist. I also think asians are smart. And whites aren't as good at basketball. I'll crush ya.
17 Aug 2026
Brice Frillici Sings Cover Songs V
Back again, testing out some new, supposedly “final” raw versions from Song Belongs to Room. When I say final—hell no, it ain’t over. I’ve still got a few others on deck: some Faith No More, some Metallica, The Neville Brothers, Atari Teenage Riot, Misfits, Fugazi, Benjamin Clementine—all coming up. Keeping the dream alive.
For now, this one is a little more inclusive and in the works. I’m digging into some tracks that may or may not ultimately be of the caliber this project needs, but they’re still worth listening to, talking about, and—for posterity—posting the progress notes. Some work. Some almost work. Some might need to get torn apart again.
So here’s another loose radio hourish (whorish) of cover songs, studio observations, vocal experiments, arrangement decisions, production rabbit holes, stories, tangents, and whatever else comes up while I listen back and figure out what these things actually want to become.
Podcast Authority Score: 15 / 100
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