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Sera na Sauti

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by Sera Na Sauti

10 episodes

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Sera na Sauti is about making sense of the world—through books, dialogue, and the stories that define us. <a href="https://seranasauti.substack.com?utm_medium=podcast">seranasauti.substack.com</a>

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Recent Episodes

April 8, 2026

Forty Years After Gukurahundi Massacre: One Man's Journey to Bury His Father with Nyasha Kadandara

In this episode of Sera na Sauti, Koko Sanginga, writer and editor, sits down with Nyasha Kadandara, the Zimbabwean filmmaker whose debut feature documentary Matabeleland spent seven years tracing the weight of unresolved grief in a family shaped by state violence. Nyasha is a filmmaker and cinematographer based in Nairobi. Matabeleland premiered at CPH:DOX Copenhagen in March 2025 and screened at the NBO Film Festival in Nairobi later that year. It is produced by LBx Africa, the Kenyan production house that has made a practice of backing African stories the rest of the world had not yet thought to look for.The film follows Chris Nyathi, a 65-year-old Zimbabwean immigrant in Botswana who believes his family is cursed. His father was killed during the Gukurahundi massacres, when Robert Mugabe’s North Korean-trained Fifth Brigade was deployed into Matabeleland between 1983 and 1987. An estimated 20,000 people were killed. No senior official has been held accountable. Chris’s father remains in an unmarked grave. As the oldest son, this is a weight he has carried for decades, across borders, alongside the ordinary business of staying alive. His girlfriend Dumi wants marriage. Chris wants, first, to lay his father to rest.Nyasha made a deliberate choice not to lead with the violence. She leads with Chris, with his hustle and his humour, with the specific texture of a man holding several obligations at once. The politics arrive as context, because that is how they arrive in his life. This choice is part of a larger argument Nyasha is making about documentary form. She wanted to show an African man being vulnerable in front of his partner, show Dumi as a full subject with her own demands and limits, show the mundane and the tender alongside the political. A generation of African filmmakers is pushing against the pressure to educate and testify first. Nyasha is one of them.Seven years is a long time to carry someone else’s story. Nyasha reflects on what that commitment asks of a filmmaker, the patience it requires, the ethical weight of sitting with a family’s pain without resolving it prematurely, and the responsibility of representing a wound that an entire country has been asked to forget. The conversation also moves into the present: Zimbabwe has launched a community engagement programme around Gukurahundi, framed as healing and reconciliation. Survivor communities are sceptical, and the scepticism is earned. Reconciliation requires acknowledgement. Acknowledgement requires naming what happened and who ordered it. The form of accountability matters as much as its existence.📌 Key themes from the conversation:✅ The history of Gukurahundi, what the Fifth Brigade did in Matabeleland between 1983 and 1987, why the wound has not closed, and what accountability would actually require✅ The deliberate storytelling choice to lead with character rather than chronology, and what that makes possible✅ African masculinity on screen, what it means to show vulnerability and tenderness, and why that representation still registers as something new✅ Dumi Ndaba as a full subject in her own right, and why Nyasha insisted her story not be collapsed into Chris’s✅ The burden of instruction in African documentary, what a generation of filmmakers is choosing to put down, and what they are reaching for instead✅ Zimbabwe’s community engagement programme on Gukurahundi, survivor scepticism, and why the form of acknowledgement matters as much as the fact of it✅ Seven years of filming and the ethics of sitting with someone else’s grief without resolving it prematurely📚 Reading and Watching Materials:* <a target="_blank" href="https://lbxafrica.com/news/introducing-matabeleland-a-story-of-love-spirits-and-the-weight-of-manhood">Matabeleland via LBx Africa</a>* <a target="_blank" href="https://www.sinemafocus.com/nyasha-kadandara-matabeleland-african-documentary/">Nyasha Kadandara on </a><a target="_blank" href="https://www.sinemafocus.com/nyasha-kadandara-matabeleland-african-documentary/">Matabeleland</a><a target="_blank" href="https://www.sinemafocus.com/nyasha-kadandara-matabeleland-african-documentary/"> and the Evolution of the African Documentary, Sinema Focus</a>* <a target="_blank" href="https://www.tandfonline.com/doi/full/10.1080/03057070.2021.1954356">The Noisy Silence of Gukurahundi: Truth, Recognition and Belonging</a>* <a target="_blank" href="https://culturecustodian.com/nyasha-kadandara-unpacks-the-historical-and-national-trauma-in-matebeleland/">Nyasha Kadandara Unpacks the Historical and National Trauma in </a><a target="_blank" href="https://culturecustodian.com/nyasha-kadandara-unpacks-the-historical-and-national-trauma-in-matebeleland/">Matabeleland</a><a target="_blank" href="https://culturecustodian.com/nyasha-kadandara-unpacks-the-historical-and-national-trauma-in-matebeleland/">, Culture Custodian</a>* <a target="_blank" href="https://www.aljazeera.com/news/2024/7/22/will-survivors-of-zimbabwes-gukurahundi-massacre-finally-get-justice">Will survivors of Zimbabwe’s Gukurahundi massacre finally get justice? Al Jazeera</a>* <a target="_blank" href="https://www.nyashakadandara.com/about">Nyasha Kadandara’s website</a> This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://seranasauti.substack.com?utm_medium=podcast&utm_campaign=CTA_1">seranasauti.substack.com</a>

November 5, 2025

Gikomba's Informal Economy: Livelihoods and Environmental Costs of Secondhand Clothing with Mwangi Mwaura

How did a market built through dispossession become central to the everyday livelihoods of millions of East Africans, yet remain one of the country’s most precarious and contested urban spaces?In this episode of Sera na Sauti, Ruth Nyakerario, a researcher and writer whose work centers on urban marginality, displacement, and informal systems, speaks with Mwangi Mwaura, a PhD candidate in Geography and the Environment at the University of Oxford. Mwangi’s research traces the journey of secondhand clothes from UK sorting warehouses to Nairobi’s Gikomba Market. But this is not just about the clothing trade. It is about disposability as a system, about how value is assigned and stripped away from garments, from spaces, from people. His work combines ethnography, mapping, and audio-visual storytelling to trace how secondhand clothes navigate global and local systems, and how those systems mirror the logics that decide which urban spaces are protected and which are left to burn. He lived in Gikomba during his university days, and his research foregrounds the lived realities of the traders and communities who make the market what it is.Gikomba’s history is inseparable from displacement: born in the 1930s-1940s as a settlement for civil servants, it became a refuge for traders repeatedly pushed out of Nairobi’s streets. Today, it anchors the livelihoods of thousands. Yet it has burned down over and over again, through the 1952 colonial Emergency, through independence, into the present. These fires are not accidents. They are governance. They are the state’s answer to spaces it cannot control, markets it refuses to formalise, and communities it would rather not see.Mwangi’s research follows the global secondhand clothing trade and exposes its racialized architecture. High-quality donated clothes are sorted and sent to Japan. Medium-quality items go to Latin America. Africa gets what remains. This is not coincidence. It is racial capitalism: a system that requires inequality, particularly racial inequality, to function. The same logic that grades clothes in UK warehouses also grades urban spaces in Nairobi, deciding which neighborhoods receive infrastructure and protection, and which are left exposed to fire, eviction, and state violence.The conversation confronts the paradox at the centre of the trade: secondhand clothes sustain millions of livelihoods, yet they also make African markets the dumping ground for the Global North’s overproduction. Mwangi does not call for bans. He calls for accountability. Extended producer responsibility would shift the burden back to fast fashion companies, making them responsible for the waste they generate rather than offloading it onto precarious economies. The problem is not individual consumers. It is the system that treats disposal as inevitable and Africa as the place where things, and people, are discarded.Drawing on Southern urbanism, Mwangi reframes how we understand African cities. Gikomba is not chaos. It is not marginal. It is a space produced through survival, strategy, and resistance. Yet it is constantly treated as disposable. His research insists on centering the traders’ knowledge, their networks, their agency. He also reflects on the ethics of his work: how to conduct research that does not extract, that does not feed into policies of erasure, and that represents Gikomba’s reality without reducing it to data or tragedy.📌 Key themes from the conversation:✅ How Gikomba’s recurring fires since the 1940s reveal governance through erasure, and why informal markets are treated as spaces the state can destroy with impunity✅ The racialized structure of the global secondhand clothing trade, where Africa receives the lowest-grade items while higher-quality clothes are sorted to Japan and Latin America✅ Racial capitalism as the framework that structures both the clothing trade and urban governance, relying on inequality to sustain itself✅ The grading systems for secondhand clothes and how the same logics of value and disposability are applied to neighborhoods, markets, and lives✅ Extended producer responsibility as a way to hold fast fashion accountable for waste, rather than making African markets absorb the consequences✅ Southern urbanism and why informal markets like Gikomba disrupt dominant ideas about planning, infrastructure, and what counts as a legitimate city✅ The lives, strategies, and agency of Gikomba’s traders, who build systems of value and survival in the face of constant precarity✅ The ethics of research in informal spaces: how to engage without extracting, and how to ensure the work does not contribute to policies of displacement or harm✅ Why consumerism is systemic, not individual, and how the lifecycle of clothing reveals deeper structures of inequality and wasteGikomba survives because it has to. Because the people who depend on it have no other choice, and because the state has never offered an alternative. But survival is not the same as security. This episode asks what it would mean to recognize informal markets not as problems to be managed or erased, but as economies that sustain millions, and to build policy, infrastructure, and urban planning around that recognition.📚Reading Materials and Other Resources:* <a target="_blank" href="http://abdoumaliqsimone.com/files/45662107.pdf">People as Infrastructure: Intersecting Fragments in Johannesburg</a> by Abdoumaliq Simone* <a target="_blank" href="https://press.uchicago.edu/ucp/books/author/H/K/au5618518.html">Salaula: The World of Secondhand Clothing and Zambia</a> by Karen Tranberg Hansen (Book on Second-hand clothes in Zambia)* Professor Ruth Wilson Gilmore (The amazing Abolition Geographer, a nice profile of her and her work, <a target="_blank" href="https://www.nytimes.com/2019/04/17/magazine/prison-abolition-ruth-wilson-gilmore.html">https://www.nytimes.com/2019/04/17/magazine/prison-abolition-ruth-wilson-gilmore.html</a>)* <a target="_blank" href="http://whose%20crime/?%20Arson,%20class%20warfare%20and%20traders%20in%20Nairobi,%201940-2000%20https://journals.openedition.org/chs/109">Whose crime? Arson, class warfare and traders in Nairobi, 1940-2000</a> by Claire C. Robertson (the brilliant article that documents cases of arson across Nairobi between 1940-2000, capturing how these cases of fires are part of the story of the violent birth of Nairobi)* <a target="_blank" href="https://www.instagram.com/chemiteijanet/?hl=en">Janet Chemitei</a> (the lovely Slow Fashion educator Mwangi quoted as we he was speaking of her activism)* <a target="_blank" href="https://africacollecttextiles.com/">Africa Collect Textiles, ACT</a> (the organisation that does Up-cycling and is envisioning and working on what sustainable fashion can look like. They also receive clothes discarded at different points across Nairobi. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://seranasauti.substack.com?utm_medium=podcast&utm_campaign=CTA_1">seranasauti.substack.com</a>

September 22, 2025

Kenya's Digital Rights: Privacy, Constitution and Politics of Data with Dr Mugambi Laibuta

In this episode of Sera na Sauti, we speak with Dr. Mugambi Laibuta, legal scholar and chair of the Data, Privacy and Governance Society of Kenya, whose work has shaped national debates on privacy, data protection, and civil liberties. He traces the long history of privacy in Kenya’s constitutional text and unpacks how it led to the 2019 Data Protection Act, while also examining the tensions between state security, corporate power, and free expression in a digital era.Mugambi reminds us that privacy has been in Kenya’s constitutional DNA since independence. The 1963 constitution barred unconstitutional searches and seizures, protecting the privacy of individuals, homes, and property. Even as the text was amended over decades, this provision endured. Courts often sided with citizens in cases of illegal police searches, insisting on compliance with the Police Standing Orders and Criminal Procedure Code. From the CKRC draft to Bomas to the 2005 draft, privacy was consistently present in constitutional debates, and in 2010 it was firmly enshrined alongside dignity, freedom of expression, and access to information.Yet constitutional principle was not enough. Civil society pushed for a data protection bill as early as 2009, but it stalled. The turning point came with Huduma Namba in 2018 and 2019. Petitions to the High Court argued that a national digital ID could not exist without comprehensive data protection laws. At the same time, Senator Gideon Moi’s Senate bill was sidelined in favor of a Ministry of ICT draft, which Parliament passed. Kenya thus enacted the Data Protection Act in 2019, providing clear principles for how personal data should be collected, stored, and shared, creating rights for data subjects, and establishing the Office of the Data Protection Commissioner to enforce compliance and provide recourse through fines and compensation.The conversation moves through questions of enforcement and accountability. While the Data Commissioner has fined private companies, critics note limited action against government misuse of data. Mugambi highlights recent data breaches, such as leaks of eCitizen records, and emphasizes that the institutions with custody of data such as KRA, immigration, or ministries bear ultimate responsibility. He outlines how citizens can file complaints directly to the Data Commissioner through a simple online portal, with decisions required within 90 days.We also delve into Kenya’s security laws. Since the passage of the Private Security Regulations Act, guards at buildings can legally demand IDs and record them, though the protection of this information remains weak. Surveillance powers for agencies like DCI and NIS are legal but require warrants, safeguards often ignored in practice. Mugambi cites cases like Albert Ojwang’s abduction and recalls concerns over spyware such as Pegasus. In reality, he says, government combines data from telcos, CCTV, social media, and even utility payments, making it nearly impossible for citizens to fully evade surveillance. The real question becomes whether evidence was obtained lawfully, and courts have occasionally thrown out improperly gathered phone data, though exceptions like in the Dusit terror trial show how public interest can override privacy.Mugambi then turns to the privatized public square of social media. Platforms like Facebook, X, and TikTok both enable free expression and facilitate censorship, sometimes at the behest of states. He notes how during Covid-19, dissenting views were removed, raising questions about whether we are pro-speech or not. In Kenya, debates about misinformation risk being weaponized to suppress legitimate political speech. He insists that all speech must be allowed unless it is harmful, such as incitement to violence, genocide, or defamation, because truth ultimately surfaces when ideas are contested openly.This tension played out during the 2024 Finance Bill protests. The #Msalimie campaign, where youth shared politicians’ phone numbers, was arguably legal for public officials but not for their relatives, who retain privacy rights. Around the same time, the Communications Authority attempted to halt live protest broadcasts, a directive Mugambi calls unconstitutional and in defiance of court rulings that broadcasting oversight lies with the Media Council of Kenya. Petitions by Katiba Institute and the Law Society restored live coverage, underscoring the role of courts in defending media freedom.The episode also explores whistleblowing, where Kenya lacks strong laws beyond the Witness Protection Act and journalists’ rights to protect sources. Past cases, like the Goldenberg scandal, show how whistleblowers often suffer personally, even to the point of exile or poverty. On innovation, Mugambi stresses that data protection is not a barrier but a safeguard. Companies must secure informed consent, especially in sensitive sectors like health. The controversy over Worldcoin illustrates how transparency, not prohibition, should guide innovation.Finally, he reflects on the broader landscape. The Data Commissioner has opened regional offices and engaged in public education, but resources remain thin and fines may not be deterrent enough. Citizens, meanwhile, can take practical steps such as strong passwords, two-factor authentication, careful posting habits, and awareness of what personal information they expose online.📌 Key themes from the conversation:✅ Huduma Namba and court petitions as the catalyst for the 2019 Data Protection Act✅ Principles of the Act: handling of personal data, rights for data subjects, and recourse through the Data Commissioner✅ Persistent gaps in holding government accountable for data misuse, despite action against private firms✅ Security laws and surveillance, what is legal on paper versus what happens in practice✅ The reach of telcos, CCTV, social media, and utility data in building an almost inescapable surveillance net✅ Social media as a privatized public square, and the risks of censorship justified as fighting “misinformation”✅ Protest, accountability, and privacy: from #Msalimie campaigns to unconstitutional broadcast bans✅ Weak whistleblower protections and reliance on journalists to shield sources✅ Innovation and data protection: why transparency and informed consent matter more than speed or scaleThis is a conversation about how privacy, dignity, and free expression survive, or erode, in a digital Kenya. It is about the gap between constitutional text and lived reality, the risks of drifting into a surveillance state, and the possibility of building a culture where rights are not only written down but actively defended.📚Reading Materials:* <a target="_blank" href="https://www.laibuta.com/">Dr Mugambi Laibuta's Website</a>* <a target="_blank" href="https://theconversation.com/state-surveillance-kenyans-have-a-right-to-privacy-does-the-government-respect-it-244660">State surveillance: Kenyans have a right to privacy – does the government respect it?</a>* <a target="_blank" href="https://www.dataprivacyke.africa/members/dr-mugambi-laibuta/">Data Privacy and Governance Society</a> This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit <a href="https://seranasauti.substack.com?utm_medium=podcast&utm_campaign=CTA_1">seranasauti.substack.com</a>

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What is Sera na Sauti?: Sera na Sauti is about making sense of the world—through books, dialogue, and the stories that define us. <a href="https://seranasauti.substack.com?utm_medium=podcast">seranasauti.substack.com</a>
How often does this podcast release new episodes?: This podcast updates daily.
Where can I listen to this podcast?: This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
Does this podcast accept guests?: Yes, this podcast regularly features guests.

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