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The AwardsWatch Podcast

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by AwardsWatch

3.6(5 reviews)

671 episodes

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Podcasts from AwardsWatch on the Oscars, Emmys, Golden Globes, SAG and more.

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7/1/2013

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Quality69

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Engagement92

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Recent Episodes

July 30, 2026

Director Watch Ep. 166: 'An Angel at My Table' (Jane Campion, 1990)

<img src="https://assets.libsyn.com/secure/show/45691/director-watch-pod-166-angel-at-my-table.png" alt="" width="500" height="281" /> On episode 166 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter to discuss the second film in their Jane Campion series, An Angel at My Table (1990). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. With her second feature, director Jane Campion made herself a staple of New Zealand cinema as she explored the world of author Janet Frame, and three of her most vital texts. In diving deeper into her works, Campion looked inward at the life of Frame, her troubled adolescence, her complex diagnoses inside mental institutions, and her awakening as a young woman. By touch on these important moments in her life, Campion gives Frame as empathetic of a examination into the life of an artist that you will ever find on screen. Ryan and Jay break down their thoughts on the film, which section of the film works best for them, the themes of Frame's work and how it relates to Campion, Campion's confidence in the material shining brighter here than her debut, the reverence to Frame's work the country and how it is sprinkled and hinted at within the narrative of her life. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 1h39m. The guys will be back next week to continue their series on the films of Jane Campion with a review of her next film, The Piano. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Episode thumbnail for 12 Years Later: Richard Linklater on Adolescence, Parenthood, Generational Optimism, and Everlasting Memories of 'Boyhood' [AUDIO INTERVIEW]

July 27, 2026

12 Years Later: Richard Linklater on Adolescence, Parenthood, Generational Optimism, and Everlasting Memories of 'Boyhood' [AUDIO INTERVIEW]

<img src= "https://assets.libsyn.com/secure/show/45691/richard_linklater_boyhood_YT.png" alt="" width="500" height="281" /> Over the course of his career, no other director has documented the passage of time better on screen than writer-director Richard Linklater. The Texas filmmaker, synonymous with being one of the vital voices of the independent film movement of the 1990s, has used his filmography to record the most vital parts of our lives, and how those moments from our past and present can shape our future. Whether it's our first love and the long romantic journey with that person (the Before Trilogy), the magic of his childhood (School of Rock, Apollo 10½: A Space Age Childhood), the glory of high school and college (Dazed and Confused, Everybody Wants Some!!), the evolution of artistic expression (Me and Orson Welles, Blue Moon, Nouvelle Vague), Linklater has looked inward at the human condition expertly for close to forty years, but none more so perfectly than he did with his 2014 masterpiece, Boyhood. Originating as an idea in his mind over two and a half decades ago, Linklater assembled a cast and crew to go on a twelve-year journey of filming that would chronicle the life of a young boy from the age of six all the way to eighteen, from kindergarten to the end of high school. From the early 2000s to the mid-2010s, Linklater tinkered in the editing room with footage from limited days to shooting with his actors, sometimes even without a finish script, and sprung out a one-of-a-kind film that serves as a memory box for generation within its specific look at a boy growing up in South Texas as he's discovering who he wants to be, living with his mother and sister and occasionally spending time with his father when he is in town. In symbolic nod to the years, it took to make Boyhood, it returns to theaters for a run of anniversary screenings nationwide for its twelve-year celebration to re-explore the evolving yet universal themes Linklater concluded about adolescence, parenthood, siblings, and learning that the road to becoming the person we want to be takes exactly one thing Linklater has become known for, time. In a recent conversation, Linklater and I spoke about the origins of the project, collecting the music that made up the character's world, the evolving nature of the project, and retooling the film's narrative to fit the film's star Ellar Coltrane's life and interests. We also spoke about working with Patricia Arquette and Ethan Hawke, their growth within these characters as parents and how Arquette's role mirrored the life of Linklater's mother. Our discussion continued with what it was like to film eight other films while creating Boyhood, why San Marcos, TX was a great location to shoot the majority of the film (he continued to use this location for Everybody Wants Some!!), his optimism about the future generations on the whole as well as within the confines of artistic expression. In our final moments, Linklater teased his latest expansive project he's doing right now, an adaptation of the musical Merrily We Roll Along, this time with the film commencing over the course of twenty years to complete the time period of this celebrated work from Stephen Sondheim. While it seems like a daunting task, only Linklater would have the trust from audiences to deliver again once we are able to see the film in the years to come. But until then, the director, much like when he was making Boyhood, will continue to create great work that reminds us of his artistic super power; that by looking inward, we discover the value of our place, our time, and the skin we live in. Boyhood will receive a 12th anniversary theatrical re-release from Independent Film Company (IFC) on July 31.

July 27, 2026

Ep. 355: Oscars Retrospective of the 79th Academy Awards

<img src= "https://assets.libsyn.com/secure/show/45691/aw-pod-355.png" alt="" width="500" height="281" /> On episode 355 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Josh Parham and Karen Peterson to go back 20 years and take a look at the 79th Academy Awards, covering the films of 2006.  The AW team goes back twenty years to take a look back on a time that was a nail biter of a season that resulted in Martin Scorsese coming out on time, winning his long awaited Oscar for the crime, gangster thriller The Departed. Alongside that, it was a fascinating five films in the Best Picture line-up that made up a pretty deep year of films that rank as some of the best of the decade of the 2010s upon retrospective. Films like Notes on a Scandal, Pan's Labyrinth, The Devil Wears Prada, United 93, Little Children, Half Nelson, and more from the nominations are talked about in-depth on this week's episode alongside Maria Antoinette, The Prestige, Miami Vice, Casino Royale, Children of Men, Inside Man, The Holiday get more attention from the group than their original award season run or get more nominations past their original snubs. It's a stacked conversation, and it makes for a fun episode of deliberation amongst the group.  In their in-depth discussion, the AW team talked about the film year of 2006, briefly discuss talk about The Departed as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy.  You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page.  This podcast runs 2h44m. We will be back in next week to talk about the latest film from the MCU, Spider-Man: Brand New Day and talk about the best films of 2026 so far. Till then, let's get into it.  Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

671 total episodes available with 46 transcripts

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What is The AwardsWatch Podcast?: Podcasts from AwardsWatch on the Oscars, Emmys, Golden Globes, SAG and more.
How often does this podcast release new episodes?: This podcast updates daily.
Where can I listen to this podcast?: This podcast is available on 10 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
Does this podcast accept guests?: No, this podcast does not typically feature guests.

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