Welcome back to the Classical Guitar Corner Podcast. In this episode, I’m sharing a slightly new format—more relaxed, more personal, and designed to fit into the rhythm of real life as a musician and teacher. After some time away, I’ve been rethinking how to keep this podcast sustainable and enjoyable, while still offering something meaningful [...]
The post CGC 113 : Gratitude (https://www.classicalguitarcorner.com/cgc-113-gratitude/) appeared first on Classical Guitar Corner (https://www.classicalguitarcorner.com).
31 Mar 2026TRANSCRIPT
CGC 112 : João Luiz on Brazillan Music Interpretation
João Luiz Rezende is a two-time Grammy nominee, one of the founding members of the Brasil Guitar Duo and was recently named as the Chair of the Guitar Department at the Yale School of Music, where Ben Verdery taught for more than forty years. In this podcast interview, we feature a presentation that João gave [...]
The post CGC 112 : João Luiz on Brazillan Music Interpretation (https://www.classicalguitarcorner.com/joao-luiz/) appeared first on Classical Guitar Corner (https://www.classicalguitarcorner.com).
20 Mar 2026TRANSCRIPT
CGC 111 : Tim Kain
Timothy Kain is one of Australia’s leading instrumentalists. Initially inspired by popular music and flamenco, Timothy Kain’s first classical guitar lessons were with Sadie Bishop at the Canberra School of Music. After graduating, he lived in Spain and England where he studied with Jose Tomás and Gordon Crosskey, and won first prize in the Third [...]
The post CGC 111 : Tim Kain (https://www.classicalguitarcorner.com/cgc-111-tim-kain/) appeared first on Classical Guitar Corner (https://www.classicalguitarcorner.com).
Inside a recent episode
CGC 112 : João Luiz on Brazillan Music Interpretation
Published 31 Mar 2026 · Transcript excerpt
[…] Brazil is the biggest country in South America. But very different, like, it's almost like a combination of many countries within the country. But Brazil has its unique kind of like approach to the beat. What I did that makes a samba not a march is that we don't put the emphasis, the accent on the one. […]
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