by Leo Sidran
THE THIRD STORY features long-form interviews with creative people of all types, hosted by musician Leo Sidran. Their stories of discovery, loss, ambition, identity, risk, and reward are deeply moving and compelling for all of us as we embark on our own creative journeys.
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Publishing Since
1/28/2014
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April 21, 2025
<p dir="ltr">When he was five years old, Max Pollak had a moment. Sitting in front of a black-and-white television in suburban Vienna, he saw Fred Astaire tap dancing for the first time. “I was so spellbound by his elegance and his effortless swinging persona that I immediately decided I have to learn how to do that,” he remembers.</p> <p dir="ltr"><strong id= "docs-internal-guid-eab06939-7fff-3326-4a32-c4d30b6ee934"></strong>He didn’t understand the cultural context or the language, but he knew that whatever was happening on that screen — the rhythm, the movement, the magic — was something he had to pursue.</p> <p dir="ltr">That moment sparked a lifelong journey that would take him from Austria to Harlem to Havana and back again.</p> <p dir="ltr">Here, Max Pollak tells the remarkable story of how he taught himself to dance in a place where no formal tap training existed. Early on, improvisation wasn’t just part of his style — it was the only way forward. That instinctive relationship with rhythm would become the foundation of his unique voice as an artist.</p> <p dir="ltr">At 14, Pollak met his first mentor: Carnell Lyons, a master tap dancer from Kansas City who had relocated to Europe during the civil rights era. Lyons had grown up alongside Charlie Parker and had performed with jazz legends. He passed on not only the technical language of tap, but a deep awareness of the art form’s Black American roots. That relationship shaped the way Max approached dance — not just as choreography, but as culture.</p> <p dir="ltr">After moving to New York, Max began studying drums and enrolled in Bobby Sanabria’s Afro-Cuban ensemble at The New School. It was there that he was asked the question that would redefine his artistic path: Do you want to tap dance to Cuban music — or do you want to tap dance Cuban music?</p> <p dir="ltr">Inspired by that challenge, Pollak dove into Afro-Cuban music, learning the language of clave and fusing it with tap, body percussion, and voice. The result was RumbaTap — a groundbreaking synthesis of traditions that bridges continents and cultures. When members of the legendary Los Muñequitos de Matanzas saw Max perform, they asked him to teach them. That moment affirmed the authenticity of his approach and led to collaborations in Cuba that brought him closer to the source of the music he had been drawn to for so long.</p> <p dir="ltr">Today, Max Pollak is widely recognized as one of the most innovative tap dancers in the world. His contributions to the language of tap, particularly in blending it with Afro-Cuban music and body percussion, have earned him international recognition — including the rare honor of having his image featured on a United States postage stamp. He’s also a vocalist, drummer, composer, and storyteller. This week, he celebrates the 25th anniversary of RumbaTap with a special performance at 92NY, featuring members of Los Muñequitos.</p> <p dir="ltr">This episode came together unexpectedly, sparked by a tip from bassist and composer Alexis Cuadrado, who sent me the press release for the 92NY concert. I reached out to Max for a short interview — and the conversation turned out to be so rich and wide-ranging that I decided to share it in full.</p> <p dir="ltr">We talk about lineage, improvisation, spirituality, and what happens when you follow the rhythm only you can hear.</p> <p><a href= "https://www.third-story.com">www.third-story.com</a><br /> <a href= "https://www.leosidran.substack.com">www.leosidran.substack.com</a><br /> <a href= "https://www.wbgo.org/podcast/the-third-story">www.wbgo.org/podcast/the-third-story</a></p>
April 10, 2025
<p>Self-proclaimed “badass and blind” singer, songwriter, guitarist Raul Midón in an expansive and deeply personal conversation about music, identity, independence, and the art of seeing clearly without sight. From his childhood fascination with radio and jazz in a small New Mexico town to his breakout moment in New York with legendary producer Arif Mardin, Midón shares the story of how he forged his unique artistic path.<br /> <br /> Blind since infancy, Midón has navigated life and a career with extraordinary intention and vision. He discusses the development of his signature sound — a percussive, virtuosic guitar style combined with his soulful voice and signature trumpet-like vocal improvisation — as well as his time as a session singer, his decision to pursue a solo career, and his commitment to self-producing and engineering his own records.<br /> <br /> Here he also touches on his political awareness, his reflections on artistry and authenticity, and the spiritual and philosophical dimensions of making music. Whether he's performing solo or recording in his Maryland home studio, Midón offers a masterclass in independence, self-expression, and the power of knowing — and trusting — yourself.</p> <p><a href= "http://www.third-story.com">www.third-story.com<br /></a><a href= "http://www.leosidran.substack.com">www.leosidran.substack.com<br /> </a> <a href= "http://www.wbgo.org/podcast/the-third-story">www.wbgo.org/podcast/the-third-story</a></p>
March 28, 2025
<p dir="ltr">Songwriter Stephin Merritt on impermanence, organizing principles, and the art of constraints: Raised by a spiritually seeking mother, Merritt moved 33 times by age 22 and describes himself as a “hippie brat” who “never liked children—even as a child.” This sense of solitude shaped his singular voice as the creative force behind The Magnetic Fields, who are touring this year to celebrate the 25th anniversary of their landmark triple album 69 Love Songs. </p> <p dir="ltr">In recent years, his productivity has slowed due to long COVID, a development he accepts with dark humor: “The gods have punished me for my dependence on inspiration by withdrawing it.” Here he reflects on creativity, aging, and songwriting, following a warm and revealing conversation with his longtime friend—and former personal assistant—bestselling author Emma Straub.</p> <p dir="ltr"><a href= "https://www.third-story.com">www.third-story.com</a><br /> <a href= "https://www.leosidran.substack.com">www.leosidran.substack.com</a><br /> <a href= "https://www.wbgo.org/podcast/the-third-story">www.wbgo.org/podcast/the-third-story</a></p> <p dir="ltr"> </p>
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