A monthly podcast that dives into memories of childhood, musical inspirations and milestones that have shaped artists—and informed their most recent albums. Hosted and produced by Celine Teo-Blockey. Presented by Under the Radar, a print magazine and website founded in 2001 by Mark and Wendy Redfern.
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Being hailed as the poster child for a Covid generation might sit uncomfortably with some indie bands but Caleb Harper, frontman of Spacey Jane (https://spaceyjane.com.au/)—a four-piece from Perth, Australia—takes it in his stride. Their 2020 debut Sunlight (https://awal.ffm.to/sunlight)is defined by intimate lyrics often rooted in Caleb's strict, religious upbriging, that had made his transition to adulthood particularly fraught. Being part of Spacey Jane with Kieran Lama, Ashton Hardman-Le Cornu and Peppa Lane has continued to help him process feelings of anxiety and alienation. Bouyed by the sunny melodies, these songs have in turn, resonated with young millenials who came of age during the pandemic. For their 2022 follow-up Here Comes Everybody (https://spaceyjane.ffm.to/hce-deluxe) Wilco frontman Jeff Tweedy gave his blessings for them to use the working title of Wilco’s 2001 masterpiece Yankee Hotel Foxtrot.
Many thanks for making this possible: — Thank you Caleb for a heartfelt conversation and looking forward to maybe a 'not so sad' song.' Thank you to Kobalt US (https://www.kobaltmusic.com/)and Dew Process Publishing (https://dew-process.com/info) for use of all songs. And to Zoe Hines and Grace Jones at Grandstand Media (http://grandstandhq.com/artists/) for support.
Songs Featured: "Sitting Up," "Thrills," "Good Grief," 'Love Me Like I Haven't Changed," "Booster Seat," "Lunchtime," "Hardlight," "It's Been A Long Day," and "Pulling Through."
To share your thoughts on this episode, email: celine.teoblockey@undertheradarmag.com Or leave a voice message here (https://www.undertheradarpodcast.com/contact/).
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9 Feb 2023
Tim Burgess
"Typically, music heals," says Tim Burgess (https://www.timburgessofficial.com/), the hyperactive multi-talent whose career encompasses three decades as The Charlatans (https://www.thecharlatans.net/) frontman, sixth diverse solo albums, three memoirs, his own O Genesis record label, and more than 1000 installments of the now-beloved Tim’s Twitter Listening Party (https://timstwitterlisteningparty.com/index.htmlim’s Twitter Listening Party). During the darker, more uncertain days of lockdown, these twitter parties facilitated joyful connections between fans and some of our favorite bands—from Blur's Dave Rowntree to Oasis' Paul 'Bonehead' Arthurs, Paul McCartney and Susanah Hoffs from The Bangles. As the parties progressed, it took in more diverse albums including Run The Jewels, Iron Maiden and more recently Shania Twain. The wide breadth of music it covered during the pandemic would in time unstuck Tim's own creative impasse and the positivity would spill over to his electic, sixth album Typical Music.
Many thanks for making this possible: — Thank you Tim for sharing 'more than we needed,' even as your van waited for you outside. (Insert Heart emoji) Thank you to Mute (http://mutesong.com/licensing/) for use of all songs. To Sony (https://www.sonymusic.com/)Music for Master Rights for "The Only One I Know." And to Bella Union (https://bellaunion.com/artists/)and O Genesis (https://ogenesisrecordings.com/) for all other songs. Finally to Ken Weinstein from Big Hassle (https://www.bighassle.com/) for all the added support.
Songs Featured: "Here Comes The Weekend,"The Only One I Know," "Years Ago," 'Just One Kiss (One Last Kiss)," "Nik V," "The Mall," "Time That We Call Time," and "The Centre of Me(Is a Symphony of You)."
To share your thoughts on this episode, email: celine.teoblockey@undertheradarmag.com Or leave a voice message here (https://www.undertheradarpodcast.com/contact/).
Hosted on Acast. See acast.com/privacy (https://acast.com/privacy) for more information.
5 Dec 2022
Phoenix - Thomas Mars
Phoenix (https://wearephoenix.com/) frontman Thomas Mars subscribes to Ed Ruscha's philosophy on art—that it should prompt bewilderment or even disgust before appreciation. And not the reverse. This can be applied to the French band's music. Consider their latest album Alpha Zulu (https://wearephoenix.com/music/alpha-zulu/), the title seems odd but dig a little and it reveals a salient truth for Thomas. Together with his friends and bandmates Deck D'Arcy, Christian Mazzalai and Laurent Brancowitz the foursome started the songwriting for this, their seventh album, after the death of their dearest friend, producer Philippe Zdar (https://www.theguardian.com/music/2019/jun/20/cassius-philippe-zdar-dies-fall-paris-building-phoenix)—who was crucial in helming their breakthrough 2009 album Wolfgang Amadeus Phoenix. Less than a year later, they would find themselves in the midst of a pandemic and then the California fires. Listen to find out how writing Alpha Zulu became a way for them to manifest the light at the end of the tunnel.
Many thanks for making this possible — Thomas, for telling us that he's been cutting his own hair since he was 11! Thank you to Glassnote Records (https://www.glassnotemusic.com/artists/phoenix/) and Loyauté for permission to use songs. Also to Jen Appel and Juliette Kost at The Oriel Co (https://theoriel.co/The%20Oriel%20Co) for constant support.
Songs Featured: "Alpha Zulu," "Too Young," "Lisztomania," "1901," "J-Boy," "Telefono," "All Eyes On Me," "Tonight," "Artefact," "Identical," "Winter Solstice," and "The Only One."
To share your thoughts on this episode, email: celine.teoblockey@undertheradarmag.com Or leave a voice message here (https://www.undertheradarpodcast.com/contact/).
Hosted on Acast. See acast.com/privacy (https://acast.com/privacy) for more information.
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