Women Behind The Scenes

Women Behind The Scenes

Singer Podcasts

Books guestsgb

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6
Episodes
1
Transcribed
2023
First episode

About Women Behind The Scenes

Have you ever wondered what it’s like to work in the film industry? Join host and filmmaker Eloise Singer as she explores the stories behind some of the most impactful and acclaimed movies of the moment. In each episode, Eloise sits down with a different guest - from directors to producers, and editors to writers - to talk about their experiences, challenges, and successes. From difficulties in production to Oscar nominations, hear the journey each filmmaker took to reach where they are now and discover what goes into creating outstanding cinema. Singer Studios (www.singerstudios.co.uk), a female-led UK-based production company and creative studio, uses the power of storytelling to help break boundaries, question the status quo, and spark change. Hosted on Acast. See acast.com/privacy (https://acast.com/privacy) for more information.

Publisher
Singer Podcasts
Category
business · society & culture · tv & film
Language
en
Explicit
No
First episode
28 Feb 2023
Latest episode
22 Mar 2023

Latest episodes

1 of 6 episodes have a transcript.

  1. 22 Mar 2023

    Rye Lane: Casting Director Kharmel Cochrane on Reframing Your Definition of Success

  2. 8 Mar 2023

    The Swimmers: Director and Co-Writer Sally El Hosaini on Discovering Your Directing Style

  3. 3 Mar 2023

    Navalny: Producer Odessa Rae on High Stakes Filmmaking

  4. 1 Mar 2023

    All That Breathes: Editor Charlotte Munch Bengtsen on Finding Your Creative Voice

  5. 1 Mar 2023TRANSCRIPT

    All Quiet on the Western Front: Co-Writer and Executive Producer Lesley Paterson on Channelling an Athlete’s Mindset

  6. 28 Feb 2023

    Introducing: Women Behind The Scenes

Inside a recent episode

All Quiet on the Western Front: Co-Writer and Executive Producer Lesley Paterson on Channelling an Athlete’s Mindset

Published 1 Mar 2023 · Transcript excerpt

[…] What would we have to sacrifice? Yeah. But I think the biggest thing about the novel was the fact that it is kind of like excerpts of a diary. There's no dramatic through line to really carry the film in a cinematic sense. And certainly for modern audiences, it needs something to grab on to. […]

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