聊电影和其他，而非借电影聊其他。
by 布奇
3.7(3 reviews)
53 episodes
Updated Weekly
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Recent Episodes
June 17, 2026
《揭秘日》：为什么有人叫好，有人骂街？
<p><strong>“复古的、老派的，还是陈腐的、老套的？”</strong></p><p>《揭秘日》的问题，观影经验丰富的朋友应该不难洞悉，不需要我赘述。这次我更关注的是，那两种对《揭秘日》相左的评价。有趣之处在于，这两种相左的评价在某种程度上又非常相似。</p><p>褒扬《揭秘日》的评价称其“老派”；贬低《揭秘日》的评价谓之“老套”。同样是“审老”，审美结论却完全不同。明晰了个中差异，对电影则少一分懵懂。</p><p>这期节目，讲讲为什么会有这两种相左又相似的观点？</p><img src="https://image.xyzcdn.net/Fqki5X5928WjmkbQXrg34znCjl8D.png"><p></p><br><a href="https://oia.xiaoyuzhoufm.com/player/6a328a2c43a22a6955856846?openTranscript=true&utm_source=rss&as=cHQ9MTIyNjE5MjQ3JmN0PXJzcyZtdD04&autoOpen=false">在小宇宙查看该单集文稿</a>
May 5, 2026
《寒战1994》：这个系列向来都是“无人区”
<p>“看电影不是看故事”这种唬弄初级影迷的论调，在象形音声之前的节目里已经被反复驳斥过。“不看故事/叙事”还是“没有对故事/叙事的审美能力”，很多人是分不清的。《寒战》系列的三部电影，吸引观众的主要手段就是故事/叙事。目前，市场上这种电影占比还是太少。</p><p>虽然《寒战》系列主打故事/叙事的创作方向值得肯定，但是，其故事打磨得并不够细致，叙事策略更谈不上精巧。这期节目讲讲《寒战1994》的叙事、造型、人物以及表演。</p><p>本期节目会说到但不仅限于以下内容：</p><ul><li><p>电影观众的“审美状态”是如何被拿捏的？</p></li><li><p>《寒战》中的李家俊（彭于晏/饰），比《新警察故事》中的阿祖（吴彦祖/饰）差在哪儿？</p></li><li><p>年轻李文彬的一个承诺，泄掉了故事的推动力。张家辉是怎么做的？</p></li><li><p>观众更喜欢“真正危机”和“生死抉择”。</p></li><li><p>塑造警察形象模仿陈永仁（梁朝伟/饰）的主创，请全部坐“电影悟性极低”那一桌。</p></li><li><p>刘俊谦表演中的哭腔。梁朝伟是怎么做的？</p></li></ul><p></p>
April 25, 2026
《情感价值》到底是什么价值？
<p><strong>“不只理解，更要情解。”</strong></p><p>“跨越代际的伤痛”“人的存在焦虑”“亲密关系之间的对抗与和解”……凭借这些概念，根本无法进入《情感价值》的深层表达。进入《情感价值》的深层表达需要凭借的其实很简单，就是它的名字——“情感价值”。然而，我不认为有人对电影的这个名字理解足够透彻。也就更别说对整部电影的文本有清晰的理解了。</p><p>这期节目，象形音声将进入《情感价值》的深层表达。而不是站在“概念的卫星”上，遥望电影本体这个行星，围绕着电影本体无限打转。</p><p>本期节目会说到但不仅限于以下内容：</p><ul><li><p>什么是“情感价值”？电影究竟在讲什么？</p></li><li><p>姐姐诺拉当演员的真正原因是什么？</p></li><li><p>父和女，谁更希望和解？</p></li><li><p>妹妹艾格尼丝倒更像姐妹中的姐姐。</p></li><li><p>你是否正确认识了“历史理性”？</p></li><li><p>艾丽·范宁饰演的美国甜心给电影带来了什么？</p></li><li><p>电影细节里的那些温情脉脉。</p></li><li><p>父亲古斯塔夫喊了什么？</p></li><li><p>《情感价值》可以更残酷、更暴烈吗？</p></li></ul><p></p>
53 total episodes available
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