by Alex & Christian Guebert
Welcome to A Moment of Bach, where we take our favorite moments from J. S Bach's vast output—just a minute's worth or even a few seconds—and show you why we think they are remarkable. Join hosts Alex Guebert and Christian Guebert for weekly moments! Check wherever podcasts are available and subscribe for upcoming episodes. Our recording samples are provided by the Netherlands Bach Society. Their monumental All of Bach project (to perform and record all of the works of J. S. Bach) serves as source material for our episodes. https://www.bachvereniging.nl/en https://www.bachvereniging.nl/en/allofbach Artwork by Sydney LaCom
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April 28, 2025
This week's moment of Bach is a blissful ascending sequence in the fast final fugue movement of this keyboard toccata, which reminds us of the audacious repeating steps up and up (and down and down) of Monteverdi's "Si ch'io vorei morire." Does this fugue opening sound familiar? Its subject is ALMOST another much more famous one. The fugue's ending is no less spectacular. Fugue from Toccata in E minor BWV 917 as performed by Bart Jacobs for the Netherlands Bach Society Si ch'io vorrei morire (Claudio Monteverdi): translation
April 21, 2025
"Complex" is Bach's default setting. On this 300th anniversary of the Easter Oratorio, which was premiered in Leipzig on Easter Sunday 1725, we talk about duet recitatives, recorders and bassoons (shout out to Benny Aghassi), and Bach's marvelous trumpet writing. See the performance of the Easter Oratorio here, by the Netherlands Bach Society, conducted by Jos van Veldhoven
April 14, 2025
After witnessing Christ's death, we experience a frozen scene -- an aria -- which is a space for reflection that Bach so often gives us in his cantatas and passions. But this time we also experience some harsh tonal whiplash as first we hear Christ's head falling in death, then a dancing, hopeful aria. This aria with interspersed chorale is filled with questions, and the positivity of one final answer. Bach produces an innovative and complex "theological counterpoint" of the bass aria's poetry with the simultaneous chorale text. The answer is a confident affirmative; the bass holds a moment and then nods "ja." And so, our question "can I inherit the kingdom of heaven? Is this the redemption of the world?" is answered: as Christ lowered his head in death, he silently bowed his head "yes." Aria "Mein teurer heiland" with chorale "Jesu, der du warest tot" as performed by Drew Santini and the Netherlands bach Society
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Hidden Brain, Shankar Vedantam
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Mercatus Center at George Mason University
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