Here&There: Conversations with Creators from the MX &USA: In this bilingual series, PROArtes México sits down with contemporary artists working in the USA or MX and discusses their work, concepts, ideas, and interests in their preferred language. A translated version of the interviews available on our website. En esta serie bilingüe, PROArtes México invita a creadores de arte contemporáneo que trabajan en Estados Unidos de América y México, y charlan sobre su trabajo, conceptos, ideas e intereses. Las versiones traducidas de las entrevistas se encontrarán disponibles en nuestra página

Aquí&Allá: Conversaciones con creadores de MX & EU
Claim This Podcastby PROArtes México
Podcast Overview
Here&There: Conversations with Creators from the MX &USA: In this bilingual series, PROArtes México sits down with contemporary artists working in the USA or MX and discusses their work, concepts, ideas, and interests in their preferred language. A translated version of the interviews available on our website. En esta serie bilingüe, PROArtes México invita a creadores de arte contemporáneo que trabajan en Estados Unidos de América y México, y charlan sobre su trabajo, conceptos, ideas e intereses. Las versiones traducidas de las entrevistas se encontrarán disponibles en nuestra página
Language
🇺🇲
Publishing Since
4/29/2020
1 verified contact email on file for Aquí&Allá: Conversaciones con creadores de MX & EU
Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.
Recent Episodes

January 31, 2022
Episode 2.10 with Gregg Deal
<p><a href="https://www.proartesmexico.com.mx/" rel="ugc noopener noreferrer" target="_blank">www.proartesmexico.com.mx</a></p> <p>Interview in english with Gregg Deal by Peter Hay. Apr. 22, 2021.</p> <p>Entrevista en inglés con Gregg Deal por Peter Hay. 22 de abril, 2021.</p> <p>Gregg Deal, of the Pyramid Lake Paiute Tribe, is a contemporary artist who challenges Western perceptions of Indigenous people, touching on issues of race, history, and stereotypes. He was Native Arts Artist-in-Residence at Denver Art Museum in 2015-2016 and Artist-In-Residence at UC Berkeley 2017-2018. Gregg has lectured widely at prominent educational institutions and museums, including Denver Art Museum, Dartmouth College, Columbia University, and the Smithsonian National Museum of the American Indian. His television appearances include PBS’s The Art District, The Daily Show, and Totally Biased with W. Kamau Bell.</p> <p>Gregg Deal, de la tribu Pyramid Lake Paiute, es un artista contemporáneo que desafía las percepciones occidentales de los pueblos indígenas, tocando temas de raza, historia y estereotipos. Fue Artista en Residencia de Artes Nativas en el Museo de Arte de Denver en 2015-2016 y Artista en Residencia en UC Berkeley en 2017-2018. Gregg ha dado numerosas conferencias en importantes instituciones educativas y museos, incluido el Museo de Arte de Denver, la Universidad de Columbia de Dartmouth College y el Museo Nacional Smithsonian del Indio Americano. Sus apariciones en televisión incluyen The Art District de PBS, The Daily Show y Totally Biased with W. Kamau Bell.</p> <p><br></p>

September 6, 2021
Episodio 2.9 con Luna Marán
<p><a href="https://www.proartesmexico.com.mx/" rel="ugc noopener noreferrer" target="_blank">www.proartesmexico.com.mx</a></p> <p>Entrevista en español con Luna Marán, por Stephanie García. 6 de febrero, 2021.</p> <p>Interview with Luna Marán by Stephanie García. Feb. 6, 2021.</p> <p><br></p> <p>Originaria y ciudadana de la Comunidad Zapoteca Guelatao de Juárez, Oaxaca; donde ha desempañado cuatro cargos comunitarios. Trabaja desde hace más de una década en la formación no escolarizada, donde la equidad de género, la diversidad y la comunalidad son ejes transversales. Co-fundadora del Campamento Audiovisual Itinerante (2012-2020), JEQO (2019), Cine Too Lab (2018), Brujazul, entre otros. Produce la película Los Años Azules ganadora de más de 10 premios y nominada a mejor ópera prima en Los Arieles 2018. Directora de Me parezco tanto a ti y Tío Yim, “una de las joyas ocultas del cine documental” según BBC_REEL, y una de las 10 mejores películas de 2020 según TimeOutMX. Autora del texto ¿Quién apagará los incendios?, incluido en Tsunami 2 editada por Gabriela Jáuregui y publicada por Sexto Piso (2020).</p> <p><br></p> <p>Originally a citizen of the Guelatao de Juárez Zapotec Community, Oaxaca, where he has held four community positions, she has been working for more than a decade in non-school training, gender equality, diversity, and communality are transversal axes. Co-founder of the Campamento Audiovisual Itinerante (2012-2020), JEQO (2019), Cine Too Lab (2018), Brujazul, among others. She produced the film Los Años Azules, winner of more than 10 awards and nominated for best first work at Los Arieles 2018. Director of Me parezco tanto a ti and Tío Yim, “one of the hidden gems of documentary cinema” according to BBC_REEL, and one of the 10 best movies of 2020 according to TimeOutMX. Author of the text <strong>“</strong>¿Quién apagará los incendios?<strong>”</strong>, Included in Tsunami 2 edited by Gabriela Jáuregui and published by Sexto Piso (2020).</p>

May 5, 2021
Episode 2.8 with Emily Johnson
<p><a href="https://www.proartesmexico.com.mx/" rel="ugc noopener noreferrer" target="_blank">www.proartesmexico.com.mx</a></p> <p>Interview in English with Emily Johnson by Peter Hay. Dec. 4th, 2020.</p> <p>Entrevista con Emily Johnson, por Peter Hay. 4 de dic, 2020.</p> <p><br></p> <p>Emily Johnson is an artist who makes body-based work. She is a land and water protector and an activist for justice, sovereignty, and well-being. A Bessie Award-winning choreographer, Guggenheim Fellow, and recipient of the Doris Duke Artist Award, she is based in Lenapehoking / New York City. Emily is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and care processions, they engage audienceship within and through space, time, and environment- interacting with a place's architecture, peoples, history, and role in building futures. Emily is trying to make a world where performance is part of life; where performance is an integral connection to each other, our environment, our stories, our past, present, and future.</p> <p>Emily hosts monthly ceremonial fires on Mannahatta in partnership with Abrons Arts Center and Karyn Recollet. She was a co-compiler of the document, Creating New Futures: Guidelines for Ethics and Equity in the Performing Arts and is part of an advisory group, with Reuben Roqueni, Ed Bourgeois, Lori Pourier, Ronee Penoi, and Vallejo Gantner - developing a First Nations Performing Arts Network.</p> <p><br></p> <p><br></p> <p>Emily Johnson es una artista que crea trabajos basados en el cuerpo. Es protectora de la tierra y el agua, y activista por la justicia, la soberanía y el bienestar. Coreógrafa ganadora del premio Bessie, becaria Guggenheim y ganadora del premio Doris Duke Artist Award; vive en Lenapehoking/Nueva York. Emily es de la nación Yup'ik y desde 1998 ha creado trabajos que consideran la experiencia de percibir y ver el performance. Sus danzas funcionan como portales y procesiones de atención, involucran al público dentro y a través del espacio, el tiempo y el entorno; interactuando con la arquitectura, los pueblos, la historia y el papel de un lugar en la construcción del futuro. Emily está tratando de crear un mundo en el que el performance sea parte de la vida; donde es una conexión integral entre nosotros, nuestro entorno, nuestras historias, nuestro pasado, presente y futuro.</p> <p>Emily organiza fuegos ceremoniales mensuales en Mannahatta en asociación con Abrons Arts Center y Karyn Recollet. Fue co-compiladora del documento “Creando Nuevos Futuros: Pautas para la Ética y la Equidad en las Artes Escénicas”, y es parte de un grupo asesor -junto con Reuben Roqueni, Ed Bourgeois, Lori Pourier, Ronee Penoi y Vallejo Gantner-, para desarrollar la Red de Artes Escénicas de las Primeras Naciones.</p>
23 total episodes available
Deep-dive analytics for Aquí&Allá: Conversaciones con creadores de MX & EU
Frequently asked questions
Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.
- What is Aquí&Allá: Conversaciones con creadores de MX & EU?
- How often does this podcast release new episodes?
This podcast updates daily.
- Where can I listen to this podcast?
This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
- Does this podcast accept guests?
Yes, this podcast regularly features guests.
Legal Disclaimer
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.
