by Mathias Kryger
Art Pod med Mathias Kryger er en podcast som roder rundt i kunstverdenen og taler med dens mange aktører. Fra atelieret til galleriet, fra museet til baglokalet interesserer podcasten sig for hvem, som laver hvad og hvorfor og spørger også: Hvem betaler for det hele? Podcasten er skabt af Mathias Kryger i samarbejde med Art Hub Copenhagen.
Language
🇩🇰
Publishing Since
6/1/2023
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July 19, 2026
<p>Since the turn of the millennium, Su Hui-Yu (b. 1976) has used mass media as a critical interface to surface narratives we have forgotten or suppressed, or those that need a redo to actively rewrite our present.</p> <p><br /> This podcast series is a deep dive into the worlds of Su Hui-Yu and the exhibition that turned a Copenhagen gallery into a fully functional, psychedelic television station. Across two episodes, we go deep into Su Hui-Yu's works, what has shaped him as an artist and his collaborative method of 're-shooting' to add transparency into the world.</p> <p><br /> His museum-scale productions, staged from the Museum of Contemporary Art, Taipei, to the Bogotá Museum of Modern Art, have made Su Hui-Yu one of the most closely watched artists working with new media today. This year, in collaboration with Copenhagen curatorial duo Martin Wendelbo and Regen Li of Tofu Collective, Su brings his practice to Scandinavia for the first time transforming the exhibition space Room Room into a working TV station with Vroom Vroom: A Total Story by Su Hui-Yu. Here, existing films, live performances and real-time filmmaking all unfold as a living archive, staged in dialogue with Scandinavian television history and the clichés of the genre, the variety show.</p> <p>Tune in on this episode for a sonic deep dive into the opening of Vroom Vroom: A Total Story by Su Hui-Yu, recorded live in Copenhagen in late spring 2026.</p> <p>~</p> <p><br /> You are listening to A Total Story: A Total Transmission [part one] </p> <p><br /> This podcast series is brought to you by Art Hub Copenhagen in collaboration with Tofu Collective, and with support from Statens Kunstfond (2026)</p> <p><br /> Narrator: Stis Andersen<br /> Production: a sound</p> <p><br /> Credits:<br /> Video works used in the production of this podcast from By Su Hui-Yu are:<br /> The Trio Hall (2023). By Su Hui-Yu. Music: Modern Cinema Master<br /> The Space Warrior and the Digigrave (2023). By Su Hui-Yu<br /> Future Shock - The end of eternity (2023). By Su Hui-Yu<br /> Vroom Vroom: A Total story by Su Hui-Yu, exhibition trailer, (2026). By Tofu Collective</p> <p> </p>
July 10, 2026
<p>What can the "golden age of television" of the 1980s tell you about belonging, desire and anxiety today? Quite a lot, according to Taiwanese artist Su Hui-Yu, who sees the variety show (perhaps the most universal of all TV formats) as a lens to mark the ideological tensions of the present. </p> <p><br /> In this second and last podcast episode we are diving deep in to the life of Su in search of what has formed his signature method of 'reshooting': Making art works by revisiting films and narratives form the past to bring forward the untold stories and forgotten tales that bubble right underneath the surface.</p> <p><br /> Through crisp and highly aesthetically films, museum-scale productions and collaborative performances around the world, Su Hui-Yu have already drawn international attention, from the Museum of Contemporary Art, Taipei, and the Bogotá Museum of Modern Art, among others.</p> <p><br /> Now the curatorial team Martin Wendelbo and Regen Li, who is behind the trailblazing art platform Tofu Collective, have invited Su to extend his research into a Scandinavian exhibition for the first time with Vroom Vroom: A Total Story by Su Hui-Yu.</p> <p><br /> You are listening to A Total Story: Revisited [part two] <br /> Brought to you by Art Hub Copenhagen.</p> <p>~<br /> <br /> Cast: Stis Andersen, Su Hui-Yu, Martin Wendelboe, Regen Li</p> <p><br /> Credits:<br /> Michael Jackson, Bad, 1987<br /> Michael Jackson, Beat it, 1982<br /> Michael Jackson, Black or White, 1991<br /> The New York Dolls, Personality Crisis 1973<br /> David Bowie, China Girl, 1983</p>
May 10, 2024
<p>Det er egentlig et meget simpelt spørgsmål: Hvorfor er Palæstina ikke med i Det Europæiske Melodigrandprix? </p> <p>Et mere kryptisk spørgsmål kunne lyde: Er det en fordel at have været ved at forlise i det Sydkinesiske hav sammen med Troels Kløvedal når man skal til møde med dem, der bestemmer over Eurovisionens Melodigrandprix?</p> <p>Hør fortællingen om dengang kunstnergruppen SUPERFLEX sammen med Palestinian Broadcasting Corporation (PBC), og den palæstinensiske Sabreen Association for Artistic Development troppede op hos EBU (European Broadcasting Union (det er dem der står bag Eurovision Song Contest aka Det Europæiske Melodigrandprix)) og lobbyede for aktivt medlemskab i unionen og dermed for deltagelse i grandprixet anno 2008. </p> <p>Og hvad skete der i år som bandt nye og ganske rørende krøller på historien om Palæstina i Melo? </p> <p>Rasmus Nielsen fra SUPERFLEX beretter. </p> <p> </p>
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Art Pod med Mathias Kryger er en podcast som roder rundt i kunstverdenen og taler med dens mange aktører. Fra atelieret til galleriet, fra museet til baglokalet interesserer podcasten sig for hvem, som laver hvad og hvorfor og spørger også: Hvem betaler for det hele?
Podcasten er skabt af Mathias Kryger i samarbejde med Art Hub Copenhagen.
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