闲聊点唱片
接下来会改动下，分两个类别
EP = 唠嗑 Archives = 系统性整理，纯白嫖
Astral Traveling
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16 episodes
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闲聊点唱片 接下来会改动下，分两个类别 EP = 唠嗑 Archives = 系统性整理，纯白嫖
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6/9/2025
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Recent Episodes
June 14, 2026
Archives｜三盲鼠 TBM - 10
第十<br>高柳昌行 New Direction For The Arts<br>‘Free Form Suite’<br>唱片编号：TBM-10<br>1972年5月19日录音，东京<br>Lineup:<br>Guitar — Masayuki Takayanagi 高柳昌行<br>Drums, Percussion — Hiroshi Yamazaki 山崎比呂志<br>Drums, Percussion —Joe Mizuki 水木正光<br>Clarinet, Flute, Soprano Saxophone, Alto Saxophone, Piccolo Flute, Recorder — Kenji Mori 森剑治<br>Marking:<br>00:01 - 01 The Blues<br>06:10 - 02 You Don't Know What Love Is<br>16:00 - 03 Sun in the East<br>26:03 - 04...<a href="https://www.xiaoyuzhoufm.com/episode/6a2e6b9343a22a6955837e70?utm_source=rss&as=cHQ9MTIyNjE5MjQ3JmN0PWFwcGxlcG9kY2FzdF9zaG93bm90ZXMmbXQ9OA%3D%3D">去小宇宙查看完整单集简介</a><br><a href="https://oia.xiaoyuzhoufm.com/player/6a2e6b9343a22a6955837e70?openTranscript=true&utm_source=rss&as=cHQ9MTIyNjE5MjQ3JmN0PXJzcyZtdD04&autoOpen=false">在小宇宙查看该单集文稿</a>
June 4, 2026
Archives｜三盲鼠 TBM - 9
<p></p><p><strong>第九张<br>Ginparis Session = 銀巴里セッション</strong><br><br>唱片封面的正中心，是一张开盘带。<br><br>乐手们、录音集会现场的相片，则被排布在开盘带四边，密密麻麻形成合围。但所有相片里尺寸最大的，对比开盘带的相片尺寸，不足其20%大小。<br><br>开盘带，是封面设计的绝对中心。<br><br>这几乎在明示，此次录音可能是比音乐本身更重要的事件，事实上这么说也没错。这张唱片有很多在暗处的故事线，我想迟点会为它补资料或者录一期，这里先听歌…<br><br>我有种强烈直觉，如果我的钱包只允许买一张TBM首版OG，也许它是最合适的。<br>………………………………………………</p><img src="https://image.xyzcdn.net/FqXfrlP_KkgZneHiT9BQsVr0DRaW.png"><p><strong>高柳昌行 & 新世纪音乐研究所<br>Ginparis Session = 銀巴里セッション<br>唱片编号：TBM-9<br>1963年6月23日录音，东京，银座 ‘Ginparis’</strong><br><br><strong>Lineup:</strong><br>Bass – Hideto Kanai 金井英人<br>Bass – Kunimitsu Inaba 稻叶国光<br>Drums – Masahiko Togashi 富樫雅彦<br>Drums – Hiroshi Yamazaki 山崎比吕志<br>Guitar – Masayuki Takayanagi 高柳昌行<br>Guitar – Sadanori Nakamure 中牟礼贞则<br>Guitar – Kyohei Uyama 宇山恭平<br>Piano – Masabumi Kikuchi 菊池雅章<br>Piano – Yosuke Yamashita 山下洋辅<br>Trumpet – Terumasa Hino 日野皓正<br><br><strong>Showup:</strong><br>鈴木孝二 (as)<br>田中绅介（bs)<br>土田真弘（as）<br>内山平五郎(noise&vocal)<br>铃木勋（b）<br>寺川正兴(b)<br>高柳道子（reading）</p><p><strong>Marking:</strong><br><a class="timestamp">00:00</a>｜1 - Greensleeves<br><a class="timestamp">18:00</a>｜2 - Nardis<br><a class="timestamp">29:09</a>｜3 - If I Were A Bell<br><a class="timestamp">41:47</a>｜4 - Obstruction</p><br><a href="https://oia.xiaoyuzhoufm.com/player/6a21b3d37444b572223388c4?openTranscript=true&utm_source=rss&as=cHQ9MTIyNjE5MjQ3JmN0PXJzcyZtdD04&autoOpen=false">在小宇宙查看该单集文稿</a>
May 28, 2026
Archives｜三盲鼠 TBM - 8
<p>第八张</p><p></p><p><strong>Kimiko Kasai With Kosuke Mine Quartet</strong><br><strong>‘Yellow Carcass In The Blue’</strong><br>唱片编号：TBM-8<br>1971年7月11日，7月13日录音，东京</p><p></p><p>Line-up:<br>Saxophone – Kosuke Mine 峰厚介<br>Bass – Yoshio Suzuki 铃木良雄<br>Drums – Hiroshi Murakami 村上宽<br>Piano – Masahiro Kikuchi 菊地雅洋<br>Vocals – Kimiko Kasai 笠井纪美子</p><img src="https://image.xyzcdn.net/FiK7AUz-SRQGMGcn60YV3pJSiXqt.png"><p><br>Kimiko Kasai 笠井纪美子，她的合作对象和英文唱腔给人以洋派感，但实际是土生土长京都人，直到近80年代，才移居美国。<br><br>「Yellow Carcass In The Blue」录制于1971，应该距离正式出道不久，因为她首张专辑不过是前一年，于雅马哈大厅录制的一个音乐现场。但这个现场的伴奏乐手里，已经出现三盲鼠常驻名单里的两位艺人 （水桥孝，小原哲次郎），可能和三盲鼠出唱片的契机从那个时候就开始了。<br><br>「Yellow Carcass In The Blue」是菊地雅章的曲子，笠井纪美子选中了它，原创了歌词，再把歌词翻译成英文版演唱，这个举动标志着她开始创作，不再只是翻唱标准曲目。<br><br>艺人名单的另一半是「With Kosuke Mine Quartet」，专辑里有两只来自峰厚介四重奏的纯音乐，非常非常棒，强烈推荐！但这又让我感到迷惑，这专辑到底是谁的？如果我只是笠井纪美子的乐迷，这两支曲目的时间，她在那里做什么？<br><br>但从宣传角度出发，这叫「双主角」… 好吧，总之它很成功，是厂牌早期的摇钱树之一，也是笠井纪美子在三盲鼠的唯一唱片。<br><br>首版唱片是没有侧标的，而最新的再版设计了全新的侧标，左上角插入了笠井纪美子录音时的侧身照，文艺、专注、精干。<br><br>Liner Notes里有句话，可能不是说这张相片，但我觉得依旧贴切：<br><br><strong>「她只有二十多岁，脸上的表情，似乎在看向远处某个地方，那里有她的梦，和青春的忧郁。」 </strong></p><img src="blob:https://podcaster.xiaoyuzhoufm.com/24cfd959-4bcc-4cb0-9ef8-719a6593f3ee"><p> </p><p></p><br><a href="https://oia.xiaoyuzhoufm.com/player/6a1869e17460cabdeb5777b0?openTranscript=true&utm_source=rss&as=cHQ9MTIyNjE5MjQ3JmN0PXJzcyZtdD04&autoOpen=false">在小宇宙查看该单集文稿</a>
16 total episodes available
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