by Battlecries + Champagne
Battlecries + Champagne aims to comprehensively cover the music of David Bowie (including albums, outtakes, demos and remixes), while analysing its context/history, reception and associated audio-visual media. Hosted on Ausha. See ausha.co/privacy-policy for more information.
Language
🇺🇲
Publishing Since
9/2/2025
Pitch yourself as a guest, propose sponsorships, or reach out directly to the host.
July 6, 2026
<p>Run outside in the desert heat and listen to some Heathen history🎶<br></p><p>Join Aaron, Andrew and John as they go over the context and recording history of David Bowie's critically acclaimed Heathen album from 2002. Topics include: musicians and personnel on the album, contemporary critical reception and the album's true relationship with the 9/11 terrorist attacks.</p><p><br></p><p>00:00 - Introduction</p><p>03:39 - Where Are We Now? (album context and history)</p><p>20:43 - Telling Lies (Heathen's relationship with 9/11)</p><p>26:38 - They Say (critical reception and charts)</p><p><br></p><p>If you want to contact the show, we’d love to hear from you!</p><p><a href="mailto:Battlecriesandchampagne@outlook.com">Battlecriesandchampagne@outlook.com</a></p><p>Battlecries + Champagne on YT</p><p> </p><p>Bowie audio in the podcast is not owned by Battlecries + Champagne and is, rather, the work of David Bowie. Music is used under the fair dealing provision in Canadian copyright law to the best of our understanding. We encourage listeners interested in hearing the full versions of tracks to purchase them at their local record stores, through online digital music stores or heck, provide the Bowie Estate with some streaming revenue!</p><p> </p><p>Research for the show was culled from:</p><p>Cann, Kevin. David Bowie: Any Day Now: The London Years 1947-1974 (Adelita, 2010).</p><p>Klinko, Marcus. How We Photographed David Bowie With Wild Wolves. 26 February 2016. GQ Magazine.<br>Larman, Alexander. Lazarus: The Second Coming Of David Bowie (Pegasus Books, 2026).</p><p>O'Leary, Chris. Ashes to Ashes (Repeater Books, 2018).</p><p>Pegg, Nicholas. The Complete David Bowie (Titan Books, 2016).</p><p>Soligny, Jérôme. David Bowie: Rainbowman 1983-2016 (Gallimard, 2020).</p><p>Thompson, Dave. Hallo Spaceboy: The Rebirth of David Bowie (ECW Press, 2006).</p><p>Trynka, Paul. David Bowie: Starman (Little, Brown and Company, 2011).</p><p>Visconti, Tony. The Autobiography: Bowie, Bolan and the Brooklyn Boy (HarperCollins, 2007)</p><br/><p>Hosted on Ausha. See <a href="https://ausha.co/privacy-policy">ausha.co/privacy-policy</a> for more information.</p>
June 1, 2026
<p>In this episode of Battlecries + Champagne, Aaron, Andrew and John investigate David Bowie's rarest bubble of output: his voicework in 1978's Peter And The Wolf (Sergei Prokofiev's symphonic fairytale) and 2007's Atlantis Squarepants (a TV movie in the Spongebob Squarepants universe).</p><p> </p><p>Though the trio are just saplings in the world of audio recording themselves, they decide to tackle Bowie's spoken word oeuvre head on.</p><p> </p><p>00:00 Introduction</p><p>06:39 Where Are We Now? (the history of Peter And The Wolf and Spongebob Squarepants)</p><p>26:33 They Say</p><p>28:21 Peter And The Wolf review</p><p>39:58 Atlantis Squarepants review</p><p>46:26 Your Record Sleeves Are Better Than Your Songs (album artwork discussion)</p><p> </p><p>If you want to contact the show, we’d love to hear from you!</p><p><a href="mailto:Battlecriesandchampagne@outlook.com">Battlecriesandchampagne@outlook.com</a></p><p>Battlecries + Champagne on YT</p><p> </p><p>Bowie audio in the podcast is not owned by Battlecries + Champagne and is, rather, the work of David Bowie. Music is used under the fair dealing provision in Canadian copyright law to the best of our understanding. We encourage listeners interested in hearing the full versions of tracks to purchase them at their local record stores, through online digital music stores or heck, provide the Bowie Estate with some streaming revenue!</p><p> </p><p>Research for the show was culled from:</p><p> </p><p>Associated Press. Spongebob creator Stephen Hillenburg dead at 57. Nov. 27 2018.</p><p>Banks, Steven. Spongebob Exposed! The Insider’s Guide to Spongebob Squarepants. Nickleodeon Publishing, 2019.</p><p>Doggett, Peter. The Man Who Sold The World: David Bowie and the 1970s (Harper, 2012).</p><p>Morrison, Simon. The People’s Artist: Prokofiev’s Soviet Years. Oxford University Press, 2009.</p><p>O'Leary, Chris. Ashes to Ashes (Repeater Books, 2018).</p><p>Pegg, Nicholas. The Complete David Bowie (Titan Books, 2016).</p><p>Robinson, Harlow. Sergei Prokofiev: A Biography. Viking Penguin, 1987.</p><p>Soligny, Jérôme. David Bowie: Rainbowman 1967-1980 (Monoray, 2023).</p><p>Tyler, Adrienne. Spongebob Squarepants: The True Story Behind David Bowie’s Cameo. ScreenRant. Jan. 29 2020.</p><p>Wikipedia.</p><p>Wolfe, Jennifer. Paul Tibbit Talks About That Time David Bowie did Voice Work for Spongebob Squarepants. Animation World Network. Jan 18 2016.</p><p>Young, Charles. David Bowie learns to live again. Wilmington Morning Star. Dec. 23 1977.</p><br/><p>Hosted on Ausha. See <a href="https://ausha.co/privacy-policy">ausha.co/privacy-policy</a> for more information.</p>
May 18, 2026
<p>In this episode of Battlecries + Champagne, Aaron, Andrew and Jon have that baby spell put on them as they sift their way through remixes of David Bowie's Magic Dance.</p><p><br></p><p>Remixes discussed:</p><ul><li><p>05:33 - single version</p></li><li><p>10:19 - A Dance mix</p></li><li><p>14:36 - dub mix</p></li><li><p>17:41 - Danny S magic party mix</p></li></ul><p><br></p><p>If you want to contact the show, we’d love to hear from you!</p><p><a href="mailto:Battlecriesandchampagne@outlook.com">Battlecriesandchampagne@outlook.com</a></p><p>Battlecries + Champagne on YT</p><p> </p><p>If you want to listen along, here's a YouTube playlist featuring all the songs/videos discussed: <a href="https://youtube.com/playlist?list=PLyjkFh0YAk7vMTle3XzELPxF34BO-Fr1J&si=9SnHRbxe9KdGmxXh">https://youtube.com/playlist?list=PLyjkFh0YAk7vMTle3XzELPxF34BO-Fr1J&si=9SnHRbxe9KdGmxXh</a></p><p> </p><p>On that note, music in the podcast is not owned by Battlecries + Champagne and is, rather, the work of David Bowie. Music is used under the fair dealing provision in Canadian copyright law to the best of our understanding. We encourage listeners interested in hearing the full versions of songs to purchase them at their local record stores, through online digital music stores or heck, provide the Bowie Estate with some streaming revenue!</p><p><br></p><p><br></p><br/><p>Hosted on Ausha. See <a href="https://ausha.co/privacy-policy">ausha.co/privacy-policy</a> for more information.</p>
Have a different question and can't find the answer you're looking for? Reach out to our support team by sending us an email and we'll get back to you as soon as we can.
Battlecries + Champagne aims to comprehensively cover the music of David Bowie (including albums, outtakes, demos and remixes), while analysing its context/history, reception and associated audio-visual media.
Hosted on Ausha. See ausha.co/privacy-policy for more information.
This podcast updates daily.
This podcast is available on 4 platforms including Apple Podcasts, Spotify, and more. You can also use the RSS feed directly.
No, this podcast does not typically feature guests.
Pod Engine is not affiliated with, endorsed by, or officially connected with any of the podcasts displayed on this platform. We operate independently as a podcast discovery and analytics service.
All podcast artwork, thumbnails, and content displayed on this page are the property of their respective owners and are protected by applicable copyright laws. This includes, but is not limited to, podcast cover art, episode artwork, show descriptions, episode titles, transcripts, audio snippets, and any other content originating from the podcast creators or their licensors.
We display this content under fair use principles and/or implied license for the purpose of podcast discovery, information, and commentary. We make no claim of ownership over any podcast content, artwork, or related materials shown on this platform. All trademarks, service marks, and trade names are the property of their respective owners.
While we strive to ensure all content usage is properly authorized, if you are a rights holder and believe your content is being used inappropriately or without proper authorization, please contact us immediately at hey@podengine.ai for prompt review and appropriate action, which may include content removal or proper attribution.
By accessing and using this platform, you acknowledge and agree to respect all applicable copyright laws and intellectual property rights of content owners. Any unauthorized reproduction, distribution, or commercial use of the content displayed on this platform is strictly prohibited.