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Battuto and Pizzicato – Concertzender | Klassiek, Jazz, Wereld en meer
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7/29/2022
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Recent Episodes
August 13, 2022
Episode 5. The Spanish folklore and the end of the battuto-pizzicato style.
Towards the end of the 17th century, solo works for guitar appear for the first time in Spain, in books by Gaspar Sanz and Francisco Guerau. It is worth noting that this music is mainly in the plucked style (punteado in Spanish), and that strummed chords (rasgueado) are largely absent.<br /> After 1700, almost no music in the mixed battuto-pizzicato style appeared anymore in France and Italy. The last book of guitar music from Italy was published by Ludovico Roncalli in 1692, and twenty years after Robert de Visée published his second book (1686), only in 1705 François Campion’s Nouvelles Decouvertes appeared in France.<br /> In this episode, we will also hear the music by Domenico Rainer which was recently rediscovered. In Rainer’s works, we find clearly recognisable parallels with the violin music of Archangelo Corelli.<br /> <br /> Gaspar Sanz (1640 – 1710)<br /> <br /> * Canarios<br /> * Pavanas<br /> <br /> Rolf Lislevand, baroque guitar<br /> (cd Encuentro Sanz & Santa Cruz, Astrée E 8575, 1997)<br /> <br /> Gaspar Sanz<br /> <br /> * Canarios<br /> <br /> Miguel Rincon, baroque guitar<br /> (cd Sones del Viejo Mundo, Lindoro NL3042, 2019)<br /> <br /> José Marin (fl. 2nd half 17th c.)<br /> <br /> * Sepan todos que muero<br /> * Coraçon in Prision<br /> <br /> Maria-Luz Álvarez, soprano and Lex Eisenhardt, baroque guitar<br /> (cd Spanish Songbooks, Emergo EC 3928-2, 2000)<br /> <br /> Ludovico Roncalli (1654–1713)<br /> <br /> * Allemande<br /> <br /> Bernhard Hofstötter, baroque guitar<br /> (cd Roncalli: Complete Guitar Music, Brilliant Classics 95856, 2021)<br /> <br /> Archangelo Corelli (1653 – 1713)<br /> From Sonata op. 5 nr. 8:<br /> <br /> * Preludio<br /> * Allemanda<br /> <br /> The Avison Ensemble<br /> (cd Corelli Opus 5 Violin Sonatas, Linn Records, CKD412, 2013)<br /> <br /> Archangelo Corelli, arr. Santiago de Murcia (1673 – 1739)<br /> <br /> * Toccata<br /> * Allegro<br /> <br /> Stefano Maiorana, baroque guitar<br /> (cd Santiago de Murcia: Entre dos almas, Arcana A484, 2021)<br /> <br /> Domenico Rainer (fl. c. 1700)<br /> <br /> * Suite in G minor<br /> <br /> – Allemande<br /> – Allegro<br /> – Giga<br /> – Sarabanda<br /> – Gavotta<br /> – Giga dell’ Rainer<br /> Lex Eisenhardt, baroque guitar<br /> (cd Domenico Rainer works for Baroque Guitar, Brilliant Classics 95866, 2019)<br /> <br /> Santiago de Murcia<br /> <br /> * Fandango<br /> <br /> Stefano Maiorana, baroque guitar<br /> (cd Santiago de Murcia: Entre dos almas, Arcana A484, 2021)<br /> <br /> Jean-Philippe Rameau (1683 – 1764)<br /> <br /> * La Villageoise<br /> <br /> Sophie Yates, harpsichord<br /> (cd Rameau: Pièces de Clavecin Vol. 1, Chandos CHN659.2, 2000)<br /> <br /> François Campion (1686-1747)<br /> <br /> * Les Soupirs<br /> * Gigue la Somptueuse<br /> <br /> Lex Eisenhardt, baroque guitar<br /> (personal archive)<br /> <br /> Domenico Rainer<br /> <br /> * Giga in B minor<br /> <br /> Lex Eisenhardt, baroque guitar<br /> (cd Domenico Rainer works for Baroque Guitar, Brilliant Classics 95866, 2019)<br />
August 10, 2022
Episode 4. The Royal Guitar
In contrast to Italy, where guitar books had been published since the beginning of the 17th century, the French repertoire in the battuto-pizzicato style emerged only about half a century later. In a short time, between 1671 and 1686, a considerable number of works appeared in print.<br /> The predilection that Louis XIV and his court composer Lully had for song and dance was of great influence. In Lully’s ballets and operas, various characters from the commedia dell’arte appear, such as Scaramouche, a creation by the actor Tiberio Fiorilli. This Scaramouche is often depicted with a guitar in hand.<br /> In addition, the presence in Paris of the charismatic virtuoso Francesco Corbetta, who was a welcome guest at the Royal courts of Europe, undoubtedly influenced the widespread – but also short-lived – fashion for the guitar.<br /> In the 1680s, Robert de Visée had a special position as a court musician. He had the privilege of being summoned frequently to play the guitar before the Royal supper in the private quarters of the Sun King, attended by a small group of intimates.<br /> <br /> <br /> Francesco Corbetta (1615 – 1681)<br /> <br /> * Folia<br /> <br /> Lex Eisenhardt, baroque guitar<br /> (cd Canta Venetia!, Etcetera KTC 1316, 2006)<br /> <br /> Francesco Corbetta<br /> <br /> * Suite in A minor<br /> <br /> – Prelude<br /> – Allemande<br /> – Courante<br /> – Sarabande<br /> – Gigue<br /> Lex Eisenhardt, baroque guitar<br /> (personal archive)<br /> <br /> Jean Baptiste Lully (1632 – 1687)<br /> From the Ballet de la naissance de Vénus:<br /> <br /> * Première Entrée<br /> * Etoile du point du jour<br /> * Les Heures<br /> * Menuet<br /> <br /> Les Talens Lyriques olv. Christophe Rousset<br /> (cd Lully: Ballet royal de la naissance de Venus, Aparte AP255, 2021)<br /> <br /> Francesco Corbetta<br /> <br /> * Caprice de Chaconne<br /> <br /> Lex Eisenhardt, baroque guitar<br /> (personal archive)<br /> <br /> Robert de Visée (fl. 1682 – 1632)<br /> <br /> * Suite in D minor<br /> <br /> – Prelude<br /> – Allemande<br /> – Courante<br /> – Sarabande<br /> – Gavotte<br /> – Bourrée<br /> – Menuet I and II<br /> – Gigue<br /> – Passacaille<br /> Lex Eisenhardt, baroque guitar<br /> (personal archive)<br /> <br /> Antoire Forqueray (1672 – 1745)<br /> <br /> * La Sylva<br /> <br /> André Lislevand, viola da gamba<br /> (cd Forqueray unchained, Arcana A486, 2021)<br /> <br /> Robert de Visée<br /> <br /> * Suite in G major<br /> <br /> – Prelude<br /> – Allemande<br /> – Courante<br /> – Menuet<br /> – Gavotte en rondeau<br /> – Gigue<br /> Fred Jacobs, theorbo<br /> (cd Robert de Visée, pieces de theorbe, Metronome MET CD 1072, 2008)<br /> <br /> Marin Marais (1656 – 1728)<br /> <br /> * La guitare<br /> <br /> André Lislevand, viola da gamba, Jadran Duncumb, theorbo<br /> (cd Forqueray unchained, Arcana A486, 2021)<br />
August 7, 2022
Episode 3. Michelangelo Bartolotti.
The heyday of the battuto-pizzicato repertoire was in the second half of the 17th century. The guitar’s greatest success was mainly due to a few charismatic virtuosi such as Francesco Corbetta, who was a welcome guest at the courts of Europe. However, some of the most important innovations in terms of the style can be found in Bartolotti’s Secondo libro (c. 1655). Angelo Michele (or Michelangelo) Bartolotti was famous mainly as a player of the theorbo, rather than as a performer of guitar music. In his second guitar book we find works in the pizzicato style of the lute, next to dances like the sarabanda and the passacaglia, which are predominantly strummed. Bartolotti’s virtuosic use of the guitar is striking, as is his successful integration of the Italian and French styles.<br /> <br /> Vincenzo Albrici (1631 – 1687)<br /> <br /> * Sinfonia in D minor<br /> <br /> Musica Antiqua Köln<br /> (cd Musica Baltica, DG Archiv 459 619-2AH, 1999)<br /> <br /> Michelangelo Bartolotti (fl. 1640 – 1669)<br /> Suite in E minor<br /> <br /> * Prelude<br /> * Allemande<br /> * Courante<br /> * Sarabande<br /> * Gigue<br /> * Passacaille<br /> <br /> Lex Eisenhardt, baroque guitar<br /> (personal archive)<br /> <br /> Giovanni Antonio Pandolfi Mealli (1624 – c. 1687)<br /> <br /> * La Vinciolina<br /> <br /> Andrew Manze, violin and Fred Jacobs, theorbo<br /> (cd Pandolfi Mealli violin sonatas, Channel Classics, CCS 5894, 1992)<br /> <br /> Michelangelo Bartolotti<br /> <br /> * Prelude<br /> * Allemande<br /> <br /> Simon Linné, theorbo<br /> (cd l’Art du théorbiste, Brilliant Classics 95426, 2017)<br /> <br /> Johann Jacob Froberger (1616 – 1667)<br /> Suite in D minor<br /> <br /> * Allemande<br /> * Courante<br /> * Sarabande<br /> * Gigue<br /> <br /> Gilbert Rowland, harpsichord<br /> (cd Froberger: Suites for harpsichord, Athene Records ATH 23204, 2019)<br /> <br /> Michelangelo Bartolotti<br /> <br /> * Sarabande<br /> * Gigue<br /> * Chaconne<br /> <br /> Simon Linné, theorbo<br /> (cd l’Art du théorbiste, Brilliant Classics 95426, 2017)<br /> <br />
5 total episodes available
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