DanceOutsideDance is a podcast of interdisciplinary conversations. We consider it an open research forum; a bridging space where we embrace the unresolved. Our investigations engage with diverse modalities and approaches to collaboration, technology and digital media, performance making, relational practice, neuroscience, anthropology and somatics.<br /><br />We try to listen to what arises in the episodes to cultivate critical thinking and open dialogue.<br /><br />DanceOutsideDance is artist-led and self-funded and was initiated by Laura Colomban, Michaela Gerussi and Julia Pond. To support the podcast, subscribe at <a href="https://www.patreon.com/danceoutsidedance" rel="noopener">https://www.patreon.com/danceoutsidedance</a>.<br /><br />Intro Soundtrack created by Tom Reeves.<br /><br />Collaborators<br />Laura Colomban is developing a bespoke cyclical creative process through performance-making which integrates circular methodologies through expanded choreography and auditory investigation, specifically creating sites within sites through voice, movement, and sound groundwork. inhabitingthebody.org/lauracolomban<br /><br />Julia Pond is investigating embodied practices and modes of being-in-time as pathways to undermining and usurping capitalist structures. Her work also concerns eco-somatics, informed by experience as a direct lineage Duncan practitioner. juliapond.com<br /><br />Michaela Gerussi is a dance artist researching the complexities of how we sense ourselves. Informed by her studies in Craniosacral Biodynamics, her practice is concerned with the intersection of the nervous system, self-regulation, affect and dance-making. michaelagerussi.com
DanceOutsideDance
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Podcast Overview
DanceOutsideDance is a podcast of interdisciplinary conversations. We consider it an open research forum; a bridging space where we embrace the unresolved. Our investigations engage with diverse modalities and approaches to collaboration, technology and digital media, performance making, relational practice, neuroscience, anthropology and somatics.<br /><br />We try to listen to what arises in the episodes to cultivate critical thinking and open dialogue.<br /><br />DanceOutsideDance is artist-led and self-funded and was initiated by Laura Colomban, Michaela Gerussi and Julia Pond. To support the podcast, subscribe at <a href="https://www.patreon.com/danceoutsidedance" rel="noopener">https://www.patreon.com/danceoutsidedance</a>.<br /><br />Intro Soundtrack created by Tom Reeves.<br /><br />Collaborators<br />Laura Colomban is developing a bespoke cyclical creative process through performance-making which integrates circular methodologies through expanded choreography and auditory investigation, specifically creating sites within sites through voice, movement, and sound groundwork. inhabitingthebody.org/lauracolomban<br /><br />Julia Pond is investigating embodied practices and modes of being-in-time as pathways to undermining and usurping capitalist structures. Her work also concerns eco-somatics, informed by experience as a direct lineage Duncan practitioner. juliapond.com<br /><br />Michaela Gerussi is a dance artist researching the complexities of how we sense ourselves. Informed by her studies in Craniosacral Biodynamics, her practice is concerned with the intersection of the nervous system, self-regulation, affect and dance-making. michaelagerussi.com
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Publishing Since
4/8/2021
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Recent Episodes
September 18, 2023
Igor x Moreno in conversation with Daniela Perazzo (guest curator) and Julia Pond
Part of the special curated series enDurANCE, curated and guest hosted by Daniela Perazzo, and supported by the Ivor Guest Research Grant and the Race and Gender Matters Research Group at Kingston University, we discuss notions of endurance, perseverance, repetition and what they really require in art and life. Discussing their new work KARRASEKARE (the Sardinian word for Carnival) the conversation probes ideas of what collectivity can offer to duration and asks how cultural traditions can speak to our contemporary world and art. <br /><br />Keywords: <br />Endurance, contemporary dance, dance research, perseverance, tradition, carnival <br /><br />As of publication in September 2023, Igor x Moreno are preparing for new tour dates in 2023/24 across the UK and Europe. All information can be found here: <br /><a href="http://igorandmoreno.com/calendar/" target="_blank" rel="noreferrer noopener">http://igorandmoreno.com/calendar/</a><br /><br />Igor x Moreno is the name under which the works created by choreographers Igor Urzelai and Moreno Solinas – in collaboration with an extended group of artists – are presented. Igor x Moreno’s works stem from a fascination for people and what makes us such special animals. They use choreography and mostly non-verbal languages to create experiences which can surprise, energise and unsettle. Their works – highly constructed whilst deeply concerned with liveness – visit and escape different genres and styles.Igor x Moreno’s creative processes favour questions over answers, action over narration, communication over expression, alterity over diversity, patience over productivity. They don’t see entertainment as their duty, but as a useful communication tool. They work with rigour and playfulness. They value pointlessness. The team – based across Europe – gathers in Sardinia and London, from where Igor x Moreno’s works have toured extensively in Europe and also in North and South America, Africa and Asia. Awards and recognitions include the Rudolf Laban Award and National Dance Awards and Total Theatre Awards nominations; their works have been selected for Aerowaves (2011, 2013 and 2015), NID Platform, British Council Showcase and British Dance Edition. Moreno Solinas and Igor Urzelai are affiliate artists of The Place (London), co-directors of Sardinian production company S’ALA (<a href="http://www.s-ala.com/" target="_blank" rel="noreferrer noopener">www.s-ala.com</a>) and members of the Cultural Advisory Board of British Council Italy.<br /><br />Daniela Perazzo is a dance and performance scholar with a specialist interest in the intersections of the aesthetic and the political in interdisciplinary movement practices and experimental dramaturgical processes. She is a Senior Lecturer in Dance and Postgraduate Research Coordinator for the Department of Performing Arts and the School of Arts. She received a PhD in Dance Studies from the University of Surrey, funded by a university scholarship (2004-2007). Her first monograph, Jonathan Burrows: Towards a Minor Dance, was published by Palgrave Macmillan in 2019 in the "New World Choreographies" series. Other recent publications include articles in Dance Research Journal, Performance Philosophy, Performance Research, Choreographic Practices and Contemporary Theatre Review.
July 10, 2023
Lenio Kaklea in conversation with Daniela Perazzo (guest curator) and Michaela Gerussi
Introduced by Michaela Gerussi, this episode follows a conversation between Daniela Perazzo and invited guest Lenio Kaklea. It is one episode in a three-part series, enDurANCE, co-curated with Daniela. The series has been produced with the support of an Ivor Guest Research Grant awarded by the Society of Dance Research and the Race/Gender Matter research group of Kingston School of Art.<br /><br /><b>works by Lenio discussed in the conversation:</b><br /><br />Practical encyclopedia - http://www.abd-contents.com/choreography/encyclopedie_pratique.php<br />detours - http://www.abd-contents.com/choreography/detours.php<br />balade - http://www.abd-contents.com/choreography/ballad.php<br />Αγρίμι (Fauve) - http://www.abd-contents.com/choreography/fauve.php<br /><br />Αγρίμι (Fauve) will be presented in London at Serpentine in early winter 2024<br /><br /><br />Lenio mentions a quote on 'the institution' from American artist Andrea Fraser <br /><b></b><br /><br /><b>Bios:</b><br /><br />Lenio Kaklea is a dancer, choreographer, director and writer who was born in Athens and is based in Paris. She studied at the national conservatory of contemporary dance in Athens where she trained in classical ballet and American modern techniques. In 2005 she was awared a scholarship and moved to France. Lenio's artistic practice uses a wide range of media including choreography, text and video, and is influenced by feminisim and post-colonial critique. In her work she explores the production of subjectivity through the organized transmission of movements and reveals the intimite spaces in which we construct our identity. In 2009 Lenio founded abd with Lou Forster. The company develops choreographic and curatorial projects that explore the intersections of dance, research and critical theory.<br /><br />Daniela Perazzo is a dance and performance scholar with a specialist interest in the intersections of the aesthetic and the political in interdisciplinary movement practices and experimental dramaturgical processes. She joined Kingston University London in 2014, having previously taught at the University of Surrey. She is a Senior Lecturer in Dance and Postgraduate Research Coordinator for the Department of Performing Arts and the School of Arts. Her first monograph, Jonathan Burrows: Towards a Minor Dance, was published by Palgrave Macmillan in 2019.
June 26, 2023
Anne Bourne in conversation with Laura Colomban
Anne Bourne <br /><br />With experience in international intermedia performance and recording, composer/artist Anne Bourne (based in Tkaronto) creates emergent streams of cello, piano and field recordings. Anne facilitates environmental listening through the text scores and listening practice of Pauline Oliveros and walking. A Chalmers Fellow, Anne explores equanimity, microtonal sound, listening and the wave patterns of water.<br />I met Anne during the workshop Creative Composition at Banff Centre for Arts and Creativity in Canada, and had the opportunity of collaborating with her at the Venice Biennale for the sound installation Cassini’s Dream created by the artist China Blue. What stroked me from the moment I start to be with Anne in the same room, creating (and also not, just chatting and giggling) is her presence and presence to the sound, the one already present and the one created, as she composes the aliveness of the present moment, with the environment and I have been a witness of how this fine attunement changes not just the whole quality of the room, but also the listener.<br /><br />‘What is heard is changed by listening and changes the listener..’ <br />Pauline Oliveros<br /><br />credits for audio <br />elements of Nearshore: a one hour sound installation under the Gardiner Expressway <br />composer: anne bourne <br /><br />Some of the topics we have covered<br />Pauline Olivieros / Deep Listening<br />Climate: Sea level rise <br />Wave patterns, shorelines, singing practices<br />Chant traditions: Sardinia, throat singing and harmonic chants in France<br />Listening walks<br />Ocean Space, TB21 Academy<br />Climate refugees, frontline issues <br />Listening according to perspectives<br />Territorial Agency and ocean literacy through Ocean Space<br /><br />References we have talked about:<br /><br />Hildegard Westerkamp<br />https://hildegardwesterkamp.ca/<br /><br />Tb21Academy<br /> https://www.ocean-space.org/about/tba21-academy <br /><br />China Blue<br />http://chinablueart.com/<br /><br />Cassini’s Dream:<br />https://vimeo.com/349192449?login=true<br /><br />Karen Power<br /> https://karenpower.ie/listening-antartica.html<br /><br />Library of Water<br /> https://www.west.is/en/service/library-of-water<br /><br />Astrida Neimanis<br />Bodies of Water: Posthuman Feminist Phenomenology<br /><br />Quantum Listening<br />Pauline Oliveros, Ione, Laurie Anderson, Aura Satz<br />
18 total episodes available
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